george samaras (32 Ergebnisse)

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque. Edition 1997. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 1997. Ammareal gives back up to 15% of this item's net price to charity organizations.

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; edition size 3000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D''Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. Contents clean and unmarked.

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D'Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. "Carley 3/2000" written in black ink on title page. Contents otherwise clean and unmarked.

Soft cover. Zustand: Very Good. 1st edition. VG+. 8vo, 272pp, printed wrappers. Thick later issue of this essential postwar literary magazine, includes interviews with Anthony Hecht and Edmund White, art by Philip Taaffe (cover) and Lucas Samaras, plus writing by Steven Millhauser, Primo Levi, George Rylands, et al. Tight unmarked copy, bar code label to cover. Not Signed.

First edition. Oblong softcover. 16 pages. Exhibition catalog for a show that ran November 4 through December 30, 1984. Includes color and black and white images by Chuck Close, Robert Cumming, David Hockney, Nancy Holt, Sol Lewitt, Lucio Pozzi, Robert Rauschenberg, Lucas Samaras, Naomi Savage, George Segal, and Kenneth Snelson. A near fine copy in stapled wrappers.

First edition. Softcover. Exhibition catalog for a group show that ran October 22 through December 4, 1966. Features introduction and essays on Donald Judd, Robert Morris, Lucas Samaras and H.C. Westerman by Martin Friedman. Also features Jan van der Marck's essays on Christo, Claes Oldenburg, George Segal, and Ernst Trova. Includes black and white illustrations and informtion about each artist as well. A very good plus copy in wrappers that have some of the usual rubbing.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Earth date, August 11, 1997 "Beam me up Scottie!" "We cannot do it! This is not Star Trek's Enterprise. This is early years Earth." True, this is not yet the era of Star Trek, we cannot beam captain James T. Kirk or captain Jean Luc Pickard or an apple or anything else anywhere. What we can do though is beam information about Kirk or Pickard or an apple or an insurance agent. We can beam a record of a patient, the status of an engine, a weather report. We can beam this information anywhere, to mobile workers, to field engineers, to a track loading apples, to ships crossing the Oceans, to web surfers. We have reached a point where the promise of information access anywhere and anytime is close to realization. The enabling technology, wireless networks, exists; what remains to be achieved is providing the infrastructure and the software to support the promise. Universal access and management of information has been one of the driving forces in the evolution of computer technology. Central computing gave the ability to perform large and complex computations and advanced information manipulation. Advances in networking connected computers together and led to distributed computing. Web technology and the Internet went even further to provide hyper-linked information access and global computing. However, restricting access stations to physical location limits the boundary of the vision.

Zustand: New.

Zustand: New.

Zustand: New. pp. 172.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Earth date, August 11, 1997 'Beam me up Scottie!' 'We cannot do it! This is not Star Trek's Enterprise. This is early years Earth.' True, this is not yet the era of Star Trek, we cannot beam captain James T. Kirk or captain Jean Luc Pickard or an apple or anything else anywhere. What we can do though is beam information about Kirk or Pickard or an apple or an insurance agent. We can beam a record of a patient, the status of an engine, a weather report. We can beam this information anywhere, to mobile workers, to field engineers, to a track loading apples, to ships crossing the Oceans, to web surfers. We have reached a point where the promise of information access anywhere and anytime is close to realization. The enabling technology, wireless networks, exists; what remains to be achieved is providing the infrastructure and the software to support the promise. Universal access and management of information has been one of the driving forces in the evolution of computer technology. Central computing gave the ability to perform large and complex computations and advanced information manipulation. Advances in networking connected computers together and led to distributed computing. Web technology and the Internet went even further to provide hyper-linked information access and global computing. However, restricting access stations to physical location limits the boundary of the vision.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Zustand: As New. Unread book in perfect condition.

[24] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 7 - 31, 1970 at Sidney Janis Gallery, New York. Artists in the exhibition included Marcel Duchamp, Kurt Schwitters, Hans Arp, Joan Miro, Buckminster Fuller, Jackson Pollock, Christo, Bruce Conner, Walter De Maria, Robert Rauschenberg, Robert Whitman, Ellsworth Kelly, James Rosenquist, Oyvind Fahlström, Lucas Samaras, Robert Indiana, Jim Dine, Jasper Johns, Claes Oldenburg, Robert Barry, Bruce Bauman, Arman, Barry Flanagan, Les Levine, Robert Gordon, George Kuehn, Fred Sandback, George Segal, Picasso, Man Ray, Francis Picabia, Allan Kaprow, Lawrence Weiner, Victor Burgin, Lloyd Hamrol, Peter Hutchinson, George Herms, Ernst Hesse, William Bollinger, Alan Saret, Robert Rohm, and Robert Watts. Good. Moderate wear and scruffing to covers. Contents clean and unmarked.

39 pp.; 27.8 x 21.4 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 22 - December 4, 1966. Artists include Christo, Donald Judd, Robert Morris, Claes Oldenburg, Lucas Samaras, George Segal, Ernest Trova and H.C. Westermann. Introduction by Martin Friedman. Essays by Friedman and Jan van der Marck. Includes artists biographies and selected bibliographies and a checklist of the exhibition. Catalogue designed by Peter Seitz and Neoma Alt. Good. Rubbing of cover edges and 2 cm., 4.9 cm., 3 mm. and 2 mm. scratches to recto. Bumping to bottom left corner of verso with a 2.3 cm. crease. Contents clean and unmarked.

Soft cover. Zustand: Fine. 1st edition. Near Fine. 4to, ~112 pp, printed wrappers. Scarce and stout issue of this substantial late 1970s poetry and art magazine, featuring experimental work from a range of prominent contributors. Unmarked copy, light wear. Not Signed.

Hardback (No Dust Wrapper.). Zustand: Near Fine. Condition Notes: Remains in publishers original, if tatty, shrink wrap; Hardback. ; Measures 9½" x 6¼" (0.8 kg); pp (ix) 157; In the Kluwer International Series on Advances in Database Systems series; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #179018 ||.

[50] pp.; 10.9 x 6.5 cm.; loose card[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Set of playing cards by Don Celender featuring images of well known artists, writers, and gallery owners, superimposed over images of religious figures. Verso has a quote about or by the art world figure pictured. Art world figures include : Francis Bacon, J. Oliver Mitchell, Ivan C. Karp, Donald Judd, Wayne Thiebaud, Claes Oldenburg, Philip Pearlstein, Ernest Trova, Elaine de Kooning, Alexander Liberman, Richard Estes, Cy Twombly, Lucy Lippard, Alex Katz, Lee Krasner, Norman Rockwell, Marisol, Richard L. Feigen, Jim Dine, Bob Morris, Denise René, Richard Lindner, Robert Motherwell, George Segal, Paul Jenkins, Thomas Hoving, John Coplans, Harry N. Abrams, Clyfford Still, Richard Artschwager, Isamu Noguchi, Andrew Wyeth, Victor Vasarely, Andy Warhol, Louise Nevelson, Josef Albers, Henry Geldzahler, Mark Tobey, Roy Lichtenstein, Lucas Samaras, Jasper Johns, Helen Frankenthaler, Marc Chagall, Henry Moore, Georgia O'Keeffe, and Hilton Kramer. Very Good. 8 mm. of light soiling to bottom left corner of lid. Light yellowing and dusting of bottom of box. Complete set of cards. Contents clean and unmarked.

[3] pp.; 35.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition checklist published in conjunction with show held September 28 - October 22, 1960. Artists include Ronald Alley, Stephen Antonakos, Ronald Bladen, Lee Bontecou, George Brecht, Alberto Burri, John Chamberlain, David Chapin, Chryssa, Bruce Conner, Joseph Cornell, Roy De Forest, Andre de Dienes, Sari Dienes, Jim Dine, Enrico Donati, Rosalyn Drexler, Jean Dubuffet, Claire Falkenstein, Dan Flavin, Jean Follett, Peter Forakis, Charles Ginnever, Mathias Goeritz, Robert Indiana, Jasper Johns, Allan Kaprow, Yves Klein, Irving Kriesberg, Anthony Magar, Robert Mallary, Louise Nevelson, Claes Oldenburg, Alfonso Ossorio, Lil Picard, Leo Rabkin, Robert Rauschenberg, George Rickey, Lucas Samaras, Salvatore Scarpitta, Jesus Rafael Soto, Richard Stankiewicz, Takis Vassilakis, Jean Tinguely, Stan Vanderbeek, Robert Watts, Robert Whitman, Wilfrid Zogbaum, and Berke, Bermudez, Bouras, Deschais, Doyle, Giles, Goodyear, Harris, Hendricks, Higgins, Kemeny, Kimball, Langlais, Latham, Levinson, Little, Long, Michaels, Millares, Terry, Wilson. Includes prices for works offered. Good. Folded in four with an additional vertical crease. Wear along fold lines and yellowing of pages. 8 mm. tear to top edge of first and second pages with chipping to third page. Fingerprint and ink smudging soiling to first page and bumping to top left corner with edgewear. Contents clean and unmarked.

100 pp.; 22.5 x 24.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Catalogue for the auction of works from the collection of Robert C. Scull held at Sotheby''s on October 18, 1973. Features works by Lee Bontecou, John Chamberlain, Dan Christensen, Willem de Kooning, Walter De Maria, Jim Dine, Mark di Suvero, Philip Guston, Robert Indiana, Jasper Johns, Franz Kline, Robert Morris, Barnett Newman, Claes Oldenburg, Larry Poons, Robert Rauschenberg, Larry Rivers, James Rosenquist, Lucas Samaras, George Segal, Frank Stella, Ernest Trova, Cy Twombly, Andy Warhol, Tom Wesselmann and Peter Young. ". The sale, held simultaneously in Sotheby Parke Bernet''s main selling gallery, at Madison Avenue and 76th Street, as well as in several television-equipped side galleries, was preceded by a brace of demonstrations attacking Mr. Scull, his taxicabs, and his collecting habits. Despite the uproar a number of record sales were recorded. . Jasper Johns''s works set five different auction records at the sale. His huge canvas, "Double White Map," executed in 1965, brought $240,000. The price was $90,000 higher than the previous high recorded for a Johns painting, reportedly paid by a private - European collector recently. It was double the auction record for a living American artist, which had been held by Georgia O''Keeffe, whose "Poppies" sold for $120,000 last March. It topped the auction record of $75,000 for a work of Pop Art held since 1970 by Roy Lichtenstein, as well as the auction record for any 20th-century American work of art. The previous holder was Yasuo Kuniyoshi with $200,000 for "Little Joe With Cow," sold in March. Johns''s sculpture., "Painted Bronze," consisting of bronze replicas of two Ballantine Beer cans on a platform was sold for $90,000 and established an auction record for a sculpture by a living American artist. Claes Oldenburg''s "Stove," at $45,000, had held the record since 1970. Their entry was not facilitated by a noisy, and well televised, demonstration by the Taxi Rank and File Coalition, a group of cab drivers vying for recognition as an opposing bargaining group for cabbies. They carried signs suggesting that Mr. Scull was a "parasite" who "lived off the backs of cabbies" so he could "be with the beautiful people."."--Fred Ferretti, "Scull''s U.S. Art Brings Record $2 Million," New York Times, October 19, 1973 Good. Scruffing to dust jacket with two long horizontal abrasions over cover image, mild edge wear and light foxing. Mild foxing to endpapers. Sales results and sales estimates stapled to first inside page. Due to size and weight additional shipping charges will be required for international order.

Softcover. Zustand: Near Fine. Single spirit-duplicated sheet. Quarto. Near fine with light wear along the foredge with a few tiny tears. A program for an early Happening performance held at the Reuben Gallery in New York by Allan Kaprow, who coined the phrase to describe the emerging performance art that incorporated various forms of artistic expression such as text, dialogue, sounds, colors, music, and audience participation. The pieces at this show featured: "Gossoon, a chamber event movement," arranged by George Brecht with performances by James Waring, John Baker, and Jerry King; "E.G." by Robert Whitman, starring Jim Dine, Rosalyn Drexler, Pat Oldenburg, and Lucas Samaras; "Intermission Piece" by Kaprow; "Electronic Music" by Richard Maxfield (who co-curated the Fluxus concerts at Yoko Ono's loft with LaMonte Young); and "Vaudeville Collage" written and performed by Dine. An important piece of ephemera from the then-emerging New York performance art scene of the early 1960s. *OCLC* locates no copies of this 1960 performance but one from 1959.

Leatherbound. Zustand: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 616. A perfect gift for your loved ones. Reprinted from 1962 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 616.

[1] pp.; 11.9 x 19.8 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided postcard announcement for show held January 29 - February 18, [1960]. Artists include Herb Brown, Jim Dine, Red Grooms, Al Jensen, Lester Johnson, Allan Kaprow, Nicholas Krushenick, Claes Oldenburg, Patricia Passloff, Renee Rubin, Lucas Samaras, George Segal, and Robert Whitman. Very Good. Hand addressed mailed copy with mailing marks and mailing wear. .3 cm. tear to lower edge and 8 cm. mild fold near upper edge of card.

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Earth date, August 11, 1997 Beam me up Scottie! We cannot do it! This is not Star Trek s Enterprise. This is early years Earth. True, this is not yet the era of Star Trek, we cannot beam captain James T. Kirk or captain Jean Luc Pickard or an apple or a.

Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Earth date, August 11, 1997 Beam me up Scottie! We cannot do it! This is not Star Trek s Enterprise. This is early years Earth. True, this is not yet the era of Star Trek, we cannot beam captain James T. Kirk or captain Jean Luc Pickard or an apple or a.

Buch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Earth date, August 11, 1997 'Beam me up Scottie!' 'We cannot do it! This is not Star Trek's Enterprise. This is early years Earth.' True, this is not yet the era of Star Trek, we cannot beam captain James T. Kirk or captain Jean Luc Pickard or an apple or anything else anywhere. What we can do though is beam information about Kirk or Pickard or an apple or an insurance agent. We can beam a record of a patient, the status of an engine, a weather report. We can beam this information anywhere, to mobile workers, to field engineers, to a track loading apples, to ships crossing the Oceans, to web surfers. We have reached a point where the promise of information access anywhere and anytime is close to realization. The enabling technology, wireless networks, exists; what remains to be achieved is providing the infrastructure and the software to support the promise. Universal access and management of information has been one of the driving forces in the evolution of computer technology. Central computing gave the ability to perform large and complex computations and advanced information manipulation. Advances in networking connected computers together and led to distributed computing. Web technology and the Internet went even further to provide hyper-linked information access and global computing. However, restricting access stations to physical location limits the boundary of the vision. 172 pp. Englisch.

Buch. Zustand: Neu. Data Management for Mobile Computing | George Samaras (u. a.) | Buch | ix | Englisch | 1997 | Springer US | EAN 9780792380535 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu Print on Demand.

Zustand: New. Print on Demand pp. 172 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.

Buch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Earth date, August 11, 1997 'Beam me up Scottie!' 'We cannot do it! This is not Star Trek's Enterprise. This is early years Earth.' True, this is not yet the era of Star Trek, we cannot beam captain James T. Kirk or captain Jean Luc Pickard or an apple or anything else anywhere. What we can do though is beam information about Kirk or Pickard or an apple or an insurance agent. We can beam a record of a patient, the status of an engine, a weather report. We can beam this information anywhere, to mobile workers, to field engineers, to a track loading apples, to ships crossing the Oceans, to web surfers. We have reached a point where the promise of information access anywhere and anytime is close to realization. The enabling technology, wireless networks, exists; what remains to be achieved is providing the infrastructure and the software to support the promise. Universal access and management of information has been one of the driving forces in the evolution of computer technology. Central computing gave the ability to perform large and complex computations and advanced information manipulation. Advances in networking connected computers together and led to distributed computing. Web technology and the Internet went even further to provide hyper-linked information access and global computing. However, restricting access stations to physical location limits the boundary of the vision.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 172 pp. Englisch.