donald judd (724 Ergebnisse)

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, April 27 (sale item)* 32 pp., sofcover, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

No Binding. Zustand: Very Good. ORIGINAL articles, disbound from journal; no covers; in very good condition. Journal.

No Binding. Zustand: Very Good. ORIGINAL articles, disbound from journal; no covers; in very good condition. Journal.

Softcover. Zustand: Very Good. First Edition. [ART]. Ed. Rob Weiner. Contributors: Jenny Moore, David Tompkins, Laura Wilson, Richard Gachot, Donald Judd, Ricky Swallow, et al. "Chinati Foundation Newsletter, Volume 21, October 2016." Marfa, TX: Chinati Foundation, 2016. English language. Softcover with pictorial wrappers. Text with full-color photos. 11 1/2 x 8 1/4 inches. 15 oz. 120 pp. Wrappers bow. Wear and use. Very Good. No ISBN. No ASIN. "The Marfa-based contemporary art publication with articles on Donald Judd, Robert Irwin, and concrete buildings.".

Paperback. Zustand: Fine. 1st. x, 213 pages, illustrations; 23 cm. Tight, clean copy. First paperback edition. Essays by Robert Smithson, Rosalind E. Krauss, Elizabeth C. Baker, Karl Beveridge, Ian Burn, Brian Wallis, Lynne Cooke, Yve-Alain Bois, Ann Temkin, Mel Bochner, Joshua Shannon, Robert Slifkin, and Michael Meredith. *** "Artists, architects, art historians, critics, and curators explore the work of Donald Judd as both artist and critic in essays spanning all of Judd's career. Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as specific objects. Critics labeled it minimalism. Perhaps because Judd's own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. This volume collects critical and scholarly writings on Judd, examining his work as both artist and critic." - Publisher. Size: 8vo.

Soft cover. Zustand: Very Good. 1st Edition. An upper-left stapled handbook measuring 8-1/2" by 11" and containing four pages printed on one side. Possibly associated with a press kit, which I do not have. With the small blue Paramount Studios logo to the upper left hand corner, the front sheet contains a list of the production credits; the second page contains a list of the Cast of Characters; the third and fourth pages contain a list of Technical Credits. Light wear; one short closed edge tear nearest upper left staple.

Soft cover. Zustand: VG+. A VGF or better 2-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Book.

Cloth. Zustand: Very Good. No Jacket. This is a nice nonfiction color art book called Josef Albers Homage to Color, copyright 2003, possible first edition with no other date found, hard cover, no dust jacket, written by Josef Albers with a foreword by Arne Glimcher and other authors. The book has minor wear and in very good condition with tight binding, clean, wonderful color illustrations and 53 pages. Size: 4to - over 9¾" - 12" tall.

[168] pp.; 30.6 x 23 cm.; sewn bound; black-and-white & color; edition size 2500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 16 - August 10, 1986. Essay by Christopher Knight. Introduction by Richard Koshalek. Artists include John Ahearn, Carl Andre, Richard Artschwager, Jennifer Bartlett, Jean-Michel Basquiat, Jonathan Borofsky, Richard Bosman, Troy Brauntuch, Scott Burton, Larry Clark, Peter Drake, Eric Fischl, Dan Flavin, Bryan Hunt, Mark Innerst, Neil Jenney, Donald Judd, Ellsworth Kelly, Anselm Kiefer, Rex Lau, Barry LeDoux, Robert Mangold, Brice Marden, Agnes Martin, Michael McClard, Malcolm Morley, Robert Moskowitz, Elizabeth Murray, Susan Rothenberg, Robert Ryman, David Salle, Julian Schnabel, Richard Serra, Joel Shapiro, Cindy Sherman, Frank Stella, Cy Twombly, and Terry Winters. Includes exhibition checklist. Very Good. Rubbing of cover edges with 1.5 cm. dog-ear to bottom right corner of recto and 2.7 cm. crease to bottom left corner of verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

[12] pp.; 17.7 x 17.7 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held June 27 - September 12, 1986. Includes works by John Chamberlain, Willem de Kooning, Dan Flavin, Jasper Johns, Donald Judd, Malcolm Morley, Frank Stella. Good / Very Good. Light rubbing of cover edges. Contents clean and unmarked.

Paperback. Zustand: NEW. 1st. 220 pages, illustrations (some colour); 28 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. First edition thus. *** "This pioneering, critically acclaimed book, originally published in 2010 and now available in paperback, is an authoritative and enlightening guide to a wide array of works by the great American artist Donald Judd (1928-1994). Showcasing the entire breadth of Judd's practices, the book draws on documents from nearly twenty archives and investigates Judd and his work both within and outside the context of the 1960s Minimalist art movement. David Raskin explains why some of Judd's works seem startlingly ephemeral while others remain insistently physical. In the process of answering this perplexing question, Raskin traces Judd's principles from his beginnings as an art critic through his fabulous installations and designs in Marfa, Texas." - Publisher. *** CONTENTS: Introduction; Art's scale; Credible art; Disparity is a method; Citizen Judd; Physics and fantasy. Size: 4to. Collectible.

Zustand: As New. Unread copy in mint condition.

Zustand: New. Brand New.

Hardcover. Zustand: Very Good. Dust Jacket Included. 1st Edition. 1st edition, hardback, 8vo, 204pp, illustrated, clean and tight, no inscriptions, Very Good / Very Good dustwrapper.wrapper spine lettering faded. . ISBN: 071830568X.

Soft cover. Zustand: Very Good. 1st Edition. Very good, clean, tight condition. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.

paperback. Zustand: Very Good. Chinati Foundation [Published Date: 2009]. Writing and lectures from a symposium hosted by the Chinati Foundation, Marfa, Texas, May 3-4, 2008. Paper covers, 215 pp. First edition. In very good condition. Yellow paper covers have light bumping to edges and light overall scuffing. Binding tight. Pages clean and unmarked. NOT Ex-Library. NO remainder marks. Contents include: Introduction by Marianne Stockebrand and Richard Shiff; [Untitled presentation by] Mel Bochner; Judd's scale by David Raskin; Donald Judd, wordsmith by Richard Ford; [Untitled presentation by ] Roberta Smith; Specificity by Richard Shiff;Iconic controversy and word battle: Judd's essay "Ausstellungsleitungsstreit" by Nicola von Velsen; The plain beauty of well-made things by Karen Stein; [Untitled presentation by] Thomas Kellein; Barnett Newman and Donald Judd: artist as polemicist by Ann Temkin; Donald Judd's "first element": an anarchist genealogy by Allan Antliff; [Untitled presentation by] David Rabinowitch.

23 pp.; 25.4 x 24.4 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 15 - November 13, 2004. Essay by Rudi Fuchs. Includes exhibition checklist. Full color plates. Very Good. Light wear to covers including 2 cm. and 6 mm. surface scratching to recto and 1 mm. black mark on verso. Contents clean and unmarked.

Zustand: good. Signs of wear and consistent use.

Paperback. Zustand: New.

Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. First Edition, First Printing. Not price-clipped (£11.50 price intact). Published by William Kimber, 1985. Octavo. Blue cloth boards stamped in gold. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new. 204 pages. ISBN: 9780718305680. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Soft cover. Zustand: Very Good. 1st Edition.

Soft cover. Zustand: Very Good. New York: Pace Wildenstein, 2004. 4to, 24 p., original French wraps with introductory essay by Rudi Fuchs. Light wear and scuffing to wraps else VG+.

Paperback. Zustand: Brand New. 10.00x7.00x0.25 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. Donald Judd Interviews presents more than sixty interviews with the artist over the course of four decades, and is the first compilation of its kind. It is the companion volume to the critically acclaimed and bestselling Donald Judd Writings.This collection of interviews engages a diverse range of topics, from philosophy and politics to Judd's insightful critiques of his own work and the work of others such as Mark di Suvero, Edward Hopper, Yayoi Kusama, Barnett Newman, and Jackson Pollock. The opening discussion of the volume between Judd, Dan Flavin, and Frank Stella provides the foundation for many of the succeeding conversations, focusing on the nature and material conditions of the new art developing in the 1960s. The publication also gathers a substantial body of unpublished material across a range of mediums including extensive interviews with art historians Lucy R. Lippard and Barbara Rose.Judd's contributions in interviews, panels, and extemporaneous conversations are marked by his forthright manner and rigorous thinking, whether in dialogue with art critics, art historians, or his contemporaries. In one of the last interviews, he was asked, "What kind of advice do you have for young artists and architects based on all the things you thought all these years?" Judd responded, "To remember that art and architecture are both real activities with their own integrity and that they are not basically commercial activities and you have to partly live with that. Certainly, it's not hard to maintain the difference . I think both activities, to repeat myself, have an integrity. They are each a particular activity, and if you don't like that activity, don't do it. Go do something else. If you really want to make a lot of money, go sell cars or something."Donald Judd Interviews is co-published by Judd Foundation and David Zwirner Books. The interviews expand upon the artist's thinking present in Donald Judd Writings (Judd Foundation/David Zwirner Books, 2016).

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. First 4to, stiff pictorial wrappers. 46 pp, numerous color illustrations of the painting and its details, text illustrations and photographs, portraits. Auction November 8, 2005. One of the two essays by Rosenblum is new; the other, and the one by Judd, were orginally published in 1963, the year the painting was executed. The Sylvester interview with the artist was broadcast in 1966. More commentary than for a Leonardo, but with a selling price of $16.25 million. Very good.

Hardcover. Octavo; VG-; beige spine with black text; no jacket; light soiling to cloth exterior; previous bookshop's small sticker to rear; good, solid binding; text block exterior edges have minimal wear; frontispiece; interior very good; illustrated; pp 83; arts - Modern. 1365763. FP New Rockville Stock.

55 pp.; 25 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 18 - November 16, 2002. Essay by Richard Shiff. Well illustrated in color and black-and-white. Includes exhibition checklist. Very Good. Light rubbing of covers and cover edges with scratching and 2.5 cm. soiling to recto. Bumping of top right corner of covers. 2.9 cm. dog-ear / bend to top right corner of pages, contents otherwise clean and unmarked.