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Paperback. Zustand: New. Listening to the Stones: Essays on Architecture and Function in Ancient Greek Sanctuaries in Honour of Richard Alan Tomlinson deals with a range of topics that relate to the broad scope of Richard Tomlinson's archaeological quests and echoes his own methodology in research. Innovative masonry modes, matters of style and orders, proportions and design principles, as well as the inter-regional connections which fostered the transmission of architectural traditions and technical know-how have been cardinal points in Tomlinson's writings and lectures, as much as the Greek foundations on foreign soil, the forethought in planning, achievements in the field of engineering and the interaction between the secular, the sepulchral and the sacred premises in an ancient city. The conservative or progressive attitudes of a society usually leave an imprint on architectural creations. So, architecture is subject to evolution along with the developing societies. Its gradual changing signifies the building programs taken up by ancient communities. Within this frame, we better comprehend the function of public edifices, the remodeling of cult sites in accordance with historic circumstances, the role of politics in architecture. This book is a token of appreciation for a British professor of archaeology, who spread knowledge of the Greek civilization, manifesting the brilliant spirit of the versatile ancient Greek builders. …

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Listening to the Stones: Essays on Architecture and Function in Ancient Greek Sanctuaries in Honour of Richard Alan Tomlinson
Partida, Elena C. (Editor)/ Schmidt-dounas, Barbara (Editor)
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Zustand: New. This book presents a range of topics, conveying the broad scope of Richard Tomlinson s archaeological quests and echoing his own research methodologies it is is a token of appreciation for a British professor of archaeology, who spread knowledge of the Gre.

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Paperback. Zustand: New. Ergasteria offers insights into aspects of creation, manufacture and processing in antiquity, viewing craftsmen and artists in their socio-cultural and geopolitical setting. New finds from Greece, North Africa, the Black Sea, Italy and Central Europe provide a trigger for discussion. Bronze foundries for life-size statues were the birthplace of proportions and harmony which imbued the perception of beauty, but could also be a source of nuisance. The mastery of modelling in any material evolved from coping with constraints in the course of manufacture, and craftsmen invented ways of overcoming obstacles. Polyvalent ateliers suggest the artisans' adaptability, in addition to their specialisation. An investigation of the first step in the process, namely the extraction of material, reveals that quarries were manned with a specialised workforce (stonecutters, sculptors) who carved the marble volumes to an advanced stage, prior to their refinement. Meticulous preparation was also crucial in the field of logistics, particularly in large-scale public works, such as temples or fortifications. Interaction of artists with architects and the workforce in general can be primarily observed in sanctuaries, which became open-air workshops of stonemasons, carpenters etc. Accordingly, part of the book is devoted to construction-sites, the mobility of craftspeople who propelled the diffusion of knowledge, and the range of practices employed in individual settings thereby allowing us to grasp both the diversity of artistic expression and the composite population that it may reflect. The mountainous, littoral, urban or suburban space in which manufacturing took place is also taken into account, along with the socio-historical context, which had an impact upon artisans, as politics and military coalitions could instigate or disrupt a creative process. Cases of adaptive reuse are evaluated from the viewpoint of aesthetics, ergonomics, managerial issues concerning spolia, and the technical skills required. The book benefits from the intersection of the contributors' perspectives, mirroring the multifaceted nature of the topic.…

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Taschenbuch. Zustand: Neu. Neuware - Listening to the Stones: Essays on Architecture and Function in Ancient Greek Sanctuaries in Honour of Richard Alan Tomlinson deals with a range of topics that relate to the broad scope of Richard Tomlinson's archaeological quests and echoes his own methodology in research. Innovative masonry modes, matters of style and orders, proportions and design principles, as well as the inter-regional connections which fostered the transmission of architectural traditions and technical know-how have been cardinal points in Tomlinson's writings and lectures, as much as the Greek foundations on foreign soil, the forethought in planning, achievements in the field of engineering and the interaction between the secular, the sepulchral and the sacred premises in an ancient city. The conservative or progressive attitudes of a society usually leave an imprint on architectural creations. So, architecture is subject to evolution along with the developing societies. Its gradual changing signifies the building programs taken up by ancient communities. Within this frame, we better comprehend the function of public edifices, the remodeling of cult sites in accordance with historic circumstances, the role of politics in architecture. This book is a token of appreciation for a British professor of archaeology, who spread knowledge of the Greek civilization, manifesting the brilliant spirit of the versatile ancient Greek builders.…

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Taschenbuch. Zustand: Neu. Listening to the Stones: Essays on Architecture and Function in Ancient Greek Sanctuaries in Honour of Richard Alan Tomlinson | Barbara Schmidt-Dounas (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2019 | Archaeopress | EAN 9781789690873 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

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Paperback. Zustand: New. Listening to the Stones: Essays on Architecture and Function in Ancient Greek Sanctuaries in Honour of Richard Alan Tomlinson deals with a range of topics that relate to the broad scope of Richard Tomlinson's archaeological quests and echoes his own methodology in research. Innovative masonry modes, matters of style and orders, proportions and design principles, as well as the inter-regional connections which fostered the transmission of architectural traditions and technical know-how have been cardinal points in Tomlinson's writings and lectures, as much as the Greek foundations on foreign soil, the forethought in planning, achievements in the field of engineering and the interaction between the secular, the sepulchral and the sacred premises in an ancient city. The conservative or progressive attitudes of a society usually leave an imprint on architectural creations. So, architecture is subject to evolution along with the developing societies. Its gradual changing signifies the building programs taken up by ancient communities. Within this frame, we better comprehend the function of public edifices, the remodeling of cult sites in accordance with historic circumstances, the role of politics in architecture. This book is a token of appreciation for a British professor of archaeology, who spread knowledge of the Greek civilization, manifesting the brilliant spirit of the versatile ancient Greek builders. …

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Soft cover. Zustand: New. 333 pages, [72] pages of plates : illustrations (some colour), maps ; 22 cm.

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Taschenbuch. Zustand: Neu. Neuware - Ergasteria offers insights into aspects of creation, manufacture and processing in antiquity, viewing craftsmen and artists in their socio-cultural and geopolitical setting. New finds from Greece, North Africa, the Black Sea, Italy and Central Europe provide a trigger for discussion. Bronze foundries for life-size statues were the birthplace of proportions and harmony which imbued the perception of beauty, but could also be a source of nuisance. The mastery of modelling in any material evolved from coping with constraints in the course of manufacture, and craftsmen invented ways of overcoming obstacles. Polyvalent ateliers suggest the artisans' adaptability, in addition to their specialisation. An investigation of the first step in the process, namely the extraction of material, reveals that quarries were manned with a specialised workforce (stonecutters, sculptors) who carved the marble volumes to an advanced stage, prior to their refinement. Meticulous preparation was also crucial in the field of logistics, particularly in large-scale public works, such as temples or fortifications. Interaction of artists with architects and the workforce in general can be primarily observed in sanctuaries, which became open-air workshops of stonemasons, carpenters etc. Accordingly, part of the book is devoted to construction-sites, the mobility of craftspeople who propelled the diffusion of knowledge, and the range of practices employed in individual settings thereby allowing us to grasp both the diversity of artistic expression and the composite population that it may reflect. The mountainous, littoral, urban or suburban space in which manufacturing took place is also taken into account, along with the socio-historical context, which had an impact upon artisans, as politics and military coalitions could instigate or disrupt a creative process. Cases of adaptive reuse are evaluated from the viewpoint of aesthetics, ergonomics, managerial issues concerning spolia, and the technical skills required. The book benefits from the intersection of the contributors' perspectives, mirroring the multifaceted nature of the topic.…

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Paperback. Zustand: New. Ergasteria offers insights into aspects of creation, manufacture and processing in antiquity, viewing craftsmen and artists in their socio-cultural and geopolitical setting. New finds from Greece, North Africa, the Black Sea, Italy and Central Europe provide a trigger for discussion. Bronze foundries for life-size statues were the birthplace of proportions and harmony which imbued the perception of beauty, but could also be a source of nuisance. The mastery of modelling in any material evolved from coping with constraints in the course of manufacture, and craftsmen invented ways of overcoming obstacles. Polyvalent ateliers suggest the artisans' adaptability, in addition to their specialisation. An investigation of the first step in the process, namely the extraction of material, reveals that quarries were manned with a specialised workforce (stonecutters, sculptors) who carved the marble volumes to an advanced stage, prior to their refinement. Meticulous preparation was also crucial in the field of logistics, particularly in large-scale public works, such as temples or fortifications. Interaction of artists with architects and the workforce in general can be primarily observed in sanctuaries, which became open-air workshops of stonemasons, carpenters etc. Accordingly, part of the book is devoted to construction-sites, the mobility of craftspeople who propelled the diffusion of knowledge, and the range of practices employed in individual settings thereby allowing us to grasp both the diversity of artistic expression and the composite population that it may reflect. The mountainous, littoral, urban or suburban space in which manufacturing took place is also taken into account, along with the socio-historical context, which had an impact upon artisans, as politics and military coalitions could instigate or disrupt a creative process. Cases of adaptive reuse are evaluated from the viewpoint of aesthetics, ergonomics, managerial issues concerning spolia, and the technical skills required. The book benefits from the intersection of the contributors' perspectives, mirroring the multifaceted nature of the topic.…

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