edited avram davidson (42 Ergebnisse)

Paperback. ORIGINAL first edition. G-611, reading copy ,poor (ANTHOLOGY OF 15 STORIES), paperback,

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Book Club Edition. First printing of the Science Fiction Book Club edition. Gutter code "E15" on page 225 indicates a printing in April '63. A nearly fine copy in a near fine illustrated dust jacket with a short tear to the lower front corner tip. Jacket design by Roger Zimmerman. Some of the novelettes and short stories that appeared in the magazine Fantasy and Science Fiction in 1962. Authors include Aldiss, Ballard, Blish, Goulart, Pangborn, Joanna Russ, Wilhelm and others.

Paperback. ORIGINAL first edition. G-611, good, many creases (ANTHOLOGY OF 15 STORIES), paperback,

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. New York: Greenwich House / distributed by Crown Publishers Inc 1984 First edition [printing code line ends with an "a"]. 612 pages. Near fine with light edge wear, pages lightly toned in like dust jacket. See Photos clph.

Paperback. ORIGINAL first edition. G-611, very good , creases (ANTHOLOGY OF 15 STORIES), paperback,

Paperback. Zustand: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

Paperback. first PB. H-26, very good (ANTHOLOGY OF 13 STORIES), paperback,

Paperback. ORIGINAL first edition. G-611, very good -fine, , reading crease (ANTHOLOGY OF 15 STORIES), paperback,

Paperback. first PB. H-26, very good - fine, reading crease (ANTHOLOGY OF 13 STORIES), paperback,

Paperback. Zustand: Very Good. Dell NY 1965. 190 pages. First Mass Market Paperback edition, First Printing. Very good condition with light edge wear, hole punch to rear cover. See photos. SR 1/3 First Mass Market Paperback, First Printing.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Klauba, Douglas (illustrator). 1st Edition. Signed by editor on title page (Henry Wessells). Tight binding, clean interior. Green boards with bright gold lettering in great condition. DJ is preserved in mylar, has not been clipped. Interior is unmarked. "Collected here for the first time, Avram Davidson's six Jack Limekiller stories create a rich and colorful world where the magical and inexplicable coexist with the outboard motor and the escalation of the American war in Vietnam." 290 pages. Signed by Author(s).

Paperback. first PB. H-26, almost near fine, (ANTHOLOGY OF 13 STORIES), paperback,

Hardcover. Zustand: Good+. No Jacket. First Edition. Ex-library with typical library markings and stickers, some edge wear and rubbing, corners bumped. Book.

Paperback. first PB. H-26, near fine, (ANTHOLOGY OF 13 STORIES), paperback,

Soft cover. Zustand: Fair. 219 pages. Black background paperback covers which are worn around the edges, corners and edges - reading creases to spine, Page-edges browned. Page-margins lightly browned, ink writing and ink stamp to first page o/w pages clean.

Softcover. Zustand: Very Good. First edition. Foxing, very good in wrappers.

Softcover. Zustand: Very Good. First edition. Foxing, sticker on front cover, very good in wrappers.

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: Good. First Edition (UK). 1st edition UK 1969. Firmly bound and has been carefully read but there is heavy spotting to the page edges & some lighter scattered foxing elsewhere. No inscription or ownership markings but what seems to be the number '20' in the corner of the endpaper. A good reading copy. Unclipped jacket is in VG clean condition without tears or loss. 9 short stories by various authors. A good reading copy.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. As new hardcover in similar, unclipped dust jacket, with price intact. Six Jack Limekiller stories collected here for the first time. Clean text and interior. Tight, square binding. Stated first edition.

Softcover. Zustand: Near Fine. First edition, paperback original. Mass market paperback. Very near fine with just a bit of edgewear. Includes stories by J.G. Ballard, Joanna Russ, Ron Goulart, Kate Wilhelm, and others. Ace # G-611.

Paperback. Zustand: Very Good. Pages clean and bright, no markings, light wear to edges. We are closed 14th-23rd July items ordered after 9:00am on the 13th July will be shipped on 25th July, shipping times have been updated. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. Nice copy with dust cover that has slight wear( see photos ). The book itself is in very good condition .

Softcover. Zustand: Very Good. Magazines. 10 issues. Pictorial wrappers. A few small chips and tears at the edges of two issues, light soiling on a couple volumes, inked numbers on the front cover of four issues, overall very good. Contributions by: L. Sprague de Camp, Fritz Leiber, Isaac Asimov, Frederik Pohl, Robert Silverberg, Miriam Allen deFord, Ray Bradbury, Shinichi Hoshi, Richard Matheson, Marion Zimmer Bradley, Robert A. Heinlein, Roger Zelazny, and more.

No Binding. Zustand: Near Fine. Original Proof Illustration. Proof, Color Print. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Sometimes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).

No Binding. Zustand: Near Fine. Original Proof Illustration. Proof, Color Print. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Sometimes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).

No Binding. Zustand: Near Fine. Original Proof Illustration. Color Cover Print. Near Fine.

No Binding. Zustand: Near Fine. Original Proof Illustration. Proof, Color Print. Fine But Dampstaining In White Margin At Left. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Sometimes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).

No Binding. Zustand: Near Fine. Original Proof Illustration. Color Cover, Print. Fine. Ronald Walotsky (1943-2002) Was A Us Illustrator Who Began His Career In Sf Art With The Cover For The May 1967 Edition Of The Magazine Of Fantasy And Science Fiction, Illustrating Phyllis Gotlieb's Novelette "Planetoid Idiot". Walotsky Would Continue To Be Associated With F&Sf For The Rest Of His Life, Painting Some Sixty Covers For The Magazine. He Also Produced Many Book Covers And Brochure Paintings For The Science Fiction Book Club In Addition To Covers For Trade Publishers - The First Being Commissioned By Avon For Wyman Guin's Collection Living Way Out (1967) - Record Sleeves, Posters, Erotica And Much Else, Including Four Cards For The Magic: The Gathering Collectible Card Game. Walotsky Received His Formal Art Training At The School Of Visual Arts In New York City, And He Never Lost His Interest In Fine Art. He Often Expressed Frustration At The Way Some Gallery Owners Would Instantly Switch Off Their Interest In His Work On Hearing That He Also Created Sf Illustration. His Non-Commercial Paintings Tended To Be Curiously Surreal, Mixing Realistic And Abstract Elements In A Way That Could Be Quite Unsettling. Many Were Part Of His Long Children Series, In Which Fairly Realistic Depictions Of Children Were Given A Surrealistic Backdrop, Which Had The Effect Of Both Enhancing The Surreality And Creating An Odd Sense Of Unidentifiable Menace. Towards The End Of His Life He Began To Produce A Series Of 3D Pieces In Which He Painted Onto The Shells Of Horseshoe Crabs Found On The Beach Near His Florida Home. He Called This Series Of Pieces "Ancient Warriors Of Lost Civilizations" Because Of The Pieces' Resemblance To Face Armour. He Usually Worked In Acrylics, With Or Without Airbrush. Much Of His Work Retained The Hippy Sensibility, The Psychedelia, Of His Earliest Commercial Projects, Produced In The 1960S - It's No Coincidence That The Book Collecting His Work Was Called Inner Visions (2000) - But He Was Very Versatile And, When The Subject Matter Called For It, He Could Paint Hard Sf As Well As Anyone. He Was Nominated For A Dozen Chesley Awards, Including For Artistic Achievement In 2000, But Surprisingly Never Won One. He Did, However, Receive The Frank R Paul Award In 1987. [.

No Binding. Zustand: Fine. Original Proof Illustration. Proof, Color. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Sometimes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).

No Binding. Zustand: Near Fine. Original Proof Illustration. Proof, Color Print. Fine.Image Is 7 3/4" X 5 5/16", With 1/2" White Margin At Left (Where Spine Printing Would Go). Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Sometimes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).