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  • Bild des Verkäufers für After [Poems by] Words by Michael Feingold Etchings [by] Judith Turner. zum Verkauf von Peter Keisogloff Rare Books, Inc.

    Feingold, Michael & Turner, Judith (illustrator).

    Verlag: Vincent Fitz Gerald & Company New York 1993. # 7 of 50 copies, signed by author & illustrator., 1993

    Anbieter: Peter Keisogloff Rare Books, Inc., Brecksville, OH, USA

    Bewertung: 5 Sterne, Learn more about seller ratings

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    Erstausgabe Signiert

    Gebraucht - Hardcover
    Zustand: As New

    EUR 5.510,43

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    EUR 13,96 Versand

    Innerhalb der USA

    Anzahl: 1

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    Hardcover. Zustand: As New. 1st Edition. [Colophon]: Photogravure Plates: Jon Goodman; Editioning: Peter Pettengill, Wingate Studio; Printing: Wild Carrot Letterpress; Monotype: Swamp Press; Calligraphy: Jerry Kelly; Paper: Dieu Donne Papermill Rives; Binding: Zahra Partovi; Box: BookLab. 7/50 [signed] Michael Feingold Judith Turner. 7/50 [signed] Michael Feingold Judith Turner. Edition (copyright) 1993 Vincent Fitz Gerald & Company VFG. 8 3/4 x 11 3/4"; size of page: 8 x 10 7/8", unpaginated pages bound accordion-style with facing text & illustration (20 etchings); bound in original etching printed, handmade paper-covered boards, with pillar & wall design in gray on black background & title: AFTER in silver lettering on lower front cover. In dark gray, cloth-covered clamshell box with title in silver on spine, special, dark gray with red & metallic flecked paper, lining the inside of box. An as new copy. Michael Feingold's first published book of poetry; which was nominated for the Brenden Gill Award (Municipal Arts Society of New York City). Publisher's statement (in part) "[.]Vincent Fitz Gerald & Company, publishers of limited-edition artists' books, will celebrate its thirteenth anniversary with the publication on August 25, 1993, of its 27th volume, AFTER, a long poem by critic and translator Michael Feingold, with twenty etchings by the celebrated photographer Judith Turner. Published in a limited edition of 50 signed and numbered copies, the edition is also an object in itself, a continuous sheet of folded paper, bound over boards, that may be read and viewed from both sides, or set up as a freestanding sculpture. [.] Feingold shaped the poem to fit the shape of the book as it was evolved by Turner and Fitz Gerald; the somber and often violent imagery of the words was evoked by the austere beauty of the prints, transformed from Turner's original photographs through the delicate and complex process of photogravure etching on copper plates . a classic 19th century technique renewed by modern technology. [.]". Signed by Author(s).