Clarrie wallis (194 Ergebnisse)

Paperback. Zustand: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. With Powell's sticker on front Very Good paperback with light shelfwear - NICE! Oversized.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Fine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Zustand: Very Good. 01st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Paperback. Zustand: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Paperback. Zustand: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Paperback. Zustand: Like New. Clean copy. May have remainder mark.

Zustand: New. A survey of the hugely important British sculptor, it includes interviews with the artist on his major key works. Published to accompany a major exhibition at Tate Britain. Series: Modern Artists Series. Num Pages: 128 pages, 100 colour. BIC Classification: ACXJ; AFKB; AGB. Category: (G) General (US: Trade). Dimension: 270 x 212 x 11. Weight in Grams: 600. 2014. paperback. . . . . Books ship from the US and Ireland. …

Zustand: New. 2011. paperback. . Not a first edition copy. . . . Books ship from the US and Ireland.

Paperback. Zustand: Very Good. Clean, tightly bound copy showing very light general wear. Square 4to. 111pp.

Soft cover. Zustand: Very Good. Paperback.

Zustand: New. A survey of the hugely important British sculptor, it includes interviews with the artist on his major key works. Published to accompany a major exhibition at Tate Britain. Series: Modern Artists Series. Num Pages: 128 pages, 100 colour. BIC Classification: ACXJ; AFKB; AGB. Category: (G) General (US: Trade). Dimension: 270 x 212 x 11. Weight in Grams: 600. 2014. paperback. . . . . …

Zustand: New. 2011. paperback. . Not a first edition copy. . . .

Zustand: As New. Unread book in perfect condition.

Soft cover. Zustand: Near Fine. Softcover, 4to., 159pp. A clean, tight copy. Exhibition Catalog.

Soft cover. Zustand: Near Fine. Just light wear to edges and corners. Very bright and solid - many illustrations.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: N/A. 104pp, in-text illustrations and photographs throughout. Quarter bound in brown cloth under illustrated paper-covered boards, white titles on spine; brown endpapers. 4to. Rubbed on spine ends with cloth wearing. Internally neat, clean, bright and tight. …

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New.

Hardback. Zustand: New. Patrick Caulfield was a student at the Royal College of Art between 1960-63 alongside David Hockney and Allen Jones. His subject matter draws more from the masters of modern art such as Braque and Gris than from the consumer culture that preoccupied his fellow students. His work is characterised by a reductive, streamlined use of line and the depiction of banal, everyday objects saturated in colour. Caulfield consistently used screenprint for his graphic work following his introduction to the medium by Richard Hamilton and Chris Prater in 1964. The deceptive simplicity of his images, perfectly matched by the aesthetic capacities of the process, is clear throughout the various phases of his printmaking career. During his lifetime the Serpentine Gallery, the Hayward Gallery and the Tate Gallery in London all held major retrospectives of his paintings. More recently his prints were the subject of a survey at Tate Liverpool. Caulfield died in 2005 having made an indelible contribution to British painting and printmaking.…

Hardback. Zustand: New. Patrick Caulfield was a student at the Royal College of Art between 1960-63 alongside David Hockney and Allen Jones. His subject matter draws more from the masters of modern art such as Braque and Gris than from the consumer culture that preoccupied his fellow students. His work is characterised by a reductive, streamlined use of line and the depiction of banal, everyday objects saturated in colour. Caulfield consistently used screenprint for his graphic work following his introduction to the medium by Richard Hamilton and Chris Prater in 1964. The deceptive simplicity of his images, perfectly matched by the aesthetic capacities of the process, is clear throughout the various phases of his printmaking career. During his lifetime the Serpentine Gallery, the Hayward Gallery and the Tate Gallery in London all held major retrospectives of his paintings. More recently his prints were the subject of a survey at Tate Liverpool. Caulfield died in 2005 having made an indelible contribution to British painting and printmaking.…