Gerhard richter birgit pelzer guy (4 Ergebnisse)
Sprache: Englisch
Verlag: Musee d'Art Contemporain de Nimes and Scalo, 1996
- Hardcover
Anbieter: ANARTIST, New York, NY, USAANARTIST
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EUR 57,31
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Hardcover without dustjacket as issued, 156 pages; in French; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Verlag: Cantz Verlag, Ostfildern-Ruit, 2002
Anbieter: Bücher-Insel Antiquariat Rolf Selbert, Kassel, DeutschlandBücher-Insel Antiquariat Rolf Selbert
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In den Warenkorb155 S. 3. unveränderte Auflage. Mit 100 farbigen Repros der Gemälde und Texten dazu. Kunstband guter Qualität. Guter Zustand.
- Hardcover
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USAERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)
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8vo. 156pp. Translated from the German. Gray cloth lettered in black. Illustrated with 103 color plates. A fine, as new copy, still in publisher's original shrinkwrap. "Released on the occasion of an exhibition of Gerhard Richter's 'private paintings' at the Carré d'Art in Nîmes"--Page 5./ Includes bibliographical references.
Weitere BilderGerhard Richter 100 Pictures
Richter, Gerhard; Hans-Ulrich Obrist (ed.); Birgit Pelzer; Guy Tosatto (texts); Brian Holmes (transl.)
- Hardcover
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USAERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)
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Hardcover. Zustand: Fine condition. First English language edition. Octavo. 153 (1)pp. Original tan cloth with black lettering on cover and spine. "Richter's approach long appeared disorienting, incoherent, even absurd: the artist developed an extraordinary diversity of forms, moving from "photo-realist" pictures to others that…seemed to run the gamut of abstraction, from concrete art to action painting. More than twenty years of hindsight were needed to grasp the dialectical movement that structures his research, determining its unprecedented attempt at an ontological exploration of painting's foundations and limits, and making it one of the most remarkable artistic experiences of the last three decades. The initial observations the "painting has never painted anything but itself" forms the basis of Richter's oeuvre. Complex, multifarious-ranging from photo-realist representation to gray monochromes-it constitutes the analysis, the methodical critique (the sublimation?) of all the forms that painting can take." (Preface). illustrated with 100 color photographs of Richter's paintings by Friedrich Rosenstiel, covering the wide range of Richter's oeuvre.
