ernest hemingway william white editor (17 Ergebnisse)

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First Edition. Hardback. Unprice clipped dust jacket. Some small ink marks and blemishes to dust jacket, slight rubbing. Housed in a protective cover. Boards clean. Internally clean and bright. Hard to find in the UK.

Hard Cover. Zustand: Very Good. Zustand des Schutzumschlags: Good Plus. First Edition in Book Form. 479pp. Or red boards in jacket. Jacket price clipped. Jacket wrinkled from overly tight application of protective plastic sleeve.Selected articles and despatches recording the adventure that was Hemingway's life, and the events from which he fashioned his stories. Size: 8vo.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Book Club (BCE/BOMC). Selected articles and dispatches of four decades. In crisp, clean and unmarked red cloth boards covered with a barely worn dust jacket. A lovely copy.

Paperback. Zustand: Very Good. 1967 Scribner hard cover - 1st edition 1st printing - no dust jacket - some staining to cover and page edge - otherwise binding strong contents clean - enjoy.

Hardcover. Zustand: Good. Charles Scribner's Sons; 1st Edition (January 1, 1985).

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. Red cloth with gilt titles under glossy jacket. . Size: 8vo - over 7¾ - 9¾" tall. 479 pages. Item Type: Book. Binding is tight, covers and spine fully intact. Jacket with closed tears. These taped. . Dust Jacket un-clipped. No inscriptions. Shipped Weight: Under 1 kilogram. Category: Literature & Literary; . Please contact H4o Books if you require images or further information. Inventory No: 029757.

Softcover. 12mo., 428 pp. Bantam Q3788. First softcover printing. Organized chronologically from 1920 through 1956. Very Good in color illustrated wraps.

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Adelson, Dick (Wrapper Design) (illustrator). First Edition. First edition, first printing. Full number-line beginning w/1. Ruddy red textured boards with blind-stamped titles, black cloth spine wrap, gilt spine titles, moderate shelf wear, bump. Bright pages, near fine; no writing. Black newsprint colored top-stain. Bind fine, square; hinges intact. Scarce original wrapper, light shelf wear, rub; clipped, protected in new clear sleeve. Classic dark violet jacket design by Dick Adelson features white and gray newsprint font title with additional sub-titles in a clean deco ruddy red with light blue accent at spine titles. Near fine first printing in same wrapper. Ernest Hemingway's feature articles appeared regularly in the Toronto Star through 1920-24. Writing from Toronto, Chicago, Paris, and throughout Europe, he covered politics, sports, war, travel, life styles, human relations, etc. - areas of interest throughout his life. Presented here are all one hundred seventy-two pieces that were published in the Star, including those under pseudonyms. Hemingway readers will discern his unique voice already present in many of these pieces, particularly his knack for dialogue. It is fascinating to discover his early accounts of events and subjects that reprised in his later fiction. As William White points out in his introduction to this work, "Much of it, over sixty years later, can still be read both as a record of the early twenties and as evidence of how Ernest Hemingway learned the craft of writing." The youthful enthusiasm, wit, and skill with which these pieces were written guarantee that Dateline: Toronto will be read for pleasure, as excellent journalism, and for the insights it offers into his great works to follow. When Ernest Hemingway began to write for the Toronto Star, he was an unknown commodity. He had only been published in his Oak Park high school periodicals and the Kansas City Star as an anonymous cub reporter. By the time his last article was printed in the Canadian newpaper, he had published a few short stories and two small books in limited edition: Three Stories & Ten Poems (Paris, 1923) and In Our Time (Paris, 1924). However, his literary career had begun! Yet before this began, Hemingway's work with the Toronto Star Weekly and the Daily Star gave him an opportunity to write professionally. Still in his twenties, this offered world travel, especially to Europe while covering political, social, and military events. And, a few very important years, while he was still impressionable and developing, to flex his not-yet-literary muscles. From these years as a foreign correspondent, came the creative writer and author of some of the finest short stories and novels of the twentieth century! Thoroughly enjoyable eighteen-page detailed index. Printed in the United States of America. 478 pages. Insured post. Size: 8vo - over 7¾ - 9¾" Tall.

Hardcover. Zustand: Fine. Hardcover with DJ. BCE. Untrimmed fore edges. Faded top stain. Cloth. Lettering gold. Clean unmarked. Handsome copy. 489pp.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 8vo., 479pp. Beautiful First British Edition. Bound in red cloth with titles in gilt upon a black cloth spine label. Square, tight and clean throughout with little or no wear. Equally attractive unclipped dust-jacket, (45s. net), has gentle wear to top edge and tips. fresh and bright with no chipping, creases, or tears. A gorgeous collectable copy at a great price.

Hardcover. Zustand: Fine condition. Phillips, Alan (illustrator). Collector's edition illustrated by Alan Phillips. Bound in dark blue composition leather, decorated in gilt and red stamping with silk moire end papers. Ownership embossment on title page, otherwise fine.

Zustand: Near Fine. Zustand des Schutzumschlags: Very Good+. First Edition; First Printing. Near Fine first edition, first printing with "A-3.67 (V) " on cp. Free of former owner writing or bookplates. Very good plus, non price clipped ($8.95) DJ. Modest light shelfwear/tone. Jacket is in a fresh, protective mylar cover. (THIS BOOK IS IN OUR POSSESSION. WE SHIP MOST BOOKS SIX DAYS A WEEK AND WILL CONFIRM WITH TRACKING NUMBER FOR DOMESTIC ORDERS OR CUSTOMS NUMBER FOR NON DOMESTIC).

Hardcover. Collector's Edition. Fine in full dark blue leather covered boards with three raised bands on the spine with gilt text and decorations stamped in the compartments and with gilt and red tool work on both the front and rear boards. The end papers are silk with a matching silk placement ribbon sewn-in at the head of the spine. All three edges of the text block are in gilt. A small quarto measuring 9 1/4 by 6 inches. 489 pages of text including an index. Illustrated by Alan Phillips and edited by William White. A beautiful, tight, clean copy with no names, dates, notations with a blank Easton Press book plate laid-in ready to take the name of the book's next owner.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. 8vo., 489pp. Beautiful First Edition with Scribner's "A" on copyright page as called for. . Bound in red cloth with titles in gilt upon a black cloth spine label. Square, tight and clean throughout with little or no wear save a touch of softness to heel but barely. Very attractive unclipped dust-jacket, ($8.95), has a couple tiny, almost invisible, closed edge-tears. A touch of toning and edge-wear. Still bright with no chipping, or creases. A sharp collectable copy at a great price.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Fine condition red cloth boards with black front cover facsimile author signature with gold spine lettering enclosed within a gold and black block border, contained within a very good condition non price-clipped color illustrated dust jacket. Includes List of Other Books by Ernest Hemingway; Preliminary Page entitled: Hemingway Needs No Introduction; and Index. A small unobtrusive former owner stamped name and address at the center of the rear inner cover. Two tiny repaired closed tears at the upper rear jacket edge; the jacket is otherwise in near fine to fine condition (see photographs). All pages are in fine unmarked condition and the spine/binding is exceedingly tight and square (see photographs). "Although Hemingway's world-wide fame as a writer was based on his works of fiction - the short stories and novels through which he created a virtually new voice for contemporary literature - it is important to remember that for over four decades he also carried on a vigorous career in journalism. He himself was sometimes included to minimize the value of the material that he wrote as a reporter, and yet the professional training and diversified experiences that he received writing for newspapers and magazines were impoortant not only for the subject matter of his imaginative writing but also for the special characteristics of the literary style he evolved. This career began with his early apprenticeship as a cub reporter for The Kansas City Star in which he learned valuable lessons of objectivity, simplicity and brevity under the tutelage of the famous newspaper editor C.G. Wellington. In the early twenties his desire to become a writer was further advanced by the lively imaginative articles he wrote for The Toronto Star. It was as a correspondent for that paper that he was able to go to Paris, where out of the craft of creative journalism he developed the unique methods of his own literary art. In later years this journalistic career was never broken: in Key West in the thirties with his wry, inimitable articles and letters for Esquire; in the first-hand reporting of the Spanish Civil War; in the penetrating polotical and military analyses of the Sino-Japanese war in his articles for PM in 1941; in his later coverage of World War II in Europe; and finally in the mellow ironical chronicle of his last African adventures. Few correspondents have produced a more impressive body of first-rate work. In this book, prepared with the guidance of an authority in the field of journalism, the reader is given a generous and representative collection of Hemingway's best work as a reporter. Read in the light of his accomplishments as a writer of fiction, the collection as a whole is a source of unusual interest. For we are shown here the raw material, so to speak, out of which a highly original genius formed many of his literary creations." - from the inner front and rear jacket flaps.