george irving scott (13 Ergebnisse)

Spiral bound. Zustand: Very Good. First Edition. VERY GOOD CONDITION, CLEAN, SOLID, BRIGHT.PLASTIC COMB BINDING.LARGE SO PAGES DO NOT GET CROWDED. ; Black titles on lite blue stiff STURDY PLASTIC covers.white comb plastic binding. ; 240 pages; solo piano. Here you will find over 75 legendary jazz and blues standards, showtunes, rags, novelty numbers, and encores.

Zustand: Good. 1961. First Edition. 62 pages. Pictorial dust jacket over green cloth. Colour photographic plates throughout. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Unclipped jacket has moderate edge wear with tears, chips, and some areas of loss. Noticeable rubbing and marking.

Zustand: New.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No dj. First Edition. 1938 1st ed. hardback, no dust jacket, name on fly, sound clean copy with owner polythene protective sleeve. Size: 8vo.

Softcover. Zustand: Near Fine. Magazine. Octavo. 366pp. Perfectbound. Color illustrations. Toning on the spine and light offsetting on the rear wrappers, near fine. Several notable writers feature their work including: Howard Roman ("Bloom and the Dryad"), Harris Downey ("The Hand and Head of Molly Glass"), May Sarton ("A Village Tale"), Adrian Mitchell ("The Beggar"), and George Steiner ("The Retreat From the World"). Additional contributors include Alfred Werner, Roy Harvey Pearce, Vivian Mercier, Constantine FitzGibbon, William S. Pechter, James McCormick, Philip Booth, Hilary Corke, William Dickey, Irving Feldman, Nathan A Scott. Jr., Anthony Ostroff, John Thompson, Geoffrey H. Hartman, and J. A. Bryant Jr.

unknown_binding. Zustand: Very Good. 1938 Sribner/Batsford editionon burgundy cloth.

Zustand: New.

Zustand: New. KlappentextThis work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly ot.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. [1st edition, 1st printing] ; viii, 112 p. plates (part in color) map (on lining paper) 22 cm. ; LCCN: 47-8157 ; OCLC: 2021904 ; LC: DA890.E3; Dewey: 941.445 ; light blue cloth with black lettering, in color pictorial dustjacket ; Contents: The Castle -- Holyrood -- The mediaeval city -- Old Town -- Old Town and Canongate -- New Town and Augustan Age -- Modern times. ; clipped corner, front endpaper ; name on flyleaf ; remainds of label on front cover dustjacket ; Book.

Hardcover. Zustand: g to vg. First edition. 1/350. Octavo (7 1/2 x 5"). XII, 351, [1]pp (Vol. 1); VII, [1], 236, [2]pp (Vol. 2). Original 3/4 red morocco over blue cloth, with the arms of the Cambridge University Club in gold on each front cover. Marbled endpapers. Top edges gilt. This delightful two-volume set includes some of the finest poems of the period, such as: - George Irving Scott's "Waterloo" (1820) - Thomas Babington Macaulay's "Evening" (1821) - Alfred Tennyson's "Timbuctoo" (1829) - Goldsworthy Lowes Dickinson's "Savonarola" (1884) One of 350 unnumbered sets. Edward Chatterton-Orpen's armorial bookplate on inside of each front cover. Bindings partly rubbed and sunned along edges. Minor age-toning along paper margin. Bindings in overall good- to good, interior in very good condition.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.

[2] pp.; 25.4 x 33 cm.; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Two sided poster / program for an evening of performances and happenings held at the BAM (Brooklyn Academy of Music), Brooklyn, on March 8 and April 12, 1968, produced as part of the first Intermedia Festival which occurred at various locations across New York State. The festival featured happenings, electromedia theater, space-time art, process, ecumenical technology, kinetic environments, action theater, acoustic space, mixed media, dance, and sound construction. Artists included Remy Charlip, Al Carmines, Aileen Passloff, Carolee Schneeman, Aldo Tambellini, Ken Dewey, Trisha Brown Schlicter, Terry Riley, Calo Scott, Lee Guilliatt, John Patrick Dodd, George Montgomery, Andrew Roman, Burton Supree, Ruth Krauss, Maria Irene Fornes, Peter Ilyich, Grace Paley, Jules Massanet, Carolee Schneemann, Joan Adler, Tom Bissinger, Carol Grosberg, Denys Irving, Mitsou Naslednikov, Gary Maxwell, Laurence Warshaw, Steve Bartok, Art Sinsabaugh, James Tenney, Jerry Walter, and Ken Jacobs. Good. Folded in eight with moderate wear to edge including a 1.5 cm. tear. Three stains to recto measuring 1 mm. - 1 cm , otherwise clean and unmarked.

Leather Bound. Zustand: New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1884. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 308, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 308.