dermutz klaus kiefer anselm (32 Ergebnisse)

Hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Zustand: New.

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Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: As New. Unread book in perfect condition.

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Paperback. Zustand: New. In the ten conversations with the writer and theologian Klaus Dermutz collected here, Kiefer returns to the essential elements of his art, his aesthetics, and his creative processes. The only visual artist to have won the Peace Prize of the German Book Trade, Anselm Kiefer is a profoundly literary painter. In these conversations, Kiefer describes how the central materials of his art-lead, sand, water, fire, ashes, plants, clothing, oil paint, watercolor, and ink-influence the act of creation. No less decisive are his intellectual and artistic touchstones: the sixteenth-century Jewish mystic Isaac Luria, the German Romantic poet Novalis, Ingeborg Bachmann, Paul Celan, Martin Heidegger, Marcel Proust, Adalbert Stifter, the operas of Richard Wagner, the Catholic liturgy, and the innovative theater director and artist Tadeusz Kantor. Kiefer and Dermutz discuss all of these influential thinkers, as well as Kiefer's own status as a controversial figure. His relentless examination of German history, the themes of guilt, suffering, communal memory, and the seductions of destruction have earned him equal amounts of criticism and praise. The conversations in this book offer a rare insight into the mind of a gifted creator, appealing to artists, critics, art historians, cultural journalists, and anyone interested in the visual arts and the literature and history of the twentieth century.

Zustand: New.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. **NOTE: There are a few isolated light pencil markings in the text.** Hardbound book with sharp corners, very little evident wear, text block and board surfaces very clean. Full color dust jacket in mylar is likewise clean and crisp.

paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Zustand: New.

Paperback. Zustand: New. In the ten conversations with the writer and theologian Klaus Dermutz collected here, Kiefer returns to the essential elements of his art, his aesthetics, and his creative processes. The only visual artist to have won the Peace Prize of the German Book Trade, Anselm Kiefer is a profoundly literary painter. In these conversations, Kiefer describes how the central materials of his art-lead, sand, water, fire, ashes, plants, clothing, oil paint, watercolor, and ink-influence the act of creation. No less decisive are his intellectual and artistic touchstones: the sixteenth-century Jewish mystic Isaac Luria, the German Romantic poet Novalis, Ingeborg Bachmann, Paul Celan, Martin Heidegger, Marcel Proust, Adalbert Stifter, the operas of Richard Wagner, the Catholic liturgy, and the innovative theater director and artist Tadeusz Kantor. Kiefer and Dermutz discuss all of these influential thinkers, as well as Kiefer's own status as a controversial figure. His relentless examination of German history, the themes of guilt, suffering, communal memory, and the seductions of destruction have earned him equal amounts of criticism and praise. The conversations in this book offer a rare insight into the mind of a gifted creator, appealing to artists, critics, art historians, cultural journalists, and anyone interested in the visual arts and the literature and history of the twentieth century.

Zustand: New.

Paperback. Zustand: Brand New. 374 pages. 8.00x5.00x1.20 inches. In Stock.

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Zustand: New. In.

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Hardback. Zustand: New.

Zustand: Neuf.

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Zustand: New.

Zustand: Brand New. 265 pages. German language. 4.72x0.79x7.87 inches. In Stock.

Paperback. Zustand: New. In the ten conversations with the writer and theologian Klaus Dermutz collected here, Kiefer returns to the essential elements of his art, his aesthetics, and his creative processes. The only visual artist to have won the Peace Prize of the German Book Trade, Anselm Kiefer is a profoundly literary painter. In these conversations, Kiefer describes how the central materials of his art-lead, sand, water, fire, ashes, plants, clothing, oil paint, watercolor, and ink-influence the act of creation. No less decisive are his intellectual and artistic touchstones: the sixteenth-century Jewish mystic Isaac Luria, the German Romantic poet Novalis, Ingeborg Bachmann, Paul Celan, Martin Heidegger, Marcel Proust, Adalbert Stifter, the operas of Richard Wagner, the Catholic liturgy, and the innovative theater director and artist Tadeusz Kantor. Kiefer and Dermutz discuss all of these influential thinkers, as well as Kiefer's own status as a controversial figure. His relentless examination of German history, the themes of guilt, suffering, communal memory, and the seductions of destruction have earned him equal amounts of criticism and praise. The conversations in this book offer a rare insight into the mind of a gifted creator, appealing to artists, critics, art historians, cultural journalists, and anyone interested in the visual arts and the literature and history of the twentieth century.

Zustand: New.

Paperback. Zustand: New. In the ten conversations with the writer and theologian Klaus Dermutz collected here, Kiefer returns to the essential elements of his art, his aesthetics, and his creative processes. The only visual artist to have won the Peace Prize of the German Book Trade, Anselm Kiefer is a profoundly literary painter. In these conversations, Kiefer describes how the central materials of his art-lead, sand, water, fire, ashes, plants, clothing, oil paint, watercolor, and ink-influence the act of creation. No less decisive are his intellectual and artistic touchstones: the sixteenth-century Jewish mystic Isaac Luria, the German Romantic poet Novalis, Ingeborg Bachmann, Paul Celan, Martin Heidegger, Marcel Proust, Adalbert Stifter, the operas of Richard Wagner, the Catholic liturgy, and the innovative theater director and artist Tadeusz Kantor. Kiefer and Dermutz discuss all of these influential thinkers, as well as Kiefer's own status as a controversial figure. His relentless examination of German history, the themes of guilt, suffering, communal memory, and the seductions of destruction have earned him equal amounts of criticism and praise. The conversations in this book offer a rare insight into the mind of a gifted creator, appealing to artists, critics, art historians, cultural journalists, and anyone interested in the visual arts and the literature and history of the twentieth century.

Zustand: New. Das Universum Anselm Kiefers birgt eine Vielzahl von Welten und Labyrinthen. Sie gemeinsam zu ergruenden, unternehmen die Gespraechspartner Streifzuege durch die Gefilde der juedischen Mystik, sie kreisen um die Geschichten des Alten und Neuen Testaments und.

Couverture rigide. Zustand: Neuf. Edition originale. Salsburg 2008. 1 Volume/1. -- As New -- Hardback & Dust jacket - Quarto size ( 31,5 x 24,5 cm )( 1265 gr ). ------- 136 pages. *********** The language of material plays an essential role in the work of Anselm Kiefer, most of whose pictures have a geological sedimentary texture. Anselm Kiefer was born in Donaueschingen in 1945, and now lives and works in Paris. For the past forty years, his work has been developing in a process of accumulation, mingling and reworking of themes, motifs and constellations which recur and overlap repeatedly in diverse media. Highly symbolic connections emerge from lead, concrete, dried plants, glass, barbed wire and other heterogeneous materials. Numerous pastose layers of muted colours lend the surface of his paintings a relief-like structure and thus an almost sculptural plasticity. Before Kiefer began his artistic career, he studied law, literature and linguistics. Then he studied at the Academy of Fine Arts in Karlsruhe, and later in Düsseldorf, where he became a student of Joseph Beuys. Since the beginning of his career in art, Kiefer has explored German post-war identity; he participated in the exhibition at the German pavilion of the 1980 Venice Biennale. In recent years, Kiefer's main preoccupation has been analytical reflection on the functions and iconographies of the most diverse myths whether Christian, cabbalistic or Germanic. He frequently has recourse to literary models such as Paul Celan, Ingeborg Bachmann or Louis-Ferdinand Céline, condensing their work in his art. "" ******************************************* Salsburg 2008. 1 Volume/1. -- wie neu -- Gebundene Schutzumschlag ------ 136 seiten . ******************* "" Die Sprache des Materials spielt im Werk von Anselm Kiefer, dessen Bilder meist einen sedimenthaft-geologischen Farbauftrag zeigen, eine essentielle Rolle. Seit vierzig Jahren entwickelt sich das Werk von Anselm Kiefer, der 1945 in Donaueschingen geboren wurde und heute in Paris lebt und arbeitet, in einem Prozess der Ablagerung, Kreuzung und Überarbeitung von Themen, Motiven und Konstellationen, die in sehr unterschiedlichen Medien immer wieder auftauchen und sich in ihnen überlagern. Symbolträchtige Verbindungen entstehen aus Blei, Beton, getrockneten Pflanzen, Glas, Stacheldraht und anderen heterogenen Materialien. Durch zahlreiche pastose, farbig zurückhaltende Schichten erhält die Oberfläche seiner Bilder eine reliefartige Struktur und führt damit zu einer fast skulpturalen Plastizität. Bevor Kiefer seine künstlerische Laufbahn begann, studierte er Jura, Literatur und Linguistik. Er studiert dann an der Kunstakademie in Karlsruhe, später in Düsseldorf, wo er Schüler von Joseph Beuys wurde. Seit seinen Anfängen in der Kunst erforscht er die deutsche Nachkriegsidentität und stellt 1980 im deutschen Pavillon der Biennale von Venedig aus. Es ist vor allem die analytische Reflexion über die Funktionsweisen und über die Ikonographien verschiedenster Mythen, seien es christliche, kabbalistische oder germanische, die Kiefer in den letzten Jahren beschäftigte. Immer wieder greift er hierbei auch auf literarische Vorlagen, wie etwa Paul Celan, Ingeborg Bachmann und Louis-Ferdinand Céline, die er künstlerisch verdichtet, zurück. "" ************************ REF fav-08-753e / 490 ref 491.