Editor fellowes (28 Ergebnisse)

soft cover, as new condition, 6 pages, 7 x 10 1/8 inches, renewed edition, very good + book condition, no dust jacket, non-fiction.

Soft cover. Zustand: Vg. No Edition Stated. 80 pages. Pictorial cover showing an old textile mill in oval inset and assortment of bobbins in foreground. Just about everything you wanted to know about wood bobbins. Price list laid in. Distributed by L-W Book Sales. Oblong size 9 by 11 3/4 inches. Light edgewear. Photos on request. …

The Discovery Collection. (1995). . no illustrations (illustrator).

paperback. Zustand: As New. Softcover. Good binding and cover. Clean, unmarked pages.

Sheet music. Zustand: Brand New. 8 pages. 6.97x10.55x0.04 inches. In Stock.

Sheet music. Zustand: Brand New. 32 pages. 9.84x6.22x0.16 inches. In Stock.

Softcover. Zustand: Very Good-. No Dust Jacket. Very slight bending to most outer corners. Very slight foxing to outside page ends.

Hardcover. Zustand: Good. No Jacket. 1st Edition. First edition 8vo. Red with gilt motif to front, gilt to faded spine, , sunned edges. sound binding, light toning to eps, very good page condition.

Wrappers. Zustand: Very Good. Stainer & Bell, Ltd., London (sole American agents Galaxy Music Corporation, New York). Copyright 1925; this set comprising later reprintings, with Books I, II, and III bearing the firm's 69 Newman Street imprint (consistent with a printing date in the 1948-1965 range) and Book IV bearing the earlier 58 Berners Street imprint (consistent with a pre-1948 printing). Four separate paper-wrapped sheet music pamphlets; 25 cm; complete set of all four books in the Low Voice edition. In Very Good condition. Books I, II, and III in printed red paper wraps, Book IV in mottled tan paper wraps as photographed. All four show mild shelf wear with bindings tight and pages clean, lightly toned, otherwise unmarked. Books I, II, and III bear a previous price stamp ("1.00") in ink at the top right corner of each front cover; Book IV has the corresponding price area inked out at the top right corner. Each booklet marked "Low" at the cover head, indicating the low-voice transposition.A complete four-book set of Edmund Horace Fellowes's seminal anthology drawing forty songs from the English lutenist song writers of Shakespeare's generation. Fellowes, the leading early-twentieth-century scholar of the Elizabethan and Jacobean lutenist repertoire, transcribed the original lute accompaniments into modern notation for piano, with each book containing ten songs in the low-voice transposition by composers including John Dowland, Thomas Campian, Philip Rosseter, Thomas Ford, Francis Pilkington, Robert Jones, William Corkine, John Bartlet, Tobias Hume, John Attey, and Michael Cavendish.[From the preface] These four song-albums have been produced with the object of providing singers with a choice selection from the works of the famous school of English Song-Writers who were the contemporaries of Shakespeare. The original accompaniments, designed by the composers for the lute, are here exactly transcribed in modern notation for use on the pianoforte. The albums are published in two keys and are thus made available for voices of every compass, both male and female. The songs of these English composers should occupy an important place in the repertory of all English singers, whether in the Concert Room or the home.Contents (Book I): What then is love, sings Corydon (Ford); Flow, my tears (Dowland); When Laura smiles (Rosseter); Say, Love, if ever thou didst find (Dowland); My sweetest Lesbia (Campian); There is a garden in her face (Campian); In Sherwood lived stout Robin Hood (Jones); Rest, sweet nymphs (Pilkington); Down, down, proud mind (Corkine); Of all the birds that I do know (Bartlet).Contents (Book II): Come again, sweet love doth now invite (Dowland); Follow your saint (Campian); When to her lute Corinna sings (Campian); Fair sweet cruel (Ford); Willow song (Anonymous); Now what is love? (Jones); Sleep, wayward thoughts (Dowland); Sorrow, stay (Dowland); If she forsake me (Rosseter); Diaphenia, like the daffadowndilly (Pilkington).Contents (Book III): Love is a bable (Jones); Fain would I change that note (Hume); Down a down, thus Phyllis sung (Pilkington); Weep you no more, sad fountains (Dowland); What then is love but mourning? (Rosseter); The cypress curtain of the night (Campian); Jack and Joan (Campian); If my complaints could passions move (Dowland); Awake, sweet love (Dowland); Now I see thy looks were feigned (Ford).Contents (Book IV): On a time the amorous silvy (Attey); Finetta, fair and feat (Cavendish); Not full twelve years twice told (Ford); Come, Phyllis, come into these bowers (Ford); I saw my lady weep (Dowland); Fine knacks for ladies (Dowland); Love's god is a boy (Jones); Now peep, bo-peep (Pilkington); Fair, if you expect admiring (Campian); Follow thy fair sun (Campian). …

Zustand: Fine condition. Zustand des Schutzumschlags: No Jacket, as issued. First Edition. Evanston, Illinois:: Northwestern University, 1985. 6" wide by 9" tall. A beautiful copy. Bright, shiny, clean, tight. No owner's name or bookplate. Spine is square/flat. Pages are fresh, crisp, and unmarked. Contributors include: Alan Shapiro, Stephen Berg, Helen Norris, Peter Fellowes, Donald Davie, Morton Marcus, Ed Minus, Carole Bubash, Charles Simic, Tom Wayman, Mary Gray Hughes, Tom Friedmann, C. D. Wright, Michael Casey, Walter McDonald, Hunt Hawkins, Eileen Drew, Robert Boswell, Timothy Dekin, Roger Mitchell, Cyrus Colter, and Gordon Weaver. First Edition. Softcover. Fine condition./No Jacket, as issued. Illus. by Mark Steinmetz photographs. 268pp. + 16 pages of ads. Mark Steinmetz photographs (illustrator). …

Half calf. Zustand: Good. No Jacket. First Edition. Collection of lyrics, but not music, from early English song-books. Includes sections on madrigalists & lutenists. First edition. Hardcover, full red cloth, gilt titling. General wear, corners lightly frayed, rear board lower edge bumped, spine tanned, ink & pencil names/places/dates on free endsheet. text clean; xx, 640 pages; index of first lines, notes on sources. Size: Octavo.…

Soft cover. Zustand: Very Good. First Edition. Grey stapled copy with black titling Pn S&B 2416. Pp 39. A square, tight, clean copy; Bass part neatly annotated, otherwise contents bright and clean.Staples are clean. Images/further information available upon request.

Very Good: light exterior soil, orig. bookseller stamp on title page else unmarked, clean, straight, unwrinkled. Paperwraps, 10", 24 pp. This first volume contains 10 songs: What then is love, sings Corydon (Ford); Flow my Tears (Dowland); When Laura smiles (Rosseter); Say, Love, if ever thou didst find (Dowland); My sweetest Lesbia (Campian); There is a Garden in her Face (Campian); In Sherwood lived stout Robin Hood (Jones); Rest, sweet nymphs (Pilkington); Down, down, proud mind (Corkine); Of all the birds that I do know (Bartlet). .…

Wrappers. Zustand: Very Good. Stainer & Bell, Ltd., London (sole American agents Galaxy Music Corporation, New York). Copyright 1925; this set comprising later reprintings, with Book I bearing the firm's 69 Newman Street imprint (consistent with a printing date in the 1948-1965 range) and Book II bearing the earlier 58 Berners Street imprint (consistent with a pre-1948 printing). Two paper-wrapped sheet music pamphlets, approximately 50 pp each; 25 cm; complete set of all fifty songs in the Low Voice edition. Issued as part of The English School of Lutenist Song Writers, Second Series. In Very Good condition. Two staple-bound paper-wrapped sheet music pamphlets as photographed. Both show mild shelf wear with bindings tight and pages clean and unmarked. Both volumes bear a previous price stamp ("2.00") in ink at the top right corner of each front cover. Each booklet marked "Low Voice" at the cover head, indicating the low-voice transposition.Edmund Horace Fellowes's selection of fifty songs by John Dowland (1563-1626), the supreme songwriter of the English lutenist school. Drawn from Dowland's First, Second, and Third Books of Songs or Ayres and from A Pilgrim's Solace, the collection covers nearly the entire range of his published songs for solo voice, from the celebrated melancholy of "Flow, my tears" and "In darkness let me dwell" to lighter lyrics such as "Fine knacks for ladies" and "Come again, sweet love." Fellowes (1870-1951), the leading early-twentieth-century scholar of the Elizabethan and Jacobean lutenist repertoire, here transcribes the original lute tablatures into modern notation for piano without alteration, preserving Dowland's irregular barring and original chord voicings. Book I contains songs I-XXV; Book II contains songs XXVI-L.[From the preface] This selection of Dowland's songs is published in two keys so that they may be available for voices of every compass. The original accompaniment, literally translated from the lute-tablature, is given here without any variation. Those who desire accompaniments specially adapted to the modern pianoforte will find them in the editor's complete edition of Dowland's songs (together with a reprint of the tablature) in "The English School of Lutenist song-writers." The original barring is not invariably retained, but the editor has adhered to the principle of irregular barring as found in the original editions.Contents (Book I): Unquiet thoughts; Who ever thinks or hopes of love; My thoughts are winged with hope; If my complaints could passions move; Can she excuse my wrongs?; Now, O now I needs must part; Dear, if you change; Burst forth, my tears; Go, crystal tears; Come away, come, sweet love; Rest awhile, you cruel cares; Sleep, wayward thoughts; Wilt thou, unkind, thus reave me?; Come again, sweet love doth now invite; His golden locks; Awake, sweet love, thou art returned; Come, heavy sleep; I saw my lady weep; Flow, my tears; Sorrow, stay; Mourn! Day is with darkness fled; Fine knacks for ladies; Now cease, my wandering eyes; White as lilies was her face; A shepherd in a shade.Contents (Book II): Shall I sue?; Clear or cloudy; Time stands still; Me, me, and none but me; Say, Love, if ever thou didst find; Flow not so fast, ye fountains; What if I never speed?; By a fountain where I lay; O what hath overwrought?; Farewell, unkind!; Weep you no more, sad fountains; It was a time when silly bees; The lowest trees have tops; Disdain me still; Sweet, stay awhile; Love those beams; Shall I strive with words to move?; Were every thought an eye; Tell me, true love; If that a sinner's sighs; Where sin sore wounding; My heart and tongue were twins; Far from triumphing court; Lady, if you so spite me; In darkness let me dwell.…

Softcover. Zustand: Good. High voice and piano. Music clear and unmarked.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Blue cloth, lettered/decorated in dark blue. 1st ed. 320 pp., nearly 300+ illus. Foxed text block edges and endpapers, minor shelf wear with tanning along edges. Color illus. dust jacket chipped at corners and spine extremities, shallow loss along bottom front panel edge, sunned spine panel, now in mylar. Size: 8vo - over 7¾" - 9¾" tall. Book.…

Hardcover. Zustand: Very Good. 1st Edition. Preface by Maurice Bond. Blue cloth with crest of St George's Chapel on front cover and gilt spine. The odd mark but very good. No dustwrapper as issued perhaps? Small octavo, 331 pages, 500g.

Soft cover. Zustand: Very Good.

Soft cover. Zustand: Very Good. A good tight copy. Slight fading to spine. Size - 252mm. x 180mm.(small 4to.). Pp46 +adverts.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover/Hardback. Zustand: Good. Zustand des Schutzumschlags: Good. First Edition. Tall quarto, in the manner of a private press book, printed by the Oxford University Press with edges in the rough. Copy 327 of a Limited Edition of 345. 80 pages (viii, 72), musical notation, index of first lines; publisher's patterned orange boards decorated gilt, backed iin grey cloth, gilt-blocked titles on the spine; beige dust-jacket printed in brick-red. Good. no writing, mark-up, labels or other defacememts; unclipped jacket, the spine tanned and barely legible. Pictures show this actual book. UK orders are post-free. …

Hardcover. Zustand: Very Good. 1938, Stainer & Bell, sm.4to., xi,206pp., very good, quarter cloth, boards.

Hardcover. Zustand: Very Good. 8vo. Pp 223. Facsimilies. Original cloth. Teg. Spine faded. No. 287/300 copies.

Hardcover. Zustand: VG+. 121 pages in very good, clean condition. Red hardcovers with black titles. Very light wear. VG+. Book.

Hardcover. Zustand: Brand New. 476 pages. 9.26x6.10x9.21 inches. In Stock.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 2nd Edition. 1929. Second Edition. XXIV+644 pages. Fine Hardcover (Red cloth, Gilt stamping in front and Gilt spine title. VeryGood DJ: Red lettering all over. Minimal signs of rubbing to the ends of the spine and Signature on the flyleaf otherwise the book is perfect. The DJ has moderate edge wear. 7.75"x5.0"x1.4". be22.…

Card Covers. 18 Seiten. 4to. Covers slightly worn. Pages sunned. Used.

Zustand: Near Fine. First edition hard back binding in publisher's original blue buckram cloth covered boards, blocked and lettered gilt back, gilt emblem to the front cover, blue end papers. 8vo. 9'' x 5½''. Contains (xvi), 113 + i pp with one plate. Slight sun fading down the spine and in near Fine condition. Follow on folded A5 sheet 1939-1963 loosely inserted. Member of the P.B.F.A. HERALDRY (Armorial Bearings).…