Devictor (85 Ergebnisse)

paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Soft cover. Zustand: Near Fine. 1st Edition. Illustrated wraps. Signed by author. Full page photographs of several volumes. NEAR FINE.

Softcover. Zustand: Très bon. Légères traces d'usure sur la couverture. Edition 2015. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Edition 2015. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Paperback. Zustand: new. Paperback. For forty years, life in Afghanistan has been shaped by wars, the destruction of heritage, terrorist attacks, everyday fears and hopes, and migrations. In 2001, the Taliban government was overthrown by an international coalition bringing hopes of stability and reconstruction. The intervention did not however bring total peace. In this period of optimism, a number of international creation programs were set up as young Afghan artists returned from exile. Artists in the country - either self-taught having grown up under a Taliban regime that banned images, or trained during their exile - had no heritage to take on and no classical rules to break: anything seemed possible.Kharmohra is named after a gland taken from a donkey's neck that, on drying, becomes as hard as stone and is said to bring happiness by making the owner's most secret dreams come true. The metaphor is used to show how contemporary Afghan art is a long way from the romantic expectations with which Westerners often approach the country.The artists explore a wide variety of forms and media to express the horror of terrorism and the omnipresent shadow of death looming over the hostile urban environment.The works stand as an often humorous testimony to the peace that was promised but never delivered and the bitter illusions this fostered. All express a spirit of revolt against the most oppressive traditional forces that repress women and homosexuals as well as the Hazara ethnic group. Through their artistic practices, the artists show how salvation, however slight, is achievable. Catalog of an exhibition held at Mucem, November 21, 2019-March 1, 2020. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Zustand: New. For forty years, life in Afghanistan has been shaped by wars, the destruction of heritage, terrorist attacks, everyday fears and hopes, and migrations. In 2001, the Taliban government was overthrown by an international coalition bringing hopes of stability and reconstruction. The intervention did not however bring total peace. In this period of optimism, a number of international creation programs were set up as young Afghan artists returned from exile. Artists in the country - either self-taught having grown up under a Taliban regime that banned images, or trained during their exile - had no heritage to take on and no classical rules to break: anything seemed possible. Kharmohra is named after a gland taken from a donkey's neck that, on drying, becomes as hard as stone and is said to bring happiness by making the owner's most secret dreams come true. The metaphor is used to show how contemporary Afghan art is a long way from the romantic expectations with which Westerners often approach the country. The artists explore a wide variety of forms and media to express the horror of terrorism and the omnipresent shadow of death looming over the hostile urban environment. The works stand as an often humorous testimony to the peace that was promised but never delivered and the bitter illusions this fostered. All express a spirit of revolt against the most oppressive traditional forces that repress women and homosexuals as well as the Hazara ethnic group. Through their artistic practices, the artists show how salvation, however slight, is achievable.…

stiff paper wrappers. 8vo. stiff paper wrappers. (28) pages. Limited to 300 numbered copies and signed by DeVictor. Illustrated. A bookseller's catalogue. Signed by DeVictor. Schoonover, Frank E. (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Near Fine. 1st Edition. Illustrated wraps. Signed by author. #125/300 copies printed. NEAR FINE.

Softcover. Zustand: Bon. Ancien livre de bibliothèque. Couverture différente. Edition 1977. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 1977. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Zustand: New.

Soft cover. Zustand: Very Good. 1st Edition. Tan booklet of Parrish works, 1927 photo of Parrish tipped in, 277/300cc, signed by DeVictor on tp, VG copy, 170 entries. Signed by Author(s).

Soft cover. Zustand: Very Good. Limited/Numbered. 24 page center stapled book dealer catalogue, w/illustrations - plus a reproduction of a scarce photograph of Parrish. Catalogue was limited to 300 numbered copies and this is number 14. A few markings in the catalogue - circled prices mostly - otherwise tight and clean. …

Zustand: new.

Soft Cover. Zustand: Near Fine. No Jacket. First Edition. Bound in white glossy wraps, stamped in green. A limited edition -- this is number 144 of 300. Signed by the author on the title page. 28 pages, illustrated. Size: 8vo - over 7¾" - 9¾" tall. Signed by Author.

Guide nouvelles frontières, 1977, 2ème édition, 14x21,50 cm, broché, 112 pages Couverture légèrement défraîchie - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.…

Couverture souple. Zustand: Assez bon. Nouvelles Frontières, 1976. 1 volume broché(s) format In-8 correct bas de pages tachées.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Zustand: New. 2022. Bilingual. Paperback. . . . . .

Zustand: New. In English.

Zustand: New. 2022. Bilingual. Paperback. . . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Very Good. Dust Jacket Included. 8vo, stapled wrappers, 11 b&w illus, app 40pp., a bookdealer;s catalogue limited to Wyeth, 2pp intro. by Douglas Allen, about Fine, scarce (L3-1).

Taschenbuch. Zustand: Neu. Neuware -For forty years, life in Afghanistan has been shaped by wars, the destruction of heritage, terrorist attacks, everyday fears and hopes, and migrations. In 2001, the Taliban government was overthrown by an international coalition bringing hopes of stability and reconstruction. The intervention did not however bring total peace. In this period of optimism, a number of international creation programs were set up as young Afghan artists returned from exile. Artists in the country - either self-taught having grown up under a Taliban regime that banned images, or trained during their exile - had no heritage to take on and no classical rules to break: anything seemed possible. Kharmohra is named after a gland taken from a donkey's neck that, on drying, becomes as hard as stone and is said to bring happiness by making the owner's most secret dreams come true. The metaphor is used to show how contemporary Afghan art is a long way from the romantic expectations with which Westerners often approach the country. The artists explore a wide variety of forms and media to express the horror of terrorism and the omnipresent shadow of death looming over the hostile urban environment. The works stand as an often humorous testimony to the peace that was promised but never delivered and the bitter illusions this fostered. All express a spirit of revolt against the most oppressive traditional forces that repress women and homosexuals as well as the Hazara ethnic group. Through their artistic practices, the artists show how salvation, however slight, is achievable. 144 pp. Englisch.…

Taschenbuch. Zustand: Neu. Neuware -For forty years, life in Afghanistan has been shaped by wars, the destruction of heritage, terrorist attacks, everyday fears and hopes, and migrations. In 2001, the Taliban government was overthrown by an international coalition bringing hopes of stability and reconstruction. The intervention did not however bring total peace. In this period of optimism, a number of international creation programs were set up as young Afghan artists returned from exile. Artists in the country - either self-taught having grown up under a Taliban regime that banned images, or trained during their exile - had no heritage to take on and no classical rules to break: anything seemed possible. Kharmohra is named after a gland taken from a donkey's neck that, on drying, becomes as hard as stone and is said to bring happiness by making the owner's most secret dreams come true. The metaphor is used to show how contemporary Afghan art is a long way from the romantic expectations with which Westerners often approach the country. The artists explore a wide variety of forms and media to express the horror of terrorism and the omnipresent shadow of death looming over the hostile urban environment. The works stand as an often humorous testimony to the peace that was promised but never delivered and the bitter illusions this fostered. All express a spirit of revolt against the most oppressive traditional forces that repress women and homosexuals as well as the Hazara ethnic group. Through their artistic practices, the artists show how salvation, however slight, is achievable. 144 pp. Englisch.…

Paperback. Zustand: Brand New. 368 pages. French language. 7.40x5.43x0.87 inches. In Stock.

Soft cover. Zustand: Good. No Jacket. Limited Edition. Paper, Includes a Bibliography and Collection of Related Ephemera. No. 279 of lmt edition of 300. signed by author. 28 pp.,1 p intro and 1 p fwd, 10 b&w illus. Includes book listing illustrated by Schoonover(165) and books concerning him and illustrated by him. Signed by Author(s).…

Soft cover. Zustand: New. Zustand des Schutzumschlags: New. For forty years, life in Afghanistan has been shaped by wars, the destruction of heritage, terrorist attacks, everyday fears and hopes, and migrations. In 2001, the Taliban government was overthrown by an international coalition bringing hopes of stability and reconstruction. The intervention did not however bring total peace. In this period of optimism, a number of international creation programs were set up as young Afghan artists returned from exile. Artists in the country - either self-taught having grown up under a Taliban regime that banned images, or trained during their exile - had no heritage to take on and no classical rules to break: anything seemed possible. Kharmohra is named after a gland taken from a donkey's neck that, on drying, becomes as hard as stone and is said to bring happiness by making the owner's most secret dreams come true. The metaphor is used to show how contemporary Afghan art is a long way from the romantic expectations with which Westerners often approach the country. The artists explore a wide variety of forms and media to express the horror of terrorism and the omnipresent shadow of death looming over the hostile urban environment. The works stand as an often humorous testimony to the peace that was promised but never delivered and the bitter illusions this fostered. All express a spirit of revolt against the most oppressive traditional forces that repress women and homosexuals as well as the Hazara ethnic group. Through their artistic practices, the artists show how salvation, however slight, is achievable.…

Paperback. Zustand: new. Paperback. For forty years, life in Afghanistan has been shaped by wars, the destruction of heritage, terrorist attacks, everyday fears and hopes, and migrations. In 2001, the Taliban government was overthrown by an international coalition bringing hopes of stability and reconstruction. The intervention did not however bring total peace. In this period of optimism, a number of international creation programs were set up as young Afghan artists returned from exile. Artists in the country - either self-taught having grown up under a Taliban regime that banned images, or trained during their exile - had no heritage to take on and no classical rules to break: anything seemed possible.Kharmohra is named after a gland taken from a donkey's neck that, on drying, becomes as hard as stone and is said to bring happiness by making the owner's most secret dreams come true. The metaphor is used to show how contemporary Afghan art is a long way from the romantic expectations with which Westerners often approach the country.The artists explore a wide variety of forms and media to express the horror of terrorism and the omnipresent shadow of death looming over the hostile urban environment.The works stand as an often humorous testimony to the peace that was promised but never delivered and the bitter illusions this fostered. All express a spirit of revolt against the most oppressive traditional forces that repress women and homosexuals as well as the Hazara ethnic group. Through their artistic practices, the artists show how salvation, however slight, is achievable. Catalog of an exhibition held at Mucem, November 21, 2019-March 1, 2020. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paper. Zustand: Very Good. No Jacket. Paper, Collector's Catalogue #4-.Lists illustrations by Norman Rockwell and Related Ephemera, 34 unpp., 8 sepia illus. Printed in a limited and numbered edition of 300 copies, this # 260, Signed by Richard P. DeVictor. Rare.