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Couverture souple. Zustand: Neuf. Paris, Maeght éditeur, 1949. Très grand in-4, plié, 380 x 280 mm, 8 pages, 2 lithographies originales en couleurs, textes de Paul Eluard, Pierre Bérès, Georges Blaizot et Charles Peignot. Publié à l occasion de l exposition du "Bestiaire" de Paul Eluard illustré par Roger Chastel. Mention de 2ème édition (se distingue de la première par la couleur différente de la couverture). Etat neuf.
Verlag: Maeght, Paris, 1949
Anbieter: Librairie-Galerie Dorbes Tobeart, PARIS, Frankreich
Buch
Couverture illustrée. Zustand: Très bon. Paris, Maeght, Février 1949, in-folio, (38 x 28 cm). 2 lithographies originales en couleurs. Textes de Paul Eluard "A Chastel", Pierre Bérès "Ce difficile pouvoir.", Paul Bonet "Equivalences", Georges Blaizot "La relève" et Charles Peignot.2ème édition. Très bon état / Very good condition (envoi suivi sous emballage pro).
Folio. 8 n.n. S., Mit 2 Farblithographien und 3 s/w. Lithographien. Lose in Originalumschlag. Illustrierte Orig.-Broschur (Heft gefaltet). Mit Beiträgen von Paul Eluard "A Chastel", Pierre Bérès "Ce difficile pouvoir", Paul Bonet "Equivalences", Georges Blaizot "La relève" und Charles Peignot. Texte en français.
Verlag: Galerie Maeght, 1949
Buch Erstausgabe
couverture souple. - Galerie Maeght, Paris 1949, 10,5x13,5cm, agrafé. - Rare carton d'invitation à l'exposition des 85 eaux-fortes originales réalisées par Roger Chastel pour illustrer "Le bestiaire" de Paul Eluard et présentées à la galerie Maeght du 11 au 21 Février 1949. Bel exemplaire illustré d'un dessin de Roger Chastel sur le premier plat. Rare et bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND].
Verlag: Maeght, Paris, 1949
Anbieter: Cole & Contreras / Sylvan Cole Gallery, Sitges, BCN, Spanien
Erstausgabe Signiert
A STUNNING AND IMPORTANT LIVRE DE PEINTRE. The first edition of Eluard's text, illustrated with 87 ORIGINAL COLOR ETCHINGS BY ROGER CHASTEL. From a total edition of 196 numbered copies, this is one of 148 on extremely fine Lana wove paper. Folio. Loose as issued in original wraps. FINE AND BRIGHT, WITH NO DEFECTS. In this original (lightly worn) board chemise and slipcase. The Artist & the Book 55; Strachan, pp. 116-118, and 328; Chapon, pp. 172-175. A PRISTINE COPY OF A RARE, BEAUTIFUL, AND IMPORTANT BOOK, ONE OF THE TRULY GREAT MODERN BESTIARIES.
Verlag: Maeght Éditeur, Paris, 1948
Anbieter: Triolet Rare Books, ABAA, Los Angeles, CA, USA
Erstausgabe
First edition. 51 leaves, 45 leaves of plates; 86 color etchings by Chastel (including 38 full page), tissue guards laid in, unbound as issued in etched pictorial wrapper, housed in publisher's chemise with inlaid title label to spine, with slipcase. Some slight wear to head of slipcase opening, contents about fine with some slight occasional offsetting. One of 148 copies on vélin de lana, of a total edition of 196 copies. Chastel made extensive studies at the Paris Zoo "until he felt capable of realizing the essential characteristic of each particular bird or animal as he saw it, that is, as much subjectively as objectively. He then interpreted these syntheses in decorative form. He envisaged the illustration in terms of a double-page-the unit in which the lettrine, likewise etched in color, would be linked with the facing design. The colors are used emotively and for contrast. Every double-page is exciting and original." Strachan goes on, "Chastel has so successfully overcome all the technical difficulties that it is hard to realize the time and skill involved. Each plate had to be inked by hand with two separate colors and put through the hand-press. Each of the lettrines required a separate plate-sometimes two. The matching of colors. and the labor of the 10,000 separate inkings made the task a Herculean one, not only of illustration but of book-architecture. But the result was a masterpiece." Strachan was particularly fond of this book, and Chastel's print of an owl was the first in what became Strachan's extensive collection of owl images, now at the V&A Museum. An important and beautiful classic livre d'artiste. A large and heavy volume, international shipping not advised. Garvey, The Artist and the Book, 55. Strachan, The Artist and the Book in France, pp. 116-118, 328. Chapon, Le Peinture et le Livre, pp. 172-175.