Verlag: Univ of Massachusetts Pr, 1982
ISBN 10: 0917418697 ISBN 13: 9780917418693
Anbieter: Half Price Books Inc., Dallas, TX, USA
Paperback. Zustand: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Mehr entdecken Softcover Erstausgabe
Verlag: Worcester/New York (Worcester Art Museum/ The American Federation of Arts), 1982
Anbieter: Ars Libri, Ltd. (ABAA), Charlestown, MA, USA
285pp. 148 plates. 4to. Wraps. Published in conjunction with an exhibition organized by the Worcester Art Museum and The American Federation of Arts.
Softcover. Zustand: Near Fine. Color illustrations. Exhibition catalogue. ; Small 4to 9" - 11" tall; 42 pp.
Verlag: Rose Art Museum, 1993
Anbieter: Resource for Art and Music Books , Ivoryton, CT, USA
Erstausgabe
paperback. Zustand: Near Fine. First Edition. 42 pages : ill. (some color), port., ; 4to. Firm binding, no ownership markings. Small crease to top corner or rear wrap, else Fine. ; Well packaged in a box, ships with tracking.
Verlag: Worcester Art Museum, Worcester, Massachusetts, 1979
Anbieter: Andover Books and Antiquities, Andover, MA, USA
Softcover. 68 pp. Volume 1 (1977-78). Softcover. slightly faded; rubbing on rear cover.
Verlag: WOCESTER ART MUSEUM PUB 1982, WOCESTER, MA, 1982
Anbieter: JOHN LUTSCHAK BOOKS, BURLINGTON, WI, USA
Erstausgabe
PAPERBACK. Zustand: FINE IN WRAPS. FIRST EDITION. BOOK IS FINE WITHOUT ANY MARKS TO THE BINDING OR THE TEXT. A BEAUTIFUL CLEAN, BRIGHT, UNFADED COPY WITH NO REMAINDER MARK OR READER'S CREASING TO THE SPINE.
Verlag: Worcester. Worcester Art Museum1982., 1982
Anbieter: Antiquariat am Flughafen, Berlin, Deutschland
Originalbroschur. 4°. 285 SS. mit ca. 160 Abb. darunter einige in Farbe. sehr gutes und festes Exemplar Ausstellungskatalog. in englischer Sprache (in english).
New York., Worchester Art Museum., 1982. Prints and Photographs of 19th Century France. Paperbound. 4to. In fine condition.
Verlag: Strathcona Publishing Company, 1981
ISBN 10: 0931554195 ISBN 13: 9780931554193
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Mehr entdecken Hardcover Erstausgabe
Verlag: Worcester : Worcester Art Museum., 1982
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 4to. 285 pp. Soft Cover. Good+. Illustrated paper wraps. Shelf wear and vertical crease across front wrap. Previous owner's name handwritten on front free end paper. Color and B&W plates throughout.ISBN: 0917418697 9780917418693.Collection from San Francisco Museum of Modern Art.
Verlag: Massachusetts College of Art, [Massachusetts], 1993
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Very Good. First edition. Oblong octavo. Unpaginated. Illustrated from color prints. Illustrated wrappers. Very good with a large crease to the front panel and some overall rubbing and wear.
Hardcover. Brown cloth. 138 pp. 48 color plates. A terrific publication with 48 LARGE color plates of this artist's work. Foreword written by Sally Michel Avery. Scarce. This copy is a presentation copy signed by the artist's wife Sally, who contributed the Foreword. VG/VG, author inscription on ffep.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
0. Worcester MA, Worcester Art Museum, 1982, sm. in-4°, 285 pp, 148 ills., 9 in colour, bibl., stiff paper wrapper. Publ. on the occasion of a travelling exhibition, Washington-Worcester-Ackland.
Verlag: Strathcona, Royal Oak, MI, 1981
ISBN 13: 2900013306831
Anbieter: Strand Book Store, ABAA, New York, NY, USA
Erstausgabe
Oversized Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. (1981). Oblong 4to. 1st edition. Slight bowing to boards. Slightest darkening to edges of leaves and toned textblock with marking and light rubbing to textblock bottom corner. Minor wear to edges of gently rubbed cloth covered boards with small spots of paint to bottom edges and at spine head end. Uneven discoloration to spine, board edges, and front board. Uneven fading and discoloration to spine and front panel of gently rubbed dust jacket. Crease to d.j. back flap. VG/VG.
Hardcover. Zustand: Fine. Hardcover book, 13" x 12.25", dust wrapper is near fine (light wear), light sunning to top of covers, else fine, text is fine; foreward by Sally Michel Avery; 20 pp text illustrated in black-and-white followed by 28 color plates with description at back, bibliography and notes. Book.
Verlag: David Mirvish Books on Art, Toronto, 1981
Anbieter: Ethan Daniel Books, Toronto, ON, Kanada
Hardcover. Zustand: Near Fine. Large format posthumous monograph on the work of the American painter. First Canadian limited edition, number 115 of 500. Signed by the artist's wife Sally Avery. Full page colour reproductions. Slight wear to dust jacket at corners. No further marks, inscriptions or fading to inside pages. Binding is firm.
Verlag: Strathcona, Royal Oak, 1981
ISBN 10: 0931554195 ISBN 13: 9780931554193
Anbieter: Anthology Booksellers, Portland, OR, USA
Erstausgabe
Cloth. First edition. Large oblong 4to, 20 pp. + 48 color plates. Covers faded at edges. Jacket priceclipped, a bit handled, creased and edgeworn. Very Good in Very Good (Price-Clipped) DJ.
Verlag: [Toronto: David Mirvish Books on Art, 1981]., 1981
Anbieter: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Kanada
Erstausgabe
4to. pp. 20. 48 colour plates. cloth (edges sunned, shaken). dw. (minor edge wear, nick to spine, shaken). First Canadian Edition, Limited to 500 copies. cf Freitag 306.
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. GRAD, Bonnie Lee [text by] [20] pp. text followed by 48 full-page color plates. Strathcona 1981 1st Edition 12 1/2" x 13 1/2" Warmly inscribed on FFEP by the artist's daughter, Sally Michel Avery Milton Clark Avery (March 7, 1885 January 3, 1965) was an American modern painter. Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. Biography The son of a tanner, Avery began working at a local factory at the age of 16 and supported himself for decades with a succession of blue-collar jobs. The death of his brother-in-law in 1915 left Avery, as the sole remaining adult male in his household, responsible for the support of nine female relatives. His interest in art led him to attend classes at the Connecticut League of Art Students in Hartford, and over a period of years, he painted in obscurity while receiving a conservative art education. In 1917, he began working night jobs in order to paint in the daytime. In 1924, he met Sally Michel, a young art student, and in 1926, they married. Her income as an illustrator enabled him to devote himself more fully to painting. The two had a daughter, March Avery, in 1932. For several years in the late 1920s through the late 1930s, Avery practiced painting and drawing at the Art Students League of New York. Roy Neuberger saw his work and thought he deserved recognition. Determined to get the world to know and respect Avery's work, Neuberger bought over 100 of his paintings, starting with Gaspé Landscape, and lent or donated them to museums all over the world. With Avery's work rotating through high-profile museums, he came to be a highly respected and successful painter. In the 1930s, he was befriended by Adolph Gottlieb and Mark Rothko among many other artists living in New York City in the 1930s 40s. Avery's use of glowing color and simplified forms was an influence on the younger artists. The Phillips Collection in Washington, D.C., was the first museum to purchase one of Avery's paintings in 1929; that museum also gave him his first solo museum exhibition in 1944. He was elected a Fellow of the American Academy of Arts and Sciences in 1963. Avery had a serious heart attack in 1949. During his convalescence he concentrated on printmaking. When he resumed painting, his work showed a new subtlety in the handling of paint, and a tendency toward slightly more muted tones. Milton Avery died at Montefiore Hospital in the Bronx, New York, om January 3, 1965 following a long illness, and is buried in the Artist's Cemetery in Woodstock, Ulster County, New York. After his passing his widow, Sally Avery, donated his personal papers to the Archives of American Art, a research center of the Smithsonian Institution. Style and influence Avery's work is seminal to American abstract painting while his work is clearly representational, it focuses on color relations and is not concerned with creating the illusion of depth as most conventional Western painting since the Renaissance has. Avery was often thought of as an American Matisse, especially because of his colorful and innovative landscape paintings. His poetic, bold and creative use of drawing and color set him apart from more conventional painting of his era. Early in his career, his work was considered too radical for being too abstract; when Abstract Expressionism became dominant his work was overlooked, as being too representational. French Fauvism and German Expressionism influenced the style of Avery's early work, and his paintings from the 1930s are similar to those of Ernst Ludwig Kirchner. By the 1940s, Avery's painting style had become more similar to Henri Matisse, and his later works use color with great subtlety. According to art historian Barbara Haskell, "serenity and harmony" characterized all of Avery's work, especially his late work, which, "more than ever, exuded a world of low-key emotions from which anger and anxiety were absent.".