gregory 1930 (6 Ergebnisse)

Soft Cover. ORIGINAL Reprint/Offprint of journal article; softcovers; minor shelfwear and fading of wraps; o/w good. Magazine/Periodical.

First edition (not stated per publisher's usual practice). xiv, 189 pages. Hardcover: H 23.5cm x L 15.75cm. Green dust jacket rubbed, slight wear and nicks at spine and flap fold ends, scuffing along front flap fold. Green cloth with vibrant silver stamped spine lettering. Pages are bright and clean. Binding is firm. A near fine copy in a very good dust jacket. With Preface, Acknowledgements, Conclusion "The Ends of Realism," two appendices, Notes, and Index. Features five chapters titled as: "Mimesis and Verisimilitude: The Theory and Practice of Realism," "The Creation of Myth's Rhetoric: Views of the Origins of the Mythic Sign," "The Interaction of Realism and Myth," "The Ideology of Form in Verga's 'La Lupa'" Realism, Myth, and the Passion of Control," and "Verga, Lawrence, Faulkner, Pavese." ISBN 0801826098.

Large 4to. Pp. 42, 8 plates, 1 fig., bibliogr., append. Orig. printed wrappers.

Wraps. Zustand: Very Good Minus. Original Corso poem, or sketch for poem, about death, which is the orverarching them of the collection of Corso's poems. The original piece is written in ink on rear cover, continuing onto the last non-paginated page. This poem is scribbled in not the neatest hand, written upside down on the last leaf, and both rightside up and sideways on the rear cover, but it is unquestionably in Corso's hand, with what strikes us as true Beat imagery. As to the booklet, 8vo, 21 by 13.5 cm. [2], 34, [2] pp. The brochure itself proves Corso to have been a better poet than artist, even if his line drawings have a superficial similarity to those of say, a Shel Silverstein. The better artwork in the brochure, including the cover image, were done by others. Besides Corso's poetry and artwork, the brochure includes several photos of Corso and an interview with him. The brochure is, we believe, uncommon in commerce, as there are no listed copies of it on the date of our cataloguing. But it is the inked piece by Corso that is the more interesting element here in any case. Cover with a fair amount of soiling, staining. Otherwise, clean and bright.

Titlesheet, 22 graphic sheets, few coloured; printer's device. - Loose in typographic designed publisher's cloth-box; large Folio (ca. 46 x 39 x 2cm; ca. 2 kg.). *** RARE GRAPHIC-ARTIST'S SKOVORODA-MEMORIAL-EDITION, COMPLETE WITH ALL 22 INDIVIDUALLY NAMED AND SIGNED WORKS; IN THE PUBLISHER'S CLOTH-BOX. - Box slightly spotty, corners slightly rubbed; THE CONTENT IN BEST CONDITION. --- 'TRIBUTES', according to Wikipedia: ''On 15 September 2006, Skovoroda's portrait was placed on the second largest banknote in circulation in Ukraine, the 500 UAH note. / The Hryhoriy Skovoroda Institute of Philosophy, founded in 1946, operates under the auspicies of the National Academy of Science of Ukraine (until 1991 Academy of Sciences of the UkrSSR). / IN THE VILLAGE OF SKOVORODYNIVKA IN KHARKIV OBLAST, UKRAINE, A MUSEUM OF SKOVORODA WAS LOCATED. The museum was operating in a building dated back to the 18th century, on an estate where Skovoroda was buried. ON THE NIGHT OF 6-7 MAY 2022 THE BUILDING WAS DESTROYED WITH A DIRECT RUSSIAN MISSILE STRIKE IN THE TIME THE RUSSIAN INVASION OF UKRAINE. The shell flew under the roof of the building, and A FIRE BROKE OUT. The fire engulfed the entire museum premises. AS A RESULT SKOVORODA NATIONAL MUSEUM WAS DESTROYED TOGETHER WITH THE HISTORICAL BUILDING.''.

brossura. Zustand: in ottime condizioni. Kathmandu, Nepal, Bardo Matrix, 1974. In -8 (mm. 267x214), pp. 26 non numerate. Brossura editoriale illustrata, con cornice, titolo e vignetta con rinoceronte in oro. Completo del foglietto indicante il cast dello spettacolo, che comprende tra gli altri Ira Cohen e Angus McLise. Stampato da Sharada Printing Press, Nhusal, Kathmandu. Tiratura di 500 esemplari (il nostro n. 233). Edizione originale.