Destroy comics (1 Ergebnisse)
Anbieter: Max Rambod Inc, Woodland Hills, CA, USAMax Rambod Inc
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 231,33
EUR 8,81 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
[Comics][Zines] Archive of five independent alternative zines representing underground comics, DIY publishing, and countercultural expression, 1991-1995. These zines capture the era's raw, self-published aesthetic, blending personal storytelling, indie comic artistry, and cultural critique. Produced by small, independent creator…s, they reflect the impact of punk, alternative comics, and DIY ethics on 90s print culture. All staple-bound and averaging 30-45 pages in length. Archive includes: [1] Anderson, Mike. Our Colouring Book. Agincourt, ON: Mike Anderson and The Band Studio, 1991. A punk-infused satirical zine featuring sharp political and cultural commentary. Includes contributions by Kevin Bortazans and lettering by Gail Repunan. The issue critiques mass media and social structures through fragmented, high-contrast artwork and a rebellious cut-and-paste aesthetic. Features an illustrated dedication to N.W.A. and a pull-quote from activist and rapper Sister Souljah: "If the truth hurts, then you will be in pain." [2] Levine, Jeff. Destroy All Comics #3. San Francisco, CA: Self-published, 1994. An alternative comics review and commentary zine dedicated to the indie comic scene. Features interviews with notable underground creators such as Ed Brubaker and Shannon Wheeler, an editorial by Lawrence Snelly, and a guide to self-publishing by Gary Reed. Includes reviews of indie and mini-comics, personal reflections on the San Diego Comic-Con, and a glimpse into the evolving world of 90s underground comics. [3] Crespo, Jaime "Locito Rochito." Narcolepsy Dreams #4. San Anselmo, CA: Self-published, 1994. A surrealist, autobiographical comic zine featuring personal musings, underground humor, and indie comic artistry. Includes a dedication to Albert Collins and Frank Zappa, with references to Keith Knight and other creators active in the 90s zine and mini-comic circuit. Crespo's distinct hand-drawn aesthetic and social commentary offer an intimate look at the DIY comic scene of the time. [4] Robinson, Alex. Box Office Poison #3. New York, NY: Desperation Graphics, 1994. An early issue of the now-acclaimed indie comic series Box Office Poison, which explores the lives of young creatives navigating relationships, careers, and artistic struggles. Includes an illustrated letters section with responses from readers and commentary on the underground comic industry. Robinson's art style, characterized by expressive line work and sharp humor, reflects the influence of alternative comics and the indie publishing boom of the 90s. [5] Spaulding, Jim. The Adventures of Gorpus & Greepo #1. Self-published, July 1995. A self-contained indie comic about an eccentric teenage boy and his middle-aged uncle traveling the world in an ice cream truck. Written and illustrated by Jim Spaulding, with inks by Gary Stevens. The comic embraces absurdist humor and an offbeat, underground style, characteristic of self-published comics of the era. Very good condition overall, with minor edge wear and slight creasing to covers, consistent with handling and independent distribution. These zines exemplify the 1990s underground press movement, where self-publishing flourished as a means of artistic rebellion and cultural critique. With themes ranging from punk politics to indie comics discourse, this collection preserves a vital record of countercultural print history.
