collareta (76 Ergebnisse)

Soft cover. Zustand: Good. Light wear to cover; tight binding; pencil markings inside front cover, otherwise pages are clean. We are a library for a Benedictine abbey and seminary in Oregon; we appreciate your business!

Zustand: NUOVO. Firenze, S.P.E.S Studio per Edizioni Scelte cm.14x24, pp.93, 66 figg.bn.nt. brossura con bandelle, cop.fig. Collana Museo Nazionale del Bargello. Mostre.

Zustand: COME NUOVO. Firenze, S.P.E.S Studio per Edizioni Scelte cm.13,5x21, pp.32, num.figg.bn.e col.nt. brossura con cop.fig.a col. Collana Lo Specchio del Bargello,2.

Zustand: NUOVO. Tipografia Bongi cm.15x21, pp.48, ill.a colori. brossura con copertina figurata a colori.

N. PAG. 48 - BROSSURA ILL. - OTTIMO.

Softcover-Großformat. Zustand: Gut. 48 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Leichte altersbedingte Anbräunung des Papiers. In ITALIENISCHER Sprache. Sprache: Italienisch Gewicht in Gramm: 340.

Paperback. Zustand: New. Negrini, Carla (illustrator). Illustrated.

Softcover. 104 pp. Softcover. Very good condition; touches of wear on edges of covers and of papers.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, June 15 (weekend SALE item)* 302 pp., HARDCOVER!, minor age discoloration to page edges, else very good in a very good dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Zustand: New. Negrini, Carla (illustrator). Illustrated.

Softcover. Zustand: Very good condition. 104 pp. Softcover.

Zustand: Buone. italiano Condizioni dell'esterno: leggermente logorata Condizioni dell'interno: leggermente ingiallite.

Zustand: NUOVO. Ospedaletto, Pacini Editore cm.25x29, pp.192, illustrazioni. legatura editoriale cartonata, copertina figurata a colori. Collana Biblioteca del Bollettino Storico Pisano. Arte, 12. Il biennio 2023-24 segna una tappa importante nella vicenda postuma di San Tommaso d'Aquino. Rievocando con la cifra tonda dei centenari e semi-centenari da un lato la canonizzazione del Doctor Angelicus nel 1323 e dall'altro la sua morte nel 1274, esso ha visto affiorare un po' ovunque nel mondo un rinnovato interesse per colui che è unanimemente riconosciuto come il maggior filosofo scolastico. A Pisa, il fenomeno s'è concretizzato nel restauro di due capitali monumenti che nella chiesa di Santa Caterina d'Alessandria perpetuano la memoria del santo, vale a dire la gran tavola del Trionfo di san Tommaso d'Aquino e la preziosa reliquia della cattedra riferita allo stesso. Da qui l'idea di questo libro, che alle puntuali relazioni dei lavori di restauro unisce un dettagliato repertorio fotografico delle due opere e una serie di saggi tesi ad illustrarne le complesse implicazioni sul piano sia della storia che dell'attualità. Precede il tutto una riflessione di monsignor Giovanni Paolo Benotto, arcivescovo di Pisa, circa l'importanza giocata dai beni culturali e dalla loro scrupolosa tutela nel definire l'identità religiosa di ogni comunità ecclesiastica. A cura di Marco Collareta.

Paperback. Zustand: Very Good. First Edition. Very good 383 page large format PB. Illustrated throughout in colour.Text in Italian.

Zustand: UsatoBuono. Bross., cm 24x14, pp 93, ill. in b/n.

Zustand: UsatoMoltoBuono. Bross., cm 21x13,5, pp 31, ill. in b/n.

Hardback. Zustand: New.

Zustand: Buono (Good). I ed., collezione Storia Universale dell'Arte", Sezione Terza, "Le Civiltà dell'Occidente" diretta da Enrico Castelnuovo. Indice generale: Premessa - Italia; di Marco Collareta - Paesi Tedeschi; di Gerhard Bott - Gli Antichi Paesi Bassi; di Philippe Sénéchal - La Francia; di Michel Hochmann - La penisola iberica; di Ana Avila - L'Inghilterra; di Marco Collareta. In-8 grande, pp. VI+330, cart., sovracc. con ill. a coll. (Albrecht Altdorfer, "Susanna al bagno e la lapidazione dei vecchi", dipinto su tavola, 1526. Monaco, Alte Pinakothek). Numerose illustrazioni a colori e in b/n. Stato buono (sovraccoperta con qualche piccolo strappo ai margini)". Book.

In-4° pp. XXIV-519 con molte foto n.t. Bross. edit. ill. Legg. alone al margine superiore degli ultimi due fogli.

Softcover. glossy black illustrated wraps w/ white printing. 217 pgs w/ color illustrations. pocket w/ DVD on interior back cover. text in Italian. Nicely detailed color illustrations. DVD remains sealed. "Accompanying DVD contains the film . 'Statue vestite di Lunigiana / una produzione La Vita delle opere dalle fonti al digitale ; regia, Gianluca Paoletti Barsatti.'"--WorldCat. VG- (glossy cover scratched & scuffed; large round ring on back cover. rubbed edge-wear. interior bright).

Paperback. Zustand: As New. Unused in shrinkwrap ; Italian Edition; Folio - over 12 - 15" tall.

Zustand: Very good.

Zustand: NEW.

Zustand: UsatoBuono. Bross., cm 23x18, pp 109 di t., 121 ill. b/n f.t.

Firenze, Associazione Amici del Bargello [.], 1985, in-8, br. edit., pp. 92, [4]. Con illustrazioni n.t.

Zustand: Fine. 608 Collareta, MarcoAvila, Ana Collareta, Marco. , Avila, Ana. ?L'?arte in Europa, 1500-1570 Torino UTET, 1998. Torino, UTET 1998 italiano, in quarto 325 44613608TitoloL'arte in Europa, 1500-1570 / Ana Avila . [et al.] ; a cura di Marco CollaretaPubblicazioneTorino : UTET, 1998Descrizione fisicaVI, 325 p. : ill. ; 29 cm. descrizione: copertina rigida con sovracopertacondizioni: ottime, ancora sigillato NB Questo libro, in quanto usato, potrebbe presentare segni di precedenti proprietari, quali sottolineature e scritte a matita o penna oppure timbri di appartenenza, non indicate nella scheda,come pure lievi abrasioni, piccoli strappi, piegature, tracce d'umidità, ingiallimenti delle carte, incurvamenti e foxing, tipici dei libri usati. Book.

Hardback. Zustand: New.

Hardback. Zustand: New.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. English text.; Paperback.; 24.5 x 29.5 cm.; 2.3 kg.; 359 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The exterior shows minor edge wear, scuffs and scratches on the front cover, spine and back cover. The spine shows minor wear throughout, and a slight scuff at the top. Interior with minor signs of wear.; Catalogue from the exhibition Bronzino. Artist and Poet at the Court of the Medici, held at Florence, Palazzo Strozzi, 24 September 2010-23 January 2011.; "It is difficult to think of a painter more Florentine than Bronzino. The exhibition "Bronzino. Artist and Poet at the Court of the Medici" is a landmark, and the Palazzo Strozzi the perfect setting for the first ever monographic exploration of Bronzino's paintings. The son of a butcher, Agnolo di Cosimo di Mariano, better known by his nickname Bronzino, was born on 17 November 1503 in Monticelli, then a suburb of Florence. After a short apprenticeship with Raffaellino del Garbo, in 1517-8 he became the pupil of Jacopo da Pontormo (1494-1557), and by the early 1520s he had gained some independence as a collaborator in his workshop. The friendship and professional association between Pontormo and Bronzino, who were actually relatively close in age, continued for almost four decades. Pontormo's impact on Bronzino lasted into the early 1530s. Bronzino is one of the greatest artists in the history of Italian painting, and embodies the ripening of the 'modern manner' in the years in which Cosimo I de' Medici ruled Florence. Bronzino conveyed the elegance of the Medici court with an austere beauty and 'naturalness', yet at the same time-a kind of icy aristocratic splendour. A sophisticated court painter, he was also a poet and a member of the Accademia Fiorentina. His poetry ranged from the academic style of Petrarch to ironic and satirical verses such as 'Il piato', where he describes an imaginary and symbolic journey through a giant's entrails, or 'La cipolla', a playful and erotic homage to the multi-layered complexity of female physical and metaphysical anatomy. Nor were Bronzino's interests limited to the links between painting and poetry: he also took up both pen and brush in the dispute about whether painting or sculpture was the nobler art. This dispute, known as paragone, was promoted by Benedetto Varchi, who in 1547 solicited the opinion of various artists on the subject of the primacy of the arts, including Bronzino, Michelangelo, Pontormo and Cellini. Bronzino even responded with the Portrait of the Dwarf Morgante, Cosimo I's court dwarf, shown naked on two sides of the same canvas-a picture intended to be placed in the centre of a room as though it were a sculpture. Bronzino's legacy was continued by his pupil Alessandro Allori, who developed his master's austerely formal style, while at the same time adding a strongly sentimental quality, strengthened by a naturalism whose presence became increasingly marked towards the end of the century. Allori was to paint until 1607, by which time the naturalism of Caravaggio was spreading unchecked, marking the beginning of a new era in painting. All art is contemporary in the moment of its creation, and although Bronzino's 'modern manner' was soon seen by the younger generation as old-fashioned, to modern eyes it once again seems fresh and contemporary." excerpt from the introductory text by Lovenzo Beni Smaghi, Chairman of the Fondazione Palazzo Strozzi.

Zustand: UsatoMoltoBuono. Bross., cm 21x13,5, pp 33, ill. a col. e b/n.