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Verlag: Mimesis International, MI, 2022
ISBN 10: 8869773701 ISBN 13: 9788869773709
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Paperback. Zustand: new. Paperback. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectators gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique. The latest issue of CINEMA&CIE, International Film Studies Journal. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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ISBN 10: 8869773701 ISBN 13: 9788869773709
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Paperback. Zustand: New. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectator's gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique.
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Verlag: Mimesis International, IT, 2022
ISBN 10: 8869773701 ISBN 13: 9788869773709
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In den WarenkorbPaperback. Zustand: New. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectator's gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique.
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Verlag: Mimesis International 2022-09-01, 2022
ISBN 10: 8869773701 ISBN 13: 9788869773709
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Verlag: Aracne (30 novembre 2017), 2017
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Verlag: Biblioteca Nacional de España, 2005
ISBN 10: 848869976X ISBN 13: 9788488699763
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Encuadernación de tapa dura. TRADUCCIONES CASTELLANAS DE OBRAS LATINAS E ITALIANAS. Contenidas en manuscritos del siglo XV en las bibliotecas de Madrid y El Escorial. Premio de Bibliografía 1999. CRESPI, Giuseppina. Edita Biblioteca Nacional, Mº Cultura, 2005. ISBN 848869976X. 313 páginas con tipografía a dos tintas. Tamaño 246x173mm. Tapa dura con lomo en tela color negro con caracteres dorados. Excelente estado y sin datos ni rastros de anteriores poseedores. Pequeña etiqueta de librería en guarda. Peso 680grs.
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Verlag: McGraw-Hill Education (Italy), 2022
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Verlag: Mimesis International, IT, 2022
ISBN 10: 8869773701 ISBN 13: 9788869773709
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Paperback. Zustand: New. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectator's gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique.
Sprache: Italienisch
Verlag: Raffaello Cortina Editore, 2023
ISBN 10: 8832855879 ISBN 13: 9788832855876
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Verlag: Mimesis International, MI, 2022
ISBN 10: 8869773701 ISBN 13: 9788869773709
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Paperback. Zustand: new. Paperback. Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectators gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique. The latest issue of CINEMA&CIE, International Film Studies Journal. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Zustand: New. KlappentextDigital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has .
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