ericka beckman (33 Ergebnisse)

Hardcover. Zustand: As New. 1st Edition. Hardcover, as new.

Wraps. First edition. Very good. light shelfwear, no ownership marks, first printing.

Zustand: good. This is a withdrawn library or rental book. It is stamped or stickered.

Zustand: As New. Unread book in perfect condition.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Softcover. Zustand: Very Good. Slight edgewear to wrappers. Solid binding and clean text. No ex-lib marks, stamps or stickers. Beckman's signature on title page with personal inscription. ; B&W Photographs; Small 8vo 7½" - 8" tall; 32 pages; Signed by One Author.

Paperback. Zustand: New. Between 1910 and 1970, Latin America experienced a rapid and radical transformation. Rural societies became urban, and peasants found themselves forced into precarious wage labor. The Latin American novel became the key witness to this upheaval, revealing capitalism's violent remaking of country and city alike.In Agrarian Questions, Ericka Beckman shows how these novels illuminate an epochal reshaping of land and labor-gifting readers with insights that continue to resonate in a world of increasing urban precarity.

Zustand: new.

Soft cover. Zustand: Near Fine. 5-1/2" x 8-1/2", xxix + 255pp. Printed on off white acid-free paper and perfect bound in matte laminated printed card stock cover. Light shelf wear to cover. Binding is square and tight. Pages are clean and bright and unmarked. Appears to be an unread copy.

Paperback. Zustand: Brand New. 272 pages. 8.50x5.50x1.50 inches. In Stock.

Zustand: New. pp. 272 9 Illus., Map.

Zustand: New. Num Pages: 272 pages, 9 b/w illustrations, 1 map. BIC Classification: 1KL; DSBF; DSBH. Category: (G) General (US: Trade). Dimension: 216 x 141 x 17. Weight in Grams: 350. . 2013. Paperback. . . . .

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: New. pp. 272, Map, Index.

Zustand: New.

Zustand: Neuf.

Zustand: New. Num Pages: 272 pages, 9 b/w illustrations, 1 map. BIC Classification: 1KL; DSBF; DSBH. Category: (G) General (US: Trade). Dimension: 216 x 141 x 17. Weight in Grams: 350. . 2013. Paperback. . . . . Books ship from the US and Ireland.

Zustand: As New. Unread book in perfect condition.

Exhibition invite with Stephen Frailey image on front, 4 x 4 inches; very good condition; an unmailed copy.

Zustand: Neuf.

Hardcover. Zustand: new. Hardcover. Ericka Beckman (born 1951) makes films without plots in a conventional sense, constituting them instead from themes: socialization, acculturation, competition and the organization of thoughts and memory. Since they are largely structured like games, they do not have characters; they have players. Like everything else about the films--the scenery, the props, the animation--the players are representatives, stand-ins contributing to Beckman's abstract ruminations on culture in a time-based medium. This lavishly illustrated reference monographs documents every film Ericka Beckman has made since her days as a CalArts graduate in the 1970s, and includes storyboards, production stills and notes, the librettos of her musicals, as well as a thorough photo-documentation of her multimedia installations. Together with an anthology of critical writing on the artist's work, the book features an interview encompassing the artist's entire career by Lionel Bovier and Fabrice Stroun, as well as new contributions by Vera Dika, John Beeson, Jeanne Graff, Geraldine Tedder and renowned game theorist Eric Zimmerman. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

80 pp.; 22.9 x 15.2 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 31 - June 30, 1984. Organized by Linda Cathcart. Text by Linda Shearer, Susan Wyatt, and Linda Cathcart. Artists include Ericka Beckman, Gretchen Bender, Dara Birnbaum, Eric Bogosian, Jonathan Borofsky, Troy Brauntuch, Michael Brewster, Gary Burnley, Scott Burton, Michael Byron, Cynthia Carlson, James Casebere, Louisa Chase, Charles Clough, Arch Connelly, Marcia Dalby, Carroll Dunham, Nancy Dwyer, William Fares, R.M. Fischer, Hermine Ford, Stephen Frailey, Bobby G., Jack Goldstein, Don Gummer, David Haxton, Biff Henrich, Jenny Holzer, Rebecca Howland, Mel Kendrick, Jon Kessler, Jeff Koons, Barbara Kruger, Thomas Lanigan-Schmidt, Thomas Lawson, John Lees, Sherrie Levine, Robert Longo, Ree Morton, Matt Mullican, Nic Nicosia, Kevin Noble, Tom Otterness, Ken Pelka, Judy Pfaff, Ellen Phelan, Adrian Piper, James Pomeroy, Richard Prince, Walter Robinson, Tim Rollins, Ellen Rumm, Christy Rupp, David Salle, Cindy Sherman, Laurie Simmons, Charles Simonds, Michael Smith, Philip Smith, Ted Stamm, Donald Sultan, John Torreano, Roger Welch, Yunque, and Michael Zwack. Very Good / Fine. Light dusting to covers. Contents clean and unmarked.

Staplebound. [44]p., color illustrations, wraps. 7 x 5.5 in. Full bleed color printing. Exhibition catalog for a show held September 18 - November 7 at the VeneKlasen Werner (VW) gallery in Berlin. The text is the script from a surreal performance of Cinderella that incorporates props modeled after industrial machinery and digital graphics.

Hardcover. Zustand: Brand New. 144 pages. 11.00x11.50x0.40 inches. In Stock.

[52] pp.; 21 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with a series of building ways shows titled "Critical Perspectives," held at P.S.1, Long Island City, Queens, January 17 - March 14, 1982, and featuring different curators throughout the building. Foreword by Alanna Heiss. Includes texts by the curators of each show. "Self-Indulgence," curated and with an essay by Linda Burnham, Artists include Edie Ellis, Marc Kreisel, Jeffrey Vallance ; "Energism," curated by Ronny Cohen, artists include Nancy Arlen, Richard Beckett, Lynda Benglis, Jonathan Borofsky, Tom Butter, Arthur Cohen, Peggy Cyphers, Cynthia Gallagher, Dina F. Ghen, Deborah Kass, Kathryn Kennedy, Robert Kitchen, Elizabeth Murray, Marilla Palmer, Suzan Pitt, Barbara Quinn, Randal Rupert, Takao Saito, Frank Schröder, Leora Klaymer Stewart, Robin Tewes, Jeff Way; "Untitled," curated and with an essay by Edit deAk, artists include Futura 2000, James Nares, Yoko Ono, Pat Place, Alan Vega; "The Frame As Stage," curated and with an essay by John Howell, artists include Ericka Beckman, Julia Heyward, Pooh Kaye, Tony Mascaterello, Michael McClard, Robin Winters; "Untitled," curated and with an essay by Thomas Lawson, Artists include Eric Fischl, Jack Goldstein, Thomas Lawson, Nachume Miller, Gerry Morehead, Walter Robinson, Salomé, Michael Zwack; "Untitled," curated and with an essay by Joseph Masheck, artists include Jeremy Gilbert-Rolfe, Sharon Gold, Richard Hennessy, Stewart Hitch, Vered Lieb, Thomas Nozkowski, Catherine Porter-Scully, Sean Scully, Andrew Spence, Thornton Willis; "Untitled," curated and with an essay by Peter Plagens, artists include Laurie Fendrich, Patrick Hogan, Ron Linden, Carol Lindsey, John Phillips "Untitled," curated and with an essay by Marcia Tucker, artists include Billy Copley, John Hull, Kristin Hodson, Kent Shell, Kenneth Shorr, Kevin Teare, and Paul Wong. Includes an exhibition checklist and exhibition map. Very Good. Light yellowing of covers, 3 mm. and 2 mm. tear to top edge of recto, and additional light edge-wear. Contents clean and unmarked.

Hardcover. Zustand: Near Fine. 2017, hardback, 9.5 x 12 inches approx, 141 pages, to accompany art exhibition 'My Game Mechanics. Preparatory Drawings for films by Ericka Beckman' at the Secession, 2017 | sound copy has small sticker marks on front board, otherwise shows minimal signs of use | carefully packaged and dispatched from UK within two working days.

Hardcover. Zustand: new. Hardcover. Ericka Beckman (born 1951) makes films without plots in a conventional sense, constituting them instead from themes: socialization, acculturation, competition and the organization of thoughts and memory. Since they are largely structured like games, they do not have characters; they have players. Like everything else about the films--the scenery, the props, the animation--the players are representatives, stand-ins contributing to Beckman's abstract ruminations on culture in a time-based medium. This lavishly illustrated reference monographs documents every film Ericka Beckman has made since her days as a CalArts graduate in the 1970s, and includes storyboards, production stills and notes, the librettos of her musicals, as well as a thorough photo-documentation of her multimedia installations. Together with an anthology of critical writing on the artist's work, the book features an interview encompassing the artist's entire career by Lionel Bovier and Fabrice Stroun, as well as new contributions by Vera Dika, John Beeson, Jeanne Graff, Geraldine Tedder and renowned game theorist Eric Zimmerman. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Zustand: New. Between 1910 and 1970, Latin America experienced a rapid and radical transformation. Rural societies became urban, and peasants found themselves forced into precarious wage labor. The Latin American novel became the key witness to this upheaval, revealing capitalism's violent remaking of country and city alike.In Agrarian Questions, Ericka Beckman shows how these novels illuminate an epochal reshaping of land and labor-gifting readers with insights that continue to resonate in a world of increasing urban precarity.

Hardcover. Zustand: Very Good. 1st Edition, Special Edition. artists' book, 22,5×14,5 cm, numbered edition of 31 copies **signed by all participating artists** Collaborative artists' book featuring words and images [original contributions] by Ericka Beckman, Jim Casebere, Kim Gordon, Jenny Holzer, Mike Kelley, J. D. King, Bill Komoski, John Miller, Tony Oursler, John D. L. Platt, Dan Walwroth, Marry Winn. Totally obscure, hardcover, deluxe version of this in any case rare publication. This is a numbered edition of 31 copies [This one being 15/31] signed by all participating artists. It is notable that Jenny Holzer signed sticker labels (like the one used here) echoing the mondus operandi of her works in early 1980s. No mention of this deluxe edition online, no copies located, the only one we have ever come across and most probably the only one still circulating in the wild. Signed by Author(s).