edited flugge (17 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. First Edition. 315 pages, illustrated. Contents are The Aurora, Time-Variations of Cosmic Rays, and Magnetic Properties of Rocks and Minerals. Ex-Library.

Hardcover. Zustand des Schutzumschlags: VG+. 9th Printing. 515pp. cartoons throughout, some in color. a near fine copy in a complete, VG+ dust jacket. 4to - over 9¾" - 12" tall Size: 4to - over 9¾" - 12" tall. Book.

Hardcover. Zustand: Very Good. No Jacket. Clean Tight And Square. Flea Market Stamp On Ffp Bottom Corner. No Other Markings. Half In English Half In German. Email With Questions.

Hard Cover. Zustand: Fine-. Zustand des Schutzumschlags: Good-. 679 pages with 265 figures. Text is in German and English. FINE- HARDCOVER, GOOD- DUST JACKET. Size: 4to - over 9¾" - 12" tall.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. First edition. Near fine with an ink notation on the front endpaper and on the copyright page, in a good dustwrapper that has browned along the spine and foredge, tears and chips in the spine. Text is in German and English.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First edition. Near fine with an ink notation on the front endpaper and on the copyright page, in a very good dustwrapper that has browned along the spine and foredge. Text is in German and English.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. First edition. Near fine with an ink notation on the front endpaper and on the copyright page, in a good dustwrapper that has browned at the spine and foredge, with tears at the spine and a thin two inch piece missing in the center of the spine. Text is in German and English.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First edition. Near fine with an ink notation on the front endpaper and on the copyright page, in a very good dustwrapper that has browned along the spine and foredge. The Text is in French, German and English.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. First edition. Near fine with an ink notation on the front endpaper and on the copyright page, in a good dustwrapper that has browned at the spine and foredge, two two inch tears in the top of the front panel, a horizontal tear across the spine near the top. Text is in French, German and English.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. First edition. Near fine with an ink notation on the front endpaper and on the copyright page, in a good dustwrapper that has browned at the spine and the foredge, small chips at the bottom of the spine, a two inch tear along the front flap fold with some missing paper. Text is in German, French and English.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First edition. Near fine with an ink notation on the front endpaper and on the copyright page, in a very good dustwrapper that has browned at the spine and foredges. Text is in English.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. New York, 1962; 1st edition; burgundy cloth covered boards; spine edges mildly scuffed; jacket with edge and corner wear and spine edges chipped; 8vo, 7 3/4" to 9 3/4" tall; Previous owner's name on free front end paper; tape remnants on end papers; interior is clean and unmarked; paginated in 88 sections.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First edition. Near fine with an ink notation on the front endpaper and on the copyright pages, in a very good dustwrapper that has browned at the spine and foredge. Text is in German and English.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First edition. Near fine with an ink notation on the front endpaper and on the copyright page, in a very good dustwrapper which has browned at the spine and foredges. Text is in German and English.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First edition. Near fine with an ink notation on the front endpaper and on the copyright page, in very good dustwrappers that have browned at the spine and foredges. Text is in German and English.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. First edition. Near fine with an ink notation on the front endpaper and on the copyright page, in good dustwrappers which have browned at the spine and foredges, tears in the dustwrapper spine of Volume I.

Michael Diller. Malerei und Grafik. Berlin: Reison Verlag, 1995. Exhibition catalog published on the occasion of the exhibition 'Michael Diller - Malerei und Grafik' at Galerie Berlin (15 March-22 April 1995). Edited by Matthias Flugge, Lutz Friedel, and Gunda Oelmann. Designed by Uta Grundmann. Photography by Bernd Kuhnert, Gerhard Zwickert, and Uwe Walter. Printed by DBC Druckhaus Berlin-Centrum. Edition limited to 600 copies. Quarto format. Original publisher's violet matte textured boards. No dust jacket as issued. A substantial and visually powerful monograph documenting the work of German painter and graphic artist Michael Diller, featuring full-page color reproductions of oil paintings alongside black-and-white etchings and graphic works. Includes scholarly essays (notably by Matthias Flugge) situating Diller within the context of late DDR and post-reunification German art. The volume closes with a bibliography and exhibition history. The colophon states: '© Reison Verlag, Berlin 1995' and 'Auflage: 600 Exemplare,' confirming the limited print run. Near Fine. Boards clean and bright with light handling and minor edge wear; binding firm and square. Interior clean and unmarked, pages bright, plates vivid. No ownership markings observed. A handsome, well-preserved example of a scarce Berlin exhibition catalog with a relatively small print run. Edition/Printing Diagnostics: First edition, first and only printing (1995), as indicated by copyright page and explicit limitation statement of 600 copies. No subsequent printings noted. Hardcover issued without dust jacket. Michael Diller (born 1949) is a German painter and graphic artist associated with the generation of artists who worked in East Germany (DDR) while maintaining a distinct artistic independence. Trained initially in a non-artisan trade before pursuing formal artistic study, Diller developed an expressive, psychologically charged visual language characterized by dense, gestural brushwork and emotionally complex figuration. His work has been exhibited in Berlin and internationally, and he is frequently discussed in the context of late DDR and transitional-era German art.