Cordez (56 Ergebnisse)

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket As Issued. A nice, bright copy. ; B&w and Color Illustrations; 9.5 X 6.8 X 0.7 inches; 242 pages.

Softcover. Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Buch. Zustand: Neu. Neuware - In the modern lexicon, 'object' refers to an entity that is materially constituted, spatially defined, and functionally determined. In contrast, the Latin word 'fantasia' has, since antiquity, referred to an apparition or the ability to imagine something that could be equally an object, an image, or a concept. This tension prompts further inquiry into the interrelations and differences between the experience of tangible objects (their perception and handling) and the creation of new objects (their conception and formation). What correlations exist between object fantasies, the self-consciousness of subjects, and the concrete and imagined conditions of human beings' social lives By addressing this question, this interdisciplinary book opens new perspectives in the field of object studies. ; Nach modernem Verständnis bezeichnet 'Objekt' einen real existenten, räumlich begrenzten und funktional bestimmten Gegenstand. Im Gegensatz dazu verweist 'Fantasia' seit der Antike auf eine Erscheinung oder auf das Vermögen, sich etwas vorzustellen, was Objekt, Bild und Konzept sein kann. Diese Spannung fordert dazu heraus, die Bezüge und Divergenzen zwischen der Erfahrung realer Objekte, ihrer Wahrnehmung und Handhabung, und der Kreation neuer Objekte, ihrer Konzeption und Gestaltung, zu untersuchen. Welche Zusammenhänge existieren zwischen Objektfantasien, dem Selbstbewusstsein von Subjekten und den konkreten sowie imaginierten Bedingungen gesellschaftlichen Lebens Auf der Suche nach Antworten zeigt der interdisziplinäre Band neue Perspektiven für das Gebiet der Objektwissenschaft auf.…

kart. Zustand: Sehr gut. 128 S. : zahlr. Ill. ; 22 cm Neuwertig. ISBN 9783954981168 Sprache: Deutsch Gewicht in Gramm: 338.

Zustand: Wie neu. 1. 242 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 816 Gebundene Ausgabe, Maße: 17.53 cm x 2.03 cm x 24.38 cm.…

Zustand: Neuf.

Hardcover. Zustand: Very Good. Never read, no marks or highlighting in the book. Our copy is a university discard with the usual stamps and stickers. Hardback with no dust jacket, showing light shelf-wear.

kart. 22 cm 128 Seiten. Mit Abbildungen. OKart. Sehr guter, neuwertiger Zustand. Sprache: Deutsch Gewicht in Gramm: 337.

hardcover. Zustand: New. 1st.

Hardcover. Zustand: New.

Buch. Zustand: Neu. Object Fantasies | Experience & Creation | Philippe Cordez (u. a.) | Buch | 242 S. | Deutsch | 2018 | De Gruyter | EAN 9783110476132 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

Zustand: New.

Zustand: New.

Hardcover. Zustand: Brand New. 276 pages. 11.00x8.50x1.00 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Hardcover. Zustand: Brand New. bilingual edition. 268 pages. Italian language. 11.00x8.75x1.00 inches. In Stock.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: new. Hardcover. Precious metalwork, relics, chess pieces, ostrich eggs, unicorn horns, and bones of giants were among the treasury objects accumulated in churches during the Middle Ages. The material manifestations of a Christian worldview, they would only later become naturalia and objets d'art, from the sixteenth and the nineteenth century onwards, respectively. This book traces the origination, development, and later history of church treasures, and explores the form and function of these objects of memory. They were a source of wonder for their contemporaries and remain so today, albeit for quite different reasons. Indeed, our fascination relates primarily to their aesthetic qualities and the meaning that we assign to them. Dealing also with this paradigm shift, this study opens up new paths toward a real archeology of current historiographical and museum practices. This book traces the origins, economic development, and later history of church treasures, and explores the forms and function of these objects of memory and wonder. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New.

Rilegato. Zustand: nuovo. Zustand des Schutzumschlags: nuovo. prima edizione. Harvey Miller Publishers In the Shadow of the Lion of St. Mark (HMSLSM 2) Typical Venice? The Art of Commodities,13th-16th centuries E. S. Beaucamp, P. Cordez (eds.) IV+268 p., 70 colour ill., 220 x 280 mm, 2020 ISBN: 978-1-912554-30-0 Languages: English, Italian Hardback The publication is available. Retail price: EUR 130,00 What is the art of commodities, and how does it contribute to shaping a city? The case of Venice, which perhaps more than any other late medieval or early modern city depended on trade, offers some widely applicable considerations in response to these questions. Commodities exist as such only when they can be bought and sold. Select materials, techniques and tools, motifs, and working processes are entailed in the conception and realization of commodities, with the aim of producing and selling in numbers. The art of commodities is an art of anticipation and organization, as complex as the material, social, and symbolic situations it results from, deals with, and contributes to shaping. In turn, an analysis of commodities allows for profound insights in these situations. The art of commodities ultimately presents specific challenges, solutions, and styles; it is an art of objects, as well as an art of cities and societies. In Venice, commodities did much more than circulate throughout the Lagoon: the city was made of them. The studies in this book consider the Serenissima's diverse commodities, merchants, and routes from multiple perspectives. Ella Beaucamp is a doctoral candidate at Ludwig-Maximilians-Universität München, where she developed her dissertation topic within the research group "Premodern Objects. An Archaeology of Experience", led by Philippe Cordez. She studies the high medieval stone reliefs of Venetian house facades, relating them to the larger context of Mediterranean trade and artistic production. The Centro Tedesco di Studi Veneziani, the Gerda Henkel Stiftung, and the Max Weber Foundation - German Humanities Institutes Abroad have supported her work. For her master's thesis she was the recipient of the Heinrich Wölfflin Prize from Ludwig-Maximilians-Universität München. Philippe Cordez is Deputy Director of the German Center for Art History in Paris. His research and teaching deal with medieval art history and more generally with object studies in art history. This work has been supported by the École des Hautes Études en Sciences Sociales in Paris, the Universität Hamburg, the Kunsthistorisches Institut in Florenz - Max-Planck-Institut, Ludwig-Maximilians-Universität München, the Université de Montréal, and the Sterling and Francine Clark Art Institute, Williamstown. His book Treasure, Memory, Nature: Church Objects in the Middle Ages, translated from French and awarded the Prize of the German Medievalists' Society (Mediävistenverband e.V.), is available at Harvey Miller Publishers. Table of Contents ELLA BEAUCAMP AND PHILIPPE CORDEZ Glass Vessels, Camel Imagery, House Façades: The Venetian Art of Commodities (13th-14th Centuries) MANLIO LEO MEZZACASA Sacred Objects by Venetian Goldsmiths (Late 13th-15th Centuries): Economics, Seriality, Identity NATHANIEL SILVER 'magna ars de talibus tabulis et figuris': Reframing Panel Painting as Venetian Commodity (14th-15th Centuries) BENEDETTA CHIESI Ivories of the 14th-15th Centuries: The Pride and Ill-Fortune of a 'Venetian Commodity' ELIZABETH RODINI Imitation as a Mercantile Strategy: The Case of Damascene Ware SUSANNE THÜRIGEN The Commodification of Ornament: Jacob Marquart's Table Clocks DARIO MICHELE ZORZA Crafting Venetian Quality: Printing Legislation and the Case of Gabriele Giolito's 'Orlando Furioso' (1542) Codice articolo 012649 -Language : english & italian text. …

hardcover. Zustand: New. Special order direct from the distributor.

Zustand: New. 2020. 1st Edition. hardcover. . . . . .

Buch. Zustand: Neu. Neuware - Precious metalwork, relics, chess pieces, ostrich eggs, unicorn horns, and bones of giants were among the treasury objects accumulated in churches during the Middle Ages. The material manifestations of a Christian worldview, they would only later become naturalia and objets d'art, from the sixteenth and the nineteenth century onwards, respectively. This book traces the origination, development, and later history of church treasures, and explores the form and function of these objects of memory. They were a source of wonder for their contemporaries and remain so today, albeit for quite different reasons. Indeed, our fascination relates primarily to their aesthetic qualities and the meaning that we assign to them. Dealing also with this paradigm shift, this study opens up new paths toward a real archeology of current historiographical and museum practices.…

Zustand: New. 2020. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 276 pages. 11.00x8.50x1.00 inches. In Stock.