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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Zustand: New. New copy.

paperback. Zustand: Good. Crease/tear to cover.

Zustand: New. 2022. paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Fine. 1st. Pictorial boards, 239 pages, illustrations (chiefly colour), portraits; 33 cm. Published on the occasion of the exhibition held at Zentrum Paul Klee, Bern, Switzerland, 15 September 2017 to 7 January 2018, and at The Phillips Collection, Washington, DC, 3 February to 6 May 2018. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Critics have traditionally confined Paul Klee's contribution to American art as one of 'spirit,' and limited to the works of the New York School and other Abstract Expressionist painters. In fact, Klee's influence on American art is more expansive, as illustrated in this study of ten artists who, through their use of automatic drawing, color field painting, symbols, and pictographs, reveal how Klee's theories and artistic methods contributed to the history of post-war American art. The ten artists explored include familiar names, such as Jackson Pollock, Robert Motherwell, Mark Tobey, Gene Davis, and Kenneth Noland, as well as lesser-known artists William Baziotes, Norman Lewis, Theodore Stamos, and Bradley Walker Tomlin. The richly-illustrated book features essays exploring Klee's legacy among various schools of American art and a chronology illustrates where and how American artists learned about Klee. It also includes a profile of each artist and their connections to Klee, followed by exquisite reproductions of their works." - Publisher. Size: Folio. Collectible.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: As New. Unread copy in mint condition.

Zustand: New. 2022. paperback. . . . . .

Zustand: New.

Hardcover without dustjacket as issued, 240 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

paperback. Zustand: Very Good. Very Good paperback with light shelfwear - NICE! Oversized.

Zustand: As New. Unread book in perfect condition.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: New.

Hardback or Cased Book. Zustand: New. Anni Albers: Constructing Textiles. Book.

Hardcover. Zustand: New. A collaboration between Zentrum Paul Klee in Bern and The Phillips Collection in Washington DC, this in-depth study draws on the two galleries' important collections to explore Klee's legacy to 20th-century American art. The book comprises four essays, over 130 reproductions, and profiles of the ten American artists: Adolph Gottlieb, Bradley Walker Tomlin, Mark Tobey, Norman Lewis, Robert Motherwell, William Baziotes, Theodoros Stamos, Jackson Pollock, Gene Davis and Kenneth Nolan.

Zustand: New. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? NEW.

Zustand: New.

Paperback. Zustand: new. Paperback. Certain to become the definitive book on Noguchi's multidisciplinary career, this publication accompanies the first major touring European exhibition on the Japanese-American artist in twenty years, which will travel from London's Barbican Art Gallery to Cologne's Museum Ludwig and the Zentrum Paul Klee in Bern. It encompasses the entirety of the artist's work in sculpture, ceramics, photography, architecture, design, as well as his playscapes, gardens and stage sets for modern dance and theatre performance. This survey explores his creative process and lesser-known aspects of his practice, his engagement with a wide range of mediums and cultures, and his innovative achievements over six decades. Brimming with stunning imagery and contributions from an international range of authors, this book helps readers grasp the diversity and patterns of Noguchi's work both in situ and in galleries. Archival photographs of the artist's studios offer glimpses into his experimental attitude towards sculpture. Themes of harmony and dissonance, which were central to Noguchi's practice, are explored in a series of essays that consider the artist's dual heritage, the Japanese American experience, his worldwide travel and his many influences. The book examines the cultural diversity of Noguchi's practice as he addresses themes such as identity, history, and politics. It also pays tribute to Noguchi's fruitful collaborations with creatives from a range of industries, such as R. Buckminster Fuller, Martha Graham and Louis Kahn. Throughout the monograph Noguchi's own words provide a critical backdrop towards understanding an artist who embraced many schools of thought, and whose entire life and career set an example for partnership and cooperation across artistic, political and cultural boundaries. AUTHORS: Fabienne Eggelhoefer is Chief Curator at Zentrum Paul Klee, Bern. Rita Kersting is Deputy Director at the Museum Ludwig, Cologne. Florence Ostende is Curator at the Barbican Art Gallery, London. 350 illustrations Now available in paperback, this definitive book explores the multidisciplinary career of one of the most experimental and pioneering artists of the 20th century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Zustand: new. Paperback. In the winter of 1944, over the course of three weeks, the Royal Academy of Arts hosted the Exhibition of Modern Brazilian Paintings in its grand, neoclassical Main Galleries. The show's title is somewhat misleading as it was, in effect, two distinct exhibitions rolled into one: the first, the Exhibition of Modern Brazilian Paintings, comprised 80 paintings and 86 works on paper displayed in two galleries; and the second, Brazil Builds, contained 192 photographs and occupied a single gallery. Between 1947 and 1948, both the Museu de Arte Moderna de Sa o Paulo (MAM-SP)and the Museu de Arte de Sa o Paulo (MASP) opened, as well as the Museu de Arte Moderna do Rio de Janeiro (MAM-RJ), and an art critic referred to these initiatives as an indication of the Brazilian desire to communicate with its own artists as well as associating with those international centres of artistic expression . Not long afterwards, in 1951, Brazil inaugurated the Bienal Internacional de Sa o Paulo: the first biannual exhibition anywhere in the world after Venice, and a demonstration of the value Brazil placed on art and culture at that time, emphasizing its determination to be part of the emerging post-war international art circuit. The Semana de Arte Moderna (Modern Art Week) in 1922 is seen as the initiating event in the development of a Brazilian modernism, which gave rise to a first generation of artists, including Anita Malfatti (1889- 1964) and Vicente do Rego Monteiro (1899- 1970). The genuinely Brazilian aspect of this modernism, as postulated by the writer Oswald de Andrade, would be the role of national identity . In a manifesto, he called for foreign European culture to be devoured, digested and, through its transformation, used to forge a Brazilian art in its own right. This included, in his view, also the devouring of indigenous and Afro-Brazilian cultures. The two artists mentioned above and additional protagonists, such as Lasar Segall (1891- 1957) and Tarsila do Amaral (1886- 1973), are today considered to maintain a certain social distance from Indigenous visual language and Afro-Brazilian rituals, which was eventually overcome by a second generation around Djanira da Motta e Silva (1914- 1979) and Rubem Valentim (1922- 1991). Now, all of these artists and their works are causing quite a stir in exhibitions such as Foreigners Everywhere at the 60th Venice Biennale (curated by Adriano Pedrosa), as a very unique visual language emerged in the works once the formalist conquest by European modernism had been digested . There has been strong international interest for some time now in the concept of global modernism, and academic parallels to the challenges of European modernism are addressed just as much as the political, social, and cultural differences. Brasil! Brasil! - The Dawn of Modernity presents in the exhibition and with this comprehensive publication the various ways in which Brazilian artists have developed their distinct modern visual language and, based on the presentation of ten positions, simultaneously provides an introduction to formative political, social, and economic circumstances; key stages in literature, music, design, and architecture have also been addressed. An initial opportunity for intercultural exchange presented itself to the Zentrum Paul Klee in 2019 with the exhibition Paul Klee - Unstable Balance, curated by Fabienne Eggelhoe fer, which was received with great interest by the Brazilian public on its tour from Sao Paulo via Rio de Janeiro to Belo Horizonte. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: New.

Hardcover. Zustand: Fine. First Edition. A Fine copy of the First Printing (with a complete numberline). 6 7/8 x 9 3/4 in. 248pp., with color and b/w photos and reproductions throughout. // A beautifully illustrated look at the works of Anni Albers with a focus on the architectural dimensions of her work. The book's essays include essential writings by Albers herself on the making and meaning of textiles, as well as new pieces by Glenn Adamson on her relationship to architecture, Karis Medina on the material and technique of her weavings, Amy Jean Porter on her writing, and Jeffrey Saletnik on East Asian influences in Albers's work and thinking. Among the book's hundreds of beautifully reproduced images are works held in private collections that have never before been published. An essential volume in the literature about modernism, this book reinforces Albers's position as a leading figure in twentieth-century art.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New.