Dames nicholas (139 Ergebnisse)
Vanity Fair (Barnes & Noble Classics)
Thackeray, William Makepeace; Dames, Nicholas [Introduction]; Dames, Nicholas [Introduction];
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Vanity Fair Vanity Fair
Thackeray, William Makepeace/ Thackeray, William Makepeace (ILT)/ Dames, Nicholas
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hardcover. Zustand: Very Good. Used - Very Good.
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paperback. Zustand: Near Fine. Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
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Paperback or Softback. Zustand: New. The Chapter: A Segmented History from Antiquity to the Twenty-First Century. Book.
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition; First Printing. Clean and solid. ; 8vo; 370 pages.
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Paperback. Zustand: New. Finalist for the National Book Critics Circle Award in CriticismShortlisted for the Christian Gauss Award, Phi Beta Kappa SocietyA history of the chapter from its origins in antiquity to todayWhy do books have chapters? With this seemingly simple question, Nicholas Dames embarks on a literary journey spa…nning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time.Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organize information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of medieval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnès Varda, Uwe Johnson, Jennifer Egan, and La?szlo? Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity.Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time.
- Softcover
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Paperback. Zustand: new. Paperback. A history of the chapter from its origins in antiquity to today Why do books have chapters? With this seemingly simple question, Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognised component of narrat…ive art and a means to register the sensation of time.Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organise information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of medieval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnes Varda, Uwe Johnson, Jennifer Egan, and Lszl Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity.Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time. A history of the chapter from its origins in antiquity to today Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
- Erstausgabe
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Hardcover. Zustand: Near Fine. Near Fine. First Edition; First Printing. Light edgewear. A nice, bright copy. ; 6 X 1.25 X 9 inches; 370 pages.
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Paperback. Zustand: New. Finalist for the National Book Critics Circle Award in CriticismShortlisted for the Christian Gauss Award, Phi Beta Kappa SocietyA history of the chapter from its origins in antiquity to todayWhy do books have chapters? With this seemingly simple question, Nicholas Dames embarks on a literary journey spa…nning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time.Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organize information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of medieval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnès Varda, Uwe Johnson, Jennifer Egan, and La?szlo? Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity.Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time.
Vanity Fair (Barnes & Noble Classics Series)
William Makepeace Thackeray,Introduction and Notes by Nicholas Dames
- Softcover
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: New Left Review, 2018
- Softcover
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In den Warenkorbpaperback. Zustand: Good.
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