Citters darrell (19 Ergebnisse)

Trade Paperback. Zustand: Good. Fourth Printing. 192pp., index, biblio., ill. Light edgewear. Size: 8vo - over 7¾" - 9¾" tall. Van Citters Jr., Darrell A. (illustrator). Book.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: Very Good. Hardcover, 231 pages. Illustrated in color. ?I Say, I Say . . . Son!? offers a rare behind-the-scenes look at the work of the McKimson brothers, three of the most accomplished and influential animators in history. Tracing the brothers? careers from the 1920s onward, this beautifully illustrated book details how Bob McKimson created such beloved characters as Foghorn Leghorn, the Tasmanian Devil, Sylvester Jr., and the original Speedy Gonzales, and explores Chuck and Tom McKimson?s voluminous body of work at Warner Bros. Cartoons, Dell Comics, and Golden Books. Featuring original art from the Golden Age of Animation, ?I Say, I Say . . . Son!? includes a wealth of material from the top animation archives?original drawings, reproductions of animation cels, comic book illustrations, lobby cards, and screen captures?along with never-before-seen photographs and other memorabilia from author Robert McKimson Jr.?s personal collection.?I Say, I Say . . . Son!? is a vibrant tribute to three groundbreaking animators whose long careers included work on the Looney Tunes, Pink Panther, and Mr. Magoo series, as well as many other animation classics. Record # 369422.…

Hardcover. Zustand: Near Fine. Near Fine dj. First Edition. [extremely light shelfwear and minor bumping to lower corners, otherwise as-new; the jacket is similarly nice, with only some faint wrinkling along the top and bottom edges]. (color and B&W illustrations; photographs) A deeply-researched, entertainingly-written history of the "rabbit for all seasons," issued to mark the 50th anniversary of his creation, and covering his animated life from the several proto-Bugs bunnies that popped up in several Warner Bros. cartoons in the late 1930s, "through the classic Bugs of the 1940s and the ultimate refinements of his character in the 1950s and 1960s." With two Prefaces, by two of the wascally wabbit's directors:=, Friz Freleng and Chuck Jones. Also included is a 64-page magazine-format publication, "Bugs Bunny: He's 50 Folks!: A Special Birthday Tribute to America's Favorite Rabbit" (see second scanned image); among its many interesting features are interviews with both Freleng and Jones. ****NOTE that additional postage charges will be assessed for international shipping of this heavy book; if this concerns you, please contact us for a shipping quote before placing your order. As always at ReadInk, domestic Media Mail shipping is free.****. Illustrated by (dj design) Darrell Van Citters & Alan Bodner (illustrator). …

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New.

Hardcover. Zustand: Brand New. 128 pages. 11.00x8.50x0.75 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - One animation empire was built on a mouse, another was built on a rabbit. This one was built on the unlikely combination of a moose and squirrel. It began in the late 1940's, when Jay Ward and his lifetime friend, Alex Anderson, joined forces to create a cartoon series for the fledgling medium of television with a budget that would make 'shoestring' look generous. The result was Crusader Rabbit, which debuted on a local NBC affiliate in Los Angeles in mid-summer of 1950. The cheaply produced and minimally animated series became the inauspicious and unlikely beginning of a TV animation powerhouse with a defiantly innovative-and influential-brand of humor that shaped animated comedy for decades. As the 1950's drew to a close, Ward, with now-former partner Anderson's blessing, took two characters from an unsold series they had developed together, teamed with writer Bill Scott and a couple of freelance UPA artists, and created a short pilot film starring a flying squirrel and a hapless but hilarious moose. That pilot, Rocky The Flying Squirrel, launched an animation studio that turned out the funniest, hippest and most satirical cartoons on television and creating a comic vocabulary for generations of children and their parents.The shows produced at Jay Ward Productions featured the wittiest writing in the medium, some of the best character voice work, and . some of the worst animation. Assembling a staff of first rate writers and artists, Jay Ward was undermined by the cheapest budgets in what was already a low-budget medium. And it showed. In one of the earliest examples of runaway production, Ward was forced to send the animation out of the country. But what was happening with the art off the screen revealed a fascinating dichotomy of the brilliant draftsmanship on the drawing boards and the crude but effective work that was aired.This behind-the-scenes artwork was never meant to be seen by the general public but was merely a means to an end. Now, for the first time anywhere, we are provided an in-depth look at the comic artistry of a talented group of designers, storytellers and directors who created such fondly remembered shows as Rocky and His Friends, Fractured Fairy Tales, Peabody's Improbable History, Dudley Do-right, George of the Jungle and Super Chicken.…

Zustand: New.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.