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Verlag: Ugly Duckling Presse, New York, 2021
ISBN 10: 1946433454 ISBN 13: 9781946433459
Sprache: Englisch
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Paperback. Zustand: new. Paperback. In 1967, the first books of two poets were published by small presses on opposite coasts of the USA: David Hendersons Felix of the Silent Forest and Mary Norbert Kortes Hymn to the Gentle Sun. In this essay, poet, scholar, educator, and publisher Iris Cushing looks at the context of these supposedly minor poets, and through research and conversation with Korte, Henderson, and Diane di Prima, reconstructs the role of small presses in the countercultural resistance of the late 1960s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Verlag: Ugly Duckling Presse, Brooklyn, 2020
ISBN 10: 1946433454 ISBN 13: 9781946433459
Sprache: Englisch
Anbieter: Else Fine Booksellers, Tacoma, WA, USA
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Verlag: strange untried, Lamontville, NY, 2023
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Staple-bound. Zustand: Fine. Zustand des Schutzumschlags: None. Limited Edition chapbook, 15 pages, 7.5 x 5.5", text interspersed with photographs. Signed to title page by Cushing.
Verlag: Galleria Alessandro Bagnai, Florence, 2010
ISBN 10: 8883414535 ISBN 13: 9788883414534
Sprache: Englisch
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Zustand: fine. Text in English and Italian. Black & white photographic illustrations. Unpaginated. Slim 4to, gray pictorial boards (no text at the spine). Florence, Italy: Galleria Alessandro Bagnai, (2010). A fine copy. Sections of text translated from the Italian by Christina N. Caughlan.
Verlag: Galleria Alessandro Bagnai, Firenze, 2010
ISBN 10: 8883414535 ISBN 13: 9788883414534
Sprache: Englisch
Hardcover. BW-illustrated boards with white and black lettering. 28 pp. BW illustrations. Includes poems by Iris Cushing. Signed by George Woodman on title page. VG- light wear to edges and corners.
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Paperback. Zustand: new. Paperback. Radiant and energetic abstractions of the human figure in the latest works from acclaimed painter Loie HollowellNew York-based painter Loie Hollowell (born 1983) has evolved a dynamic vocabulary of dimensionality, color and geometric shape. Abstracting the human figure, Hollowells paintings explore the dualities of light, and volume and scale, blurring the lines between the illusory and the real. In particular, her latest body of work explores her relationship to different stages of her pregnancy from conception to birth to motherhood. Nonetheless, subject matter in Hollowells work often emerges through phenomenological encounter rather than narrative content, tapping the depth of the artists embodied experience.This catalog for Hollowell's exhibition Plumb Line, an inaugural show at Pace Gallery's new headquarters in New York, features nine large-scale paintings, as well as installation shots, and deploys die-cut colored pages as a compositional element. An essay by Emma Enderby and a conversation between the artist and Elissa Auther contextualize the work, and are complemented by poetry by Iris Cushing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Ugly Duckling Presse, New York, 2021
ISBN 10: 1946433454 ISBN 13: 9781946433459
Sprache: Englisch
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Paperback. Zustand: new. Paperback. In 1967, the first books of two poets were published by small presses on opposite coasts of the USA: David Hendersons Felix of the Silent Forest and Mary Norbert Kortes Hymn to the Gentle Sun. In this essay, poet, scholar, educator, and publisher Iris Cushing looks at the context of these supposedly minor poets, and through research and conversation with Korte, Henderson, and Diane di Prima, reconstructs the role of small presses in the countercultural resistance of the late 1960s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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In den WarenkorbPaperback. Zustand: New. Radiant and energetic abstractions of the human figure in the latest works from acclaimed painter Loie HollowellNew York-based painter Loie Hollowell (born 1983) has evolved a dynamic vocabulary of dimensionality, color and geometric shape. Abstracting the human figure, Hollowell's paintings explore the dualities of light, and volume and scale, blurring the lines between the illusory and the real. In particular, her latest body of work explores her relationship to different stages of her pregnancy from conception to birth to motherhood. Nonetheless, subject matter in Hollowell's work often emerges through phenomenological encounter rather than narrative content, tapping the depth of the artist's embodied experience.This catalog for Hollowell's exhibition Plumb Line, an inaugural show at Pace Gallery's new headquarters in New York, features nine large-scale paintings, as well as installation shots, and deploys die-cut colored pages as a compositional element. An essay by Emma Enderby and a conversation between the artist and Elissa Auther contextualize the work, and are complemented by poetry by Iris Cushing.
Verlag: Galleria Alessandro Bagnai, 2010
Anbieter: Moe's Books, Berkeley, CA, USA
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Hardcover. Zustand: Very good. No jacket. Light edgewear.
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days. 1018.
Verlag: Ugly Duckling Presse Mär 2021, 2021
ISBN 10: 1946433454 ISBN 13: 9781946433459
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware.
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In den WarenkorbPaperback. Zustand: New.
paperback. Zustand: As New.
Paperback. Zustand: new. Paperback. Radiant and energetic abstractions of the human figure in the latest works from acclaimed painter Loie HollowellNew York-based painter Loie Hollowell (born 1983) has evolved a dynamic vocabulary of dimensionality, color and geometric shape. Abstracting the human figure, Hollowells paintings explore the dualities of light, and volume and scale, blurring the lines between the illusory and the real. In particular, her latest body of work explores her relationship to different stages of her pregnancy from conception to birth to motherhood. Nonetheless, subject matter in Hollowells work often emerges through phenomenological encounter rather than narrative content, tapping the depth of the artists embodied experience.This catalog for Hollowell's exhibition Plumb Line, an inaugural show at Pace Gallery's new headquarters in New York, features nine large-scale paintings, as well as installation shots, and deploys die-cut colored pages as a compositional element. An essay by Emma Enderby and a conversation between the artist and Elissa Auther contextualize the work, and are complemented by poetry by Iris Cushing. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 55,37
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In den WarenkorbPaperback. Zustand: New. Radiant and energetic abstractions of the human figure in the latest works from acclaimed painter Loie HollowellNew York-based painter Loie Hollowell (born 1983) has evolved a dynamic vocabulary of dimensionality, color and geometric shape. Abstracting the human figure, Hollowell's paintings explore the dualities of light, and volume and scale, blurring the lines between the illusory and the real. In particular, her latest body of work explores her relationship to different stages of her pregnancy from conception to birth to motherhood. Nonetheless, subject matter in Hollowell's work often emerges through phenomenological encounter rather than narrative content, tapping the depth of the artist's embodied experience.This catalog for Hollowell's exhibition Plumb Line, an inaugural show at Pace Gallery's new headquarters in New York, features nine large-scale paintings, as well as installation shots, and deploys die-cut colored pages as a compositional element. An essay by Emma Enderby and a conversation between the artist and Elissa Auther contextualize the work, and are complemented by poetry by Iris Cushing.