crump robert (36 Ergebnisse)

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Madden, Robert W. (illustrator). National Geographic Society December 1982 large 8vo. 199 pages. text block crisp. dust jacket in mylar.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Madden, Robert W. (illustrator). Small 4to 9" - 11" tall; 199 pages; Book Tight, Dust Jacket shows little wear of usage Text is clean no markings seen Illustrated in Color; BX262.

Soft cover. Zustand: Fine. 1st Edition. Softcover, 39 pgs. Fine.

Soft cover. Zustand: Very Good. Side-stapled, 44 pgs. From a group of publications obtained from Dennis Hopper's estate. Includes articles on cable TV, cartoons of East Europe, character actors, Fassbinder, filmmaking in Chicago, and more. Light corner wear, small closed tear to upper right corner, light rubbing to cover.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Oversized hardback book (194 pages) illustrated with mostly b/w reproductions (a few in color). Light rubbing on boards. INTERNATIONAL SHIPPING MAY REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (LL-8-Middle-L-Flat) rareviewbooks.

Softcover. Soundly stapled binding. Pages clean, off-white. Wrappers have light shelf wear. Contents: Suckow, Modern figures of destiny: D. H. Lawrence and Frieda Lawrence. Rossman, The gospel according to D. H. Lawrence: religion in Sons and Lovers. Smailes (ed.), D. H. Lawrence: seven hitherto unpublished poems. Gajdusek, A reading of "A poem of friendship," a chapter in Lawrence's The White Peacock. Briscoe and Vicinus, Lawrence among the radicals: MMLA, 1969: an exchange. Beards and Willens, D. H. Lawrence: criticism; Septeber, 1968-December, 1969; a checklist. Crump, Doctoral dissertations on D. H .Lawrence, 1931-1968: a bibliography. Laurentiana. 9.0" tall; 92 pages. Very Good in No Dust Jacket dust jacket.

Gr.-8°, gebundene Ausgabe. Zahlreiche wunderbare Farbfotos, 207 S. Content: The Northwest; The East; The Southwest; California and Nevada, Mexico and Texas; The Midwest; Canada and Alaska, Hawaii Sprache: Englisch Gewicht in Gramm: 550.

Hardcover. Zustand: Good. 1st Edition.

Hard Cover. Zustand des Schutzumschlags: Very Good. HBDJ, Oversized Brown cloth Titled in Silver Gilt on Spine, Fifth edition Revised,1970, minor rub wear FOX DJ with Tiny Chips Tear Wear Edges Extremities DJ, VG+/VG-, AS-IS, Interior nice tight clean light wear Fox, Spine DJ Darkened Fox with small chip Top Spine DJ end but Titles Intact, 256 pgs, Index, Quarto, DJ protected in Clear Mylar, 9 x 11 1/4 inches. .Book takes its name from the famous Slogan of the Pacific Electric, whose comfortable & Speedy interurbans linked So. Californias Mountains, Beaches , Orange Groves & Cities for more than half a Century. P. E. at its peak had 1,164 miles of track & operated 6,000 scheduled cars Daily. Including Maps, Charts,Historic Photos,Engineering Data Details of Major Lines including Exact Routes and When They Operated, The book is a narrative history of the interurbans and also of the men and cities which were part of them. It recalls the battles between the rail tycoons when Henry Huntington planned to use electric interurbans for a system spanning California & possibly the nation. It analyzes the factors which ended the interurban car.

Hardcover. Zustand: new. Hardcover. Prior to World War I, printmaking in the United States was, with a few exceptions, primarily the domain of commercial enterprises that produced largely picturesque European scenes or depictions of popular towns on the East Coast. Prints of Minnesota scenes, especially by Minnesota artists, formed a very small part of American art exhibits. Robert Crump relates the fascinating story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing -- etchings, woodcuts, lithographs, drypoints, monotypes, and silk screens -- blossomed after the turn of the last century. He chronicles the support of the federal government during the 1930s and the important role played by local organisations such as the Minneapolis Institute of Art, the Walker Art Center, and the Minneapolis School of Art (now the Minneapolis College of Art and Design). This book offers short biographies of and sample prints by nearly two hundred printmakers, including Wanda Gag, Adolf Dehn, George Resler, Miriam Ibling, Syd Fossum, Gilbert Fletcher, and Gustav Goetsch.Crump's eye for memorable images makes the handsome volume a pleasure to behold for collectors and readers interested in Minnesota art. Notes on printing techniques and several appendices help newcomers appreciate the challenges of printmaking. Relates the story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing blossomed. This book chronicles the support of the federal government during the 1930s and the role played by local organisations such as the Minneapolis Institute of Art and the Walker Art Center. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: New.

hardcover. Zustand: New. Madden, Robert W. (illustrator). In shrink wrap. Looks like an interesting title!

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 375 pages : illustrations (some color) ; 28 cm ISBN 9780810939653, 9780912308463, 0810939657, 091230846X OCLC 25789827 LCCN 91068463 LC N6505 .K56 1992 Dewey 708.153 ; black plush faux leather covers with gold lettering, in color pictorial dustjacket ; artists include: Michele Felice Corne, Benjamin Wilson, David Martin, Charles Wilson Peale, Jean-Honore Fragonard, John Trumbull, Gilbert Stuart, Giuseppe Ceracchi, rembrandt Peale, Jean-Antoine Houdon, John Vanderlyn, Samuel F B Morse, Charles Bird King, James Peale, John Syme, Thomas Birch, George Cooke, Thomas Sully, Hiram Powers, Henry INman, George Caleb Bingham, John Frederick Kensett, Frederic E Church, Asher B Durand, Alvan Fisher, Severin Roesen, Fitz Hugh Lane, William Ranney, Clark Mills, William McLeod, Andrew Andrews, William M Hart, george Henry Durrie, Ferdinand Richardt, George P A Healy, Thomas ball, Thomas Nast, Wordsworth Thompson, Peter F Rothermel, William Tolman Carlton, Francis Bicknell Carpenter, Constantino Brumidi, Worthington Whittredge, Martin Johnson Heade, George Inness, James McNeil Whistler, Albert Bierstadt, William Lewis Sonntag, James F Cropsey, Alfred T Bricher, John Rogers, Andrew melrose, Charles M Russell, Frederic Remington, Winslow Homer, Maurice B Pendergast, William Merritt Chase, Ernest Lawson, Thomas Eakins, Theobald Chartran, John Singer Sargent, Mary Cassatt, Anders L Zorn, Thomas Moran, Adolph A Weinman, Childe Hassam, Sir William Orpen, Philip de Laszlo, Willard Leroy Metcalf, William Glackens, Lilla Cabot Perry, Henriette Wyeth, Paul Cezanne, Claude Monet ; FINE/FINE. Book.

Cloth. Zustand des Schutzumschlags: With Jacket. Robert Brett (illustrator). First Edition. Near Fine in a very good jacket with light spotting PP 38, 24 poems Size: 8vo - over 7¾" - 9¾" tall.

HARDCOVER. Zustand: New.

4° (27,7 x 20,7 cm); drahtgehefteter, farbig illustr. OKartbd.; 127 (1) Seiten mit zahlr. s/w-Abbildungen. Erste Ausgabe/First Edition. - Einband nur gering berieben; Heftseiten nachgedunkelt, aber sauber.

Paperback. Zustand: Brand New. 334 pages. 10.00x8.00x0.76 inches. In Stock.

Hardcover. Zustand: Brand New. 1st edition. 208 pages. 12.00x9.50x0.50 inches. In Stock.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title!

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Gebunden. Zustand: New.

Diss. Durant, Oklahoma 1928. VII, 112 pages. Softcover. Stamped.[#78633].

Hardcover. Zustand: new. Hardcover. Prior to World War I, printmaking in the United States was, with a few exceptions, primarily the domain of commercial enterprises that produced largely picturesque European scenes or depictions of popular towns on the East Coast. Prints of Minnesota scenes, especially by Minnesota artists, formed a very small part of American art exhibits. Robert Crump relates the fascinating story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing -- etchings, woodcuts, lithographs, drypoints, monotypes, and silk screens -- blossomed after the turn of the last century. He chronicles the support of the federal government during the 1930s and the important role played by local organisations such as the Minneapolis Institute of Art, the Walker Art Center, and the Minneapolis School of Art (now the Minneapolis College of Art and Design). This book offers short biographies of and sample prints by nearly two hundred printmakers, including Wanda Gag, Adolf Dehn, George Resler, Miriam Ibling, Syd Fossum, Gilbert Fletcher, and Gustav Goetsch.Crump's eye for memorable images makes the handsome volume a pleasure to behold for collectors and readers interested in Minnesota art. Notes on printing techniques and several appendices help newcomers appreciate the challenges of printmaking. Relates the story of Minnesota's graphic arts world and its growth from provincialism to part of a national movement, showing how art printing blossomed. This book chronicles the support of the federal government during the 1930s and the role played by local organisations such as the Minneapolis Institute of Art and the Walker Art Center. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

paperback. Zustand: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Zustand: Fair. No Jacket. Cover and binding are worn but intact. A reading copy in fair condition. Wear and fading on the covers. Stain on the edges. Notations made on a few pages. Secure packaging for safe delivery.

Paperback / softback. Zustand: New. Crump, Robert E (illustrator). This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Vintage studio still photograph of Grant Williams from the 1962 film. A violent ex-con embarks on a murder spree, using his court-ordered weekly therapy sessions as his alibi. Actor Onslow Stevens' final film appearance. Screenplay by noted horror and mystery writer Robert Bloch. 8 x 10 inches. Near Fine.

LeatheBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 132. A perfect gift for your loved ones. Reprinted from 1928 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 132.

paperback. Zustand: near fine. First edition. Softcover. Pictorial cover. 203pp.With 510 representations of his prints. Laid in is a typed letter from publisher who has sent three sheets of additions and corrections that are loosely laid in rear of book.

Soft cover. Zustand: Very Good. Landmark document by the Art Workers Coalition which compiled documents and correspondence aggregated to push for better situations for artists. 121 pages in stiff stapled wraps, this original is quite scarce in any condition, this copy being quite decent with one or two notes, most significant of which is a large stain to front cover, alongside some similar but significantly smaller and more faint iterations on front and back panel. Couple of teeny tiny dot stains to front and rear free endpages but hardly so and no other stains besides. Offset toning to full vertical length of front panel, also a bit around the very edges of the margins of the covers and to a lesser extent the interior pages. Staples rusted but still seem quite sturdy, and seems binding should hold well. Interior is clean and free of marks. Covers now in mylar.