design isadore seltzer (16 Ergebnisse)

Trade Paperback. Zustand: Very Good. Vincent Torre (Designed by), Isadore Seltzer (Cover Design) (illustrator). 271 pp. Tightly bound copy with minimal external wear. Slight foxing on page edges.

Trade Paperback. Zustand: Very Good. Vincent Torre (designed), Isadore Seltzer (Cover Design) (illustrator). 271 pp. Tightly bound copy with minimal external wear. Highlighting throughout book with slight foxing on the pages.

Trade Paperback. Zustand: Like New. Isadore Seltzer (Cover Design) (illustrator). 1st Free Press Ppbk. Ed., 1993. 218 pp. Clean, fresh copy with very light shelf wear, crisp pages and clean text.

Hardcover. Zustand: Near Fine. No Jacket. The book is bound in purple cloth . Corners are sharp and binding square and tight. Spine has faded. Housed in a good sturdy cloth covered slipcase with fading/foxing around the edges. Includes black and white illustrations by American artist Isadore Seltzer.

Soft cover. Zustand: Very Good. No Jacket. [1951 edition, 3rd printing] ; xii, 268 pages : illustrations ; 21 cm ; ISBN: 0671211382; 9780671211387 ; LC: GV1445; Dewey: 794.1/2 ; red, blue, black and white pictorial stiff paper wrappers ; Contents: Playing with the white pieces: Stonewall pattern. What opening shall I play? ; Stonewall attack I: demolition sacrifice at KR7 ; Stonewall attack II: normal position for white ; Stonewall attack III: swooping down on the open king bishop file ; Queen's gambit declined: black evades the Stonewall attack -- Playing with the black pieces against 1P-K4. What defense shall I play against 1P-K4.? ; Dragon variation I: white cannot afford indifferent play ; Dragon variation II: normal position for black ; Dragon variation III: black concludes with a stunning queen sacrifice ; Dragon variation IV: vigorous counterattack ; Dragon variation V: white's queen-side castling proves a fiasco ; Dragon variation VI: relentless positional pressure by black -- Playing with the black pieces against 1P-Q4. What defense shall I play against 1P-Q4.? ; Lasker's defense I: simplification leads to freedom ; Lasker's defense II: normal position for black ; Lasker's defense III: a fatal dilemma for white ; Lasker's defense IV: battleground of conflicting theories ; Lasker's defense V: white's last attempt at refutation -- How to exploit inferior play by your opponent. What if my opponent doesn't follow the book? ; The importance of controlling the center ; How superior mobility leads to a stormy breakthrough ; How line-opening leads to attacking possibilities ; How superior mobility leads to line-opening. ; "It is really no great secret that the right move in each position is the sure path to victory. To find the right move invariably, however, is beyond the power of ordinary mortals. What is within his grasp, is the right way to think ahead. Not far ahead. Accurate appraisal is more important than deep calculation. The purpose of this book is to teach the right way to think ahead." -from introduction ; VG. Book.

Decorative Hardcover Cloth. Zustand: Like New. No Jacket. Daniel Haberman (Design); Isadore Seltzer (Illustrator) (illustrator). Copyright © 1974. Page Numbers: N/A. SIGNED BY DESIGNER!!! (On seperate book marker). An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially flawless copy with very light shelf wear, crisp pages and clean text. Slip case shows minimal wear consistent with age. No dust jacket. ***SIGNED BY DESIGNER!!!***.

Decorative Hardcover Cloth. Zustand: Like New. No Jacket. Daniel Haberman (Design); Isadore Seltzer (Illustrator) (illustrator). Copyright © 1976. Page Numbers: N/A. An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially flawless copy with very light shelf wear, crisp pages and clean text. Slip case shows minimal wear consistent with age. No dust jacket.

Decorative Hardcover Cloth. Zustand: Like New. No Jacket. Daniel Haberman (Design); Isadore Seltzer (Illustrator) (illustrator). Copyright © 1973. Page Numbers: N/A. SIGNED BY DESIGNER!!! (On seperate book marker). An excellent, spotlessly clean copy! Clean, fresh, sharp, tight, essentially flawless copy with very light shelf wear, crisp pages and clean text. Slip case shows minimal wear consistent with age. No dust jacket. ***SIGNED BY DESIGNER!!!***.

Hardcover. Zustand: Near Fine. No Jacket. The book is bound in fine blue linen with facsimile signature in gilt on the front cover. Very light shelf wear on the covers. The spine is slightly faded. Blue endpapers. Otherwise, pages are immaculate, smooth and unmarked. Housed in a linen covered slipcase. One of 19 titles published over the years and given away as gifts on the holidays. There is a card from one of the publishers- signed " Happy Holidays Zelda and Henry" ( Horowitz) loosely laid in. Solomon was an maerican graphic artist and educator. Seltzer was also an American graphic artist, illustrator and educator at the Parsons School of Design in New York City. He also produced cover art for The Muppet magazine. His moody style can also be seen on book covers for Truman Capote and Patricia Highsmith as well as the tattoos seen in the movie "Tatoo" Please see all images.

Hardcover. Zustand: Near Fine. Hbk, square 8vo, unpaginated, illustr throughout frontis + full-page b+w plates, lacks original slipcase, quarter black leather over green buckram boards with bright gilt titles to the spine and facsimile Shakespeare signature to the front, appears unread and a fine, clean, tight and unmarked copy.

Hardcover. Octavo, unpaged. In Good plus condition in a Good slipcase. Slipcase in black cloth; mild shelf wear. Spine is black with gold print. Boards in black cloth; light wear to spine caps and corners. Illustrated: b&w frontispiece and plates (drawings). NOTE: Shelved in Netdesk Column V. 1403564. FP New Rockville Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. HBDJ, 1965 ,1st edition, NF+/GOOD+, AS-IS, DJ has lite edge wear TINY CHIPS TEARS, , Interior nice, tight Clean, Back DJ brown stain across Btm, 8vo. Blue cloth-backed black paper over boards, gilt lettering on spine; illustrated dust jacket, 228 pgs, DJ Protected Clear Mylar, , Each autumn they swarmed into Venice lIke a cloud Migratory Locusts. by days they laid around on Lido?s Golden Sands sunning themselves. One thing they had was Lots of Money.

Hardcover. Zustand: Fine. 1st Edition. Fine first edition thus hardcover, no writing or marks.Blue boards, spine very slightly faded. Slipcase in fine shape. This is the fifteenth in a series of annual Shakespearean keepsakes prepared for friends of the publishers. Many linocut illustrations. Unpaginated. M04045.

Hardcover. First Edition Thus. Very Good in boards in a Very Good slipcase. ; Square 8vo 8" to 9" tall.

Zustand: Buono (Good). I ed., serie 'strenna annuale' in ricordo di W. Shakespeare rivolta agli amici degli Editori Composing Room", vol. 15^. Testo in inglese. Introduzione: "Sell when you can, you are not for all markets". In-8 quasi quadro, pp. nn., rilegatura in tela azzurra con titoli oro al piatto e argento al dorso, cofanetto editoriale muto in cartone telato azzurro. Con illustrazioni in nero di Isadore Seltzer (Linocuts). Allegati: Lettera dattiloscritta su carta intestata "Composing Room", datata 1972 e firmata "Daniel (Daniel Haberman?) - segnalibro illustrato in nero con una delle illustrazioni del libro con breve messaggio a penna blu sempre firmato Daniel (Daniel Haberman?) - segnalibro illustrato in nero con breve messaggio a penna blu datato 1982, sempre firmato Daniel (Daniel Haberman?). Stato buono (lieve scoloritura del dorso della copertina)". Book.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+ dj. Illustrated by (dj design) Isadore Seltzer (illustrator). 3rd printing (stated; see note). [good solid copy, some browning/soiling to fore-edge but otherwise just lightly shelfworn; jacket a bit edgeworn, a couple of tiny nicks, faint soiling/spotting to spine] (B&W photographs) Classic history of the early movie industry, originally published in 1926 with the personal imprimatur of Thomas Edison. (The famed inventor personally blessed -- er, signed -- every copy of the original two-volume limited edition; this reprint reproduces a version of the Edison endorsement/signature page.) The author was a trade-paper editor who was on personal terms with most of the pioneer film producers, on whose recollections much of this chronicle is based, which is simultaneously its greatest strength and its fatal flaw. It did indeed become a "standard work on the subject," as the cover blurb notes -- which also means it kept several generations of film historians busy investigating and debunking the numerous myths and half-truths promulgated within. Still, it's an entertaining and indispensible work; whatever its factual failings, it effectively captures the excitement (and exponential growth) of the movie industry in its first three decades. Although not marked as such, this was the personal copy of longtime New York Times film critic Bosley Crowther; laid in is a carbon copy of Crowther's review of the book, and a Simon and Schuster press release which quotes extensively therefrom, including Crowther's description of the book as "an absolute gold mine, a treasury of information, legend and lore about everything and about everybody." [NOTE about the "3rd printing" designation: this is actually the FIRST printing of this particular issue, with the two previous printings, the Limited Edition and the Popular Edition, both in 1926, specified on the copyright page.] ****NOTE that additional postage charges will be assessed for international shipping of this heavy book; if this concerns you, please contact us for a shipping quote before placing your order. As always at ReadInk, domestic Media Mail shipping is free.****.