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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Peter Lang International Academic Publishers, 2002
ISBN 10: 0820451401 ISBN 13: 9780820451404
Anbieter: The Second Reader Bookshop, Buffalo, NY, USA
Hardcover. Zustand: Very Good. Like new with light wear to covers and no marks to text. No dust jacket as issued. ; Un; 9.10 X 6 X 1 inches; 350 pages.
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Peter Lang Inc., International Academic Publishers, 2002
ISBN 10: 0820451401 ISBN 13: 9780820451404
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In den WarenkorbZustand: Very Good.
Zustand: New.
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Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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In den WarenkorbZustand: New. In.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
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In den WarenkorbZustand: As New. Unread book in perfect condition.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 58,24
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: World Scientific Pub Co Inc, 2023
ISBN 10: 9811272719 ISBN 13: 9789811272714
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbHardcover. Zustand: Brand New. 156 pages. 9.00x6.00x0.56 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2026
ISBN 10: 1009654314 ISBN 13: 9781009654319
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Cambridge University Press, 2026
ISBN 10: 1009654314 ISBN 13: 9781009654319
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbHardcover. Zustand: Brand New. 1st edition. 204 pages. In Stock.
EUR 219,21
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In den WarenkorbHardcover. Zustand: New.
Sprache: Englisch
Verlag: Cambridge University Press, 2026
ISBN 10: 1009654314 ISBN 13: 9781009654319
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book retraces the emergence of conceptions of authorship in late-eighteenth-century Germany by studying the material form of Immanuel Kant's 1785 essay, 'On the Wrongfulness of Reprinting'. Drawing upon book history, media theory, and literary studies, Benjamin Goh analyses the essay's paratexts as indices of literary production in the German Enlightenment. Far from being an idealist proponent of intellectual property, Kant is shown to be a media theorist and practitioner, whose critical negotiation with the evolving print machinery in his time helps illuminate our present struggle with digital technology and the mounting pressures borne by copyright as a proprietary institution. Through its novel perspective on established debates surrounding authorship, this book critiques the proprietary conception of authorship in copyright law, and proposes an ethical alternative that responds to the production, circulation, and reading of literature. This title is also available as open access on Cambridge Core.
Sprache: Englisch
Verlag: WORLD SCIENTIFIC PUB CO INC, 2023
ISBN 10: 9811272719 ISBN 13: 9789811272714
Anbieter: moluna, Greven, Deutschland
EUR 52,28
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In den WarenkorbZustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextDigital transformation is happening across all industries worldwide, including in Singapore. This book seeks to provide insights on how small and medium enterprises (SMEs) can embark on their own journeys of digital transforma.
Sprache: Englisch
Verlag: Cambridge University Press, Cambridge, 2026
ISBN 10: 1009654314 ISBN 13: 9781009654319
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Hardcover. Zustand: new. Hardcover. This book retraces the emergence of conceptions of authorship in late-eighteenth-century Germany by studying the material form of Immanuel Kant's 1785 essay, 'On the Wrongfulness of Reprinting'. Drawing upon book history, media theory, and literary studies, Benjamin Goh analyses the essay's paratexts as indices of literary production in the German Enlightenment. Far from being an idealist proponent of intellectual property, Kant is shown to be a media theorist and practitioner, whose critical negotiation with the evolving print machinery in his time helps illuminate our present struggle with digital technology and the mounting pressures borne by copyright as a proprietary institution. Through its novel perspective on established debates surrounding authorship, this book critiques the proprietary conception of authorship in copyright law, and proposes an ethical alternative that responds to the production, circulation, and reading of literature. This title is also available as open access on Cambridge Core. Goh studies the material form of Kant's 'On the Wrongfulness of Reprinting' (1785) for its implications on authorship in the German Enlightenment and the digital present. This title is also available as open access on Cambridge Core. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: Cambridge University Press, 2026
ISBN 10: 1009654314 ISBN 13: 9781009654319
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
EUR 143,16
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In den WarenkorbHardback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Sprache: Englisch
Verlag: Cambridge University Press, Cambridge, 2026
ISBN 10: 1009654314 ISBN 13: 9781009654319
Anbieter: CitiRetail, Stevenage, Vereinigtes Königreich
EUR 143,44
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: new. Hardcover. This book retraces the emergence of conceptions of authorship in late-eighteenth-century Germany by studying the material form of Immanuel Kant's 1785 essay, 'On the Wrongfulness of Reprinting'. Drawing upon book history, media theory, and literary studies, Benjamin Goh analyses the essay's paratexts as indices of literary production in the German Enlightenment. Far from being an idealist proponent of intellectual property, Kant is shown to be a media theorist and practitioner, whose critical negotiation with the evolving print machinery in his time helps illuminate our present struggle with digital technology and the mounting pressures borne by copyright as a proprietary institution. Through its novel perspective on established debates surrounding authorship, this book critiques the proprietary conception of authorship in copyright law, and proposes an ethical alternative that responds to the production, circulation, and reading of literature. This title is also available as open access on Cambridge Core. Goh studies the material form of Kant's 'On the Wrongfulness of Reprinting' (1785) for its implications on authorship in the German Enlightenment and the digital present. This title is also available as open access on Cambridge Core. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Sprache: Englisch
Verlag: Cambridge University Press, 2025
ISBN 10: 1009654314 ISBN 13: 9781009654319
Anbieter: preigu, Osnabrück, Deutschland
Buch. Zustand: Neu. The Materiality of Literature | Benjamin Goh | Buch | Englisch | 2025 | Cambridge University Press | EAN 9781009654319 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Sprache: Englisch
Verlag: Cambridge University Press, Cambridge, 2026
ISBN 10: 1009654314 ISBN 13: 9781009654319
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Hardcover. Zustand: new. Hardcover. This book retraces the emergence of conceptions of authorship in late-eighteenth-century Germany by studying the material form of Immanuel Kant's 1785 essay, 'On the Wrongfulness of Reprinting'. Drawing upon book history, media theory, and literary studies, Benjamin Goh analyses the essay's paratexts as indices of literary production in the German Enlightenment. Far from being an idealist proponent of intellectual property, Kant is shown to be a media theorist and practitioner, whose critical negotiation with the evolving print machinery in his time helps illuminate our present struggle with digital technology and the mounting pressures borne by copyright as a proprietary institution. Through its novel perspective on established debates surrounding authorship, this book critiques the proprietary conception of authorship in copyright law, and proposes an ethical alternative that responds to the production, circulation, and reading of literature. This title is also available as open access on Cambridge Core. Goh studies the material form of Kant's 'On the Wrongfulness of Reprinting' (1785) for its implications on authorship in the German Enlightenment and the digital present. This title is also available as open access on Cambridge Core. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.