Derek beaulieu (192 Ergebnisse)
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Weitere BilderUnarmed Journal # 62 & Change of Address
Michael Mann (editor); Jesse Freeman, Sheila E. Murphy, Camille Martin, Nicholas Ravnikar, Simon Cutts, Joel Dailey, Derek Beaulieu, Vernon Frazer, Heller Levinson, Michael Basinski, Daniel F. Bradley, Scott Macleod, Scott Helmes, Arlene Stone, more
Sprache: Englisch
Verlag: Unarmed Journal, St. Paul, Minnesota, USA, 2010
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In den WarenkorbStapled Wraps. Zustand: Fine (As New). An ultra-hip chapbook with high aesthetic courage and integrity. Included in this 62nd issue are numerous works of poetry - both visual and linear (32 pages). It is accompanied by a new Unarmed chapbook by Jake St. John (16 pages). CONDITION: Both are bright, tight, unmarked, uncreased copi…es with negligible shelf-wear - now in clear, protective polypropylene bags with archival backing boards. Steve Dalachinsky & Kimball Lockhart (cover art) (illustrator).
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Soft cover. Zustand: Fine. 1st Edition.
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Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.
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- Softcover
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Paperback or Softback. Zustand: New. Do It Wrong: How to Be a Poet in the Twenty-First Century. Book.
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Paperback. Zustand: New. A radically liberating collection of essays, ideas and approaches to writing and teaching poetryDo It Wrong is a short, snappy series of provocations and suggestions designed to help poets think outside the box and foster creativity.It's a permission slip to take a path others reject, to do the counter-i…ntuitive thing, to embrace the weird.It's a guidebook designed to bring poets together, to question our assumptions, and to move past the "business as usual" educational models into the new, the strange, and the "wrong."And it's a playful, purposeful contribution toward the building of stronger, more resilient writing communities.For readers of Beth Pickens's Make Your Art No Matter What and Austin Kleon's Steal Like an Artist, Derek Beaulieu distills 20 years of experience teaching creative writing into a joyfully mischievous manifesto on how to write and teach poetry with meaning.
- Softcover
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Zustand: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.
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Paperback or Softback. Zustand: New. Some Lines of Poetry: From the Notebooks of Bpnichol. Book.
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Zustand: New.
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Paperback. Zustand: New. Typography meets poetry at a Pink Floyd laser-light showIn Surface Tension, poetry is liquefied. Flowing away from meaning, letters and words gather and pool into puddles of poetry; street signs and logos reflected in the oily sheen of polluted gutters of rainwater. Like a funhouse mirror reflecting the…language that surrounds us, the pages drip over the margins, suggesting that Madge was right, we are "soaking in it!"Surface Tension updates visual poetry for our post-pandemic age, asking us rethink the verbiage around us, to imagine letters as images instead of text, to find meaning in their beautiful shapes as Beaulieu stretches, torques, slides, blurs, and melts them into Dali-esque collages."The striking compositions you'll find in Surface Tension are being presented sequentially in book form, yet that they wouldn't be out of place hanging on the wall goes without saying. Beaulieu swerves Gomringer when writing that 'Readibility is the key: like a logo, a poem should be instantly recognizable.' yet, to this reader, these works merit sustained and enthusiastic viewing precisely because they teeter on the edge of legibility. The kinetic, glitchy quality of their 'alphabetic strangeness' keeps them unrecognizable as poems and, here, 'that is poetry as I need it,' to quote Cage. Think of them as anti-advertisings selling you nothing but bountiful manifestations of the irreducible plasticity of numbers, punctuation marks, and letter forms. No logos." - Mónica de la Torre, Madelon Leventhal Rand Endowed Chair in Literature, Brooklyn College; co-editor of Women in Concrete Poetry 1959-1979"With his distinctive visual palindromes and angled axes of symmetry, Derek Beaulieu has developed a signature mastery of Letraset, leveraging the twentieth-century technology as a vehicle for bring concrete poetry into the twenty-first century. With Surface Tension, Beaulieu takes the possibilities of that new idiom even further, unsettling the fixity his symmetries once reinforced and dislodging the set in Letraset as poems distort in fun-house-mirror swerves, sag as if under their own weight, pool and smear in the liquid logic of heated ink, or swoop and blur as if in motion. In the process, these poems make visible the filmic potential of the photocopier, the facture of abraded transfers from brittling stock, and the three-dimensional substrate of the page with its flexible bends in curving space. These are thus poems in part about their own modes of production. They are beautiful products of a self-aware and intelligent process." - Craig Dworkin, author of Radium of the Word: A Poetics of Materiality"'When most of the language we consume is non-poetic, should poetry not attempt to poetically intervene within these spaces that are not traditionally poetic?' The answer to Derek Beaulieu's question, put forward in his beautiful essay, is surely yes: the ten brilliantly adventurous visual poems in his Surface Tension make a startling case for his fascinating Let.
- Softcover
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Paperback. Zustand: New. CBC BOOKS "CANADIAN POETRY COLLECTIONS TO WATCH FOR IN FALL 2024"For bpNichol's 80th birthday, a selection of 80 pieces from his 1980s notebooks, an astounding trove of never-before-seen work.One of Canada's most beloved poets, bpNichol (1944-1988), left a huge legacy of poetry, prose, scripts, comics, a…nd playful interrogation of language after his untimely passing in 1988. In celebration of what would have been Nichol's eightieth birthday, Some Lines of Poetry gathers excerpts from Nichol's journals across the 1980s to give a unique perspective on craft, process, and a writer's life. Featuring works in progress, insight into Nichol's thinking, previously unpublished prose and lyric, visual, and sound poems, Some Lines of Poetry documents Nichol's "apprenticeship to language" and his playful daily exploration of the limits of writing.Lovingly edited by noted poet-scholars Derek Beaulieu and Gregory Betts, who provide an afterword contextualizing Nichol's practice, Some Lines of Poetry is a map of hidden corners, a guidebook to poetic play, and a tribute to Nichol's ongoing influence."No other writer of our time and place was so diverse, attempted so much, and never lost sight of his intent." - Michael Ondaatje.
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Soft cover. Zustand: Fine. First Edition.
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Paperback. Zustand: New. Typography meets poetry at a Pink Floyd laser-light showIn Surface Tension, poetry is liquefied. Flowing away from meaning, letters and words gather and pool into puddles of poetry; street signs and logos reflected in the oily sheen of polluted gutters of rainwater. Like a funhouse mirror reflecting the…language that surrounds us, the pages drip over the margins, suggesting that Madge was right, we are "soaking in it!"Surface Tension updates visual poetry for our post-pandemic age, asking us rethink the verbiage around us, to imagine letters as images instead of text, to find meaning in their beautiful shapes as Beaulieu stretches, torques, slides, blurs, and melts them into Dali-esque collages."The striking compositions you'll find in Surface Tension are being presented sequentially in book form, yet that they wouldn't be out of place hanging on the wall goes without saying. Beaulieu swerves Gomringer when writing that 'Readibility is the key: like a logo, a poem should be instantly recognizable.' yet, to this reader, these works merit sustained and enthusiastic viewing precisely because they teeter on the edge of legibility. The kinetic, glitchy quality of their 'alphabetic strangeness' keeps them unrecognizable as poems and, here, 'that is poetry as I need it,' to quote Cage. Think of them as anti-advertisings selling you nothing but bountiful manifestations of the irreducible plasticity of numbers, punctuation marks, and letter forms. No logos." - Mónica de la Torre, Madelon Leventhal Rand Endowed Chair in Literature, Brooklyn College; co-editor of Women in Concrete Poetry 1959-1979"With his distinctive visual palindromes and angled axes of symmetry, Derek Beaulieu has developed a signature mastery of Letraset, leveraging the twentieth-century technology as a vehicle for bring concrete poetry into the twenty-first century. With Surface Tension, Beaulieu takes the possibilities of that new idiom even further, unsettling the fixity his symmetries once reinforced and dislodging the set in Letraset as poems distort in fun-house-mirror swerves, sag as if under their own weight, pool and smear in the liquid logic of heated ink, or swoop and blur as if in motion. In the process, these poems make visible the filmic potential of the photocopier, the facture of abraded transfers from brittling stock, and the three-dimensional substrate of the page with its flexible bends in curving space. These are thus poems in part about their own modes of production. They are beautiful products of a self-aware and intelligent process." - Craig Dworkin, author of Radium of the Word: A Poetics of Materiality"'When most of the language we consume is non-poetic, should poetry not attempt to poetically intervene within these spaces that are not traditionally poetic?' The answer to Derek Beaulieu's question, put forward in his beautiful essay, is surely yes: the ten brilliantly adventurous visual poems in his Surface Tension make a startling case for his fascinating Let.
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paperback. Zustand: Good. softcover book in very good shape, very light wear to cover and book edges.
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paperback. Zustand: Very Good. softcover book in very good shape, very light wear to cover and book edges.
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Paperback. Zustand: new. Paperback. A radically liberating collection of essays, ideas and approaches to writing and teaching poetryDo It Wrong is a short, snappy series of provocations and suggestions designed to help poets think outside the box and foster creativity.Its a permission slip to take a path others reject, to do the… counter-intuitive thing, to embrace the weird.It's a guidebook designed to bring poets together, to question our assumptions, and to move past the business as usual educational models into the new, the strange, and the wrong.And it's a playful, purposeful contribution toward the building of stronger, more resilient writing communities.For readers of Beth Pickenss Make Your Art No Matter What and Austin Kleons Steal Like an Artist, Derek Beaulieu distills 20 years of experience teaching creative writing into a joyfully mischievous manifesto on how to write and teach poetry with meaning. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
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Paperback. Zustand: new. Paperback. CBC BOOKS"CANADIAN POETRY COLLECTIONS TO WATCH FOR IN FALL 2024"For bpNichol's 80th birthday, a selection of 80 pieces from his 1980s notebooks, an astounding trove of never-before-seen work.One of Canada's most beloved poets, bpNichol (19441988), left a huge legacy of poetry, prose, scripts,…comics, and playful interrogation of language after his untimely passing in 1988. In celebration of what would have been Nichol's eightieth birthday, Some Lines of Poetry gathers excerpts from Nichol's journals across the 1980s to give a unique perspective on craft, process, and a writer's life. Featuring works in progress, insight into Nichol's thinking, previously unpublished prose and lyric, visual, and sound poems, Some Lines of Poetry documents Nichol's "apprenticeship to language" and his playful daily exploration of the limits of writing.Lovingly edited by noted poet-scholars Derek Beaulieu and Gregory Betts, who provide an afterword contextualizing Nichol's practice, Some Lines of Poetry is a map of hidden corners, a guidebook to poetic play, and a tribute to Nichol's ongoing influence."No other writer of our time and place was so diverse, attempted so much, and never lost sight of his intent." Michael Ondaatje Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
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Paperback. Zustand: new. Paperback. Typography meets poetry at a Pink Floyd laser-light showIn Surface Tension, poetry is liquefied. Flowing away from meaning, letters and words gather and pool into puddles of poetry; street signs and logos reflected in the oily sheen of polluted gutters of rainwater. Like a funhouse mirror refl…ecting the language that surrounds us, the pages drip over the margins, suggesting that Madge was right, we are "soaking in it!"Surface Tension updates visual poetry for our post-pandemic age, asking us rethink the verbiage around us, to imagine letters as images instead of text, to find meaning in their beautiful shapes as Beaulieu stretches, torques, slides, blurs, and melts them into Dali-esque collages."The striking compositions you'll find inSurface Tensionare being presented sequentially in book form, yet that they wouldn't be out of place hanging on the wall goes without saying. Beaulieu swerves Gomringer when writing that 'Readibility is the key: like a logo, a poem should be instantly recognizable.' yet, to this reader, these works merit sustained and enthusiastic viewing precisely because they teeter on the edge of legibility. The kinetic, glitchy quality of their 'alphabetic strangeness' keeps them unrecognizable as poems and, here, 'that is poetry as I need it,' to quote Cage. Think of them as anti-advertisings selling you nothing but bountiful manifestations of the irreducible plasticity of numbers, punctuation marks, and letter forms. No logos." Mnica de la Torre, Madelon Leventhal Rand Endowed Chair in Literature, Brooklyn College; co-editor ofWomen in Concrete Poetry 19591979"With his distinctive visual palindromes and angled axes of symmetry, Derek Beaulieu has developed a signature mastery of Letraset, leveraging the twentieth-century technology as a vehicle for bring concrete poetry into the twenty-first century. WithSurface Tension, Beaulieu takes the possibilities of that new idiom even further, unsettling the fixity his symmetries once reinforced and dislodging the set in Letraset as poems distort in fun-house-mirror swerves, sag as if under their own weight, pool and smear in the liquid logic of heated ink, or swoop and blur as if in motion. In the process, these poems make visible the filmic potential of the photocopier, the facture of abraded transfers from brittling stock, and the three-dimensional substrate of the page with its flexible bends in curving space. These are thus poems in part about their own modes of production. They are beautiful products of a self-aware and intelligent process." Craig Dworkin, author ofRadium of the Word: A Poetics of Materiality"'When most of the language we consume is non-poetic, should poetry not attempt to poetically intervene within these spaces that are not traditionally poetic?' The answer to Derek Beaulieu's question, put forward in his beautiful essay, is surely yes: the ten brilliantly adventurous visual poems in hisSurface Tensionmake a startling case for his fascinating Letraset/photocopier inventions. Beaulieu's compositions originate in a place of clean design and logical narrative; soon, as in a dream, they open up, ushering in what he calls 'a poetry of difference, chance, eruption.' Marcel Duchamp would have called it the poetry of the infrathin: watch 'Simple Symmetry' or 'Dendrochronology' open up and come alive in their minutely evolving new spaces. This is quite simply an enchanting book a book producing new pleasures with each turn of the page." Marjorie Perloff, Sadie Dernham Patek Professor of Humanities, Emerita, Stanford University Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: House Press, Calgary, 1999
- Softcover
- Signiert
Anbieter: Laurel Reed Books, Stratford, ON, KanadaLaurel Reed Books
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In den WarenkorbSoft cover. Zustand: Very Good. 1st Limited Edition. Some rubbing of cover, v. light soiling, else fine. This is #26 of 50 copies. Sewn into paper wraps. Derek Beaulieu (illustrator). Signed by Author(s).
