Dekeukeleire (34 Ergebnisse)

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the case studies presented in this volume examine men's relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siecle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.Contributing authors: Eva Bicskei (Hungarian Academy of Sciences), Brigid Boyle (Rutgers University), Anthea Callen (University of Nottingham and Australian National University), Thijs Dekeukeleire (independent scholar), Henk de Smaele (University of Antwerp), Sean Kramer (University of Michigan), Crawford Alexander Mann III (Smithsonian American Art Museum), Mary Manning (independent scholar), Thomas Moser (Ludwig Maximilian University of Munich), Rachel Sloan (Courtauld Gallery), Patrik Steorn (Thielska Galleriet, Stockholm), Marjan Sterckx (Ghent University), Tom Verschaffel (KU Leuven).…

Paperback. 74 pp. many illustrations. -(very fine copy) ISBN 9789081245883.

Paperback. Zustand: Brand New. 352 pages. 9.10x6.75x0.75 inches. In Stock.

Zustand: very good. Amsterdam : CultClub Edition, 2017. Paperback. 74 pp. - Promoter of avant-garde theatre, Fluxus agent, founder of an art mail order house, publisher of taboo-breaking magazines, producer of controversial Radio Art programmes, and much more, Willem de Ridder has led a storied life. It seems that the moment he became successful with whatever he was doing, he would abandon it entirely to embark on some other project. In producing this biography, Harry Ruhé and Jeannette Dekeukeleire went back to the source - De Ridder's old house in his hometown - and sifted through dozens of folders, clippings, dusty boxes, and attic treasures. The result is a book full of pictures, where texts should be interpreted as extensive captions. Condition : very good copy. ISBN 9789081245883. Keywords : ART, Fluxus.…

Zustand: New. In English.

Paperback. Zustand: new. Paperback. Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the case studies presented in this volume examine men's relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siecle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.Contributing authors: Eva Bicskei (Hungarian Academy of Sciences), Brigid Boyle (Rutgers University), Anthea Callen (University of Nottingham and Australian National University), Thijs Dekeukeleire (independent scholar), Henk de Smaele (University of Antwerp), Sean Kramer (University of Michigan), Crawford Alexander Mann III (Smithsonian American Art Museum), Mary Manning (independent scholar), Thomas Moser (Ludwig Maximilian University of Munich), Rachel Sloan (Courtauld Gallery), Patrik Steorn (Thielska Galleriet, Stockholm), Marjan Sterckx (Ghent University), Tom Verschaffel (KU Leuven) Masculinities in nineteenth-century art through the lens of gender and queer history Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: New.

Zustand: New.

Soft cover. Zustand: Fine. Pictorial stiff wrappers (softcover), 74p : illustrations (chiefly in color) ; 26 cm. Very good/fine, lavishly inscribed by de Ridder with dedication for Dutch artist Maria van Elk. Inscribed by Author(s).

Zustand: New.

Ohne Stempel, keine An-und Unterstreichungen, sehr guter Zustand. Hardcover. Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Zustand: As New. Unread book in perfect condition.

Soft cover. Zustand: As New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. 352 pages. 9.10x6.75x0.75 inches. In Stock.

Kartoniert / Broschiert. Zustand: New.

Paperback. Zustand: new. Paperback. Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the case studies presented in this volume examine men's relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siecle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.Contributing authors: Eva Bicskei (Hungarian Academy of Sciences), Brigid Boyle (Rutgers University), Anthea Callen (University of Nottingham and Australian National University), Thijs Dekeukeleire (independent scholar), Henk de Smaele (University of Antwerp), Sean Kramer (University of Michigan), Crawford Alexander Mann III (Smithsonian American Art Museum), Mary Manning (independent scholar), Thomas Moser (Ludwig Maximilian University of Munich), Rachel Sloan (Courtauld Gallery), Patrik Steorn (Thielska Galleriet, Stockholm), Marjan Sterckx (Ghent University), Tom Verschaffel (KU Leuven) Masculinities in nineteenth-century art through the lens of gender and queer history Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Venlo, [2001]. 71 pp. Col. ills. Softcover.

Paperback. Zustand: New. Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men's lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the case studies presented in this volume examine men's relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siecle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.Contributing authors: Eva Bicskei (Hungarian Academy of Sciences), Brigid Boyle (Rutgers University), Anthea Callen (University of Nottingham and Australian National University), Thijs Dekeukeleire (independent scholar), Henk de Smaele (University of Antwerp), Sean Kramer (University of Michigan), Crawford Alexander Mann III (Smithsonian American Art Museum), Mary Manning (independent scholar), Thomas Moser (Ludwig Maximilian University of Munich), Rachel Sloan (Courtauld Gallery), Patrik Steorn (Thielska Galleriet, Stockholm), Marjan Sterckx (Ghent University), Tom Verschaffel (KU Leuven).…

Taschenbuch. Zustand: Neu. Neuware.

Broché. In-8°, 112p.

Paperback. Zustand: New.

Ring Binding, Hardcover. Zustand: Near Fine. No Jacket. This being a mock-up of the 2009 publication that was to be published in an edition of 100. Binder with 40 plastic sleeves (one empty). Black slipcase. 25 loose sheets card-stock with Fluxus on rear. 33 Facsimile reproductions of historical documents, invitations, programs, and photographs presenting a chronology of international Fluxus events in The Netherlands from 1960 to 1969. Includes one original black and white photo (new print) signed by photographer Igno Cuypers, made during Wolf Vostell's performance 'Sun in Your Head' at Leidseplein theatre in Amsterdam 1963. Also a DVD 'Decollage', documenting the Fluxus performances at Kunsthandel Monet Amsterdam, on October 5, 1962, duplicated from the original 16mm film by Edo Jansen from the archive of Galerie A.…

Illustrierter Original-Pappband mit Lesebändchen; 8°; 112 Seiten; durchgehend farbig bebildert. Sehr gutes Exemplar. Sprache: Deutsch 410 gr.

Amsterdam, artKtchen Gallery and Gallery A, 2009. Book: 112 pp., nums. ills. in col. and b/w. Oblong 8vo. Orig. boards. With CD rom, containing 4 movies: Nam June Paik: Serenade for Alison, Kunsthandel Monet, Amsterdam, Oct. 5 1962; Cool Too, fashion show organized by artKitchen Gallery, Amsterdam, 1998; Rozemarijn Lucassen, No more rubbish, 2006; Hidden Delights, lingerie/fashion show, Amsterdam, 2009. In a box packed in cellophan, held together with a red bra strap. …

318pp., 23cm., softcover, very good condition (unread copy), S111804.

Zustand: Near fine. 260 x 210mm. With colour illustrations. Monologue on the artist's activities form his early fluxus works to his later radio art publishing and collaboration with Annie Sprinkle.