grosbois charles (102 Ergebnisse)

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Good. F. Near Fine/Good. Geneva, Nagel Publishing, 1964, 1st edition, no slipcase. Rear of dust jacket missing.157 pages illustrated by full color tipped-in and plates in both color and B/W cloth covered boards bx104.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. Color Plates Tipped In, Some Folding; B/W Plates Also. (illustrator). 1st Edition. 157 Pp. White Cloth. First Printing, 1964. Near Fine, Bump To Lower Tips Of Pages And Binding, Toning To Paper. Dust Jacket Lightly Used, A Few Short Tears And Minute Losses. No Marks.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.99.

Folio. Hardbound in dust jacket. First edition. Profusely illustrated throughout including many tipped-in color plates. Pages somewhat toned at edges, else fine in slightly used publisher's cardstock slipcase.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 158 pages, w/many color and b/w plates. Subtitle: Essay on Erotic Elements in Japanese Art. White cloth exterior with title in gold on front and spine. Paper is starting to brown at edges. Interior is unmarked, tight and clean.

Zustand: Fair. Unterschrift / Widmung ohne Bezug; Leichte Risse; Gebogener Buchrücken; Leichter Riss.

Hard cover. Zustand: Good. Zustand des Schutzumschlags: Fair. Jacket edges are worn. One-inch tear at bottom front edge of jacket. Top corner of front cover is bumped. Spine is slightly cocked and is bumped at top edge, and first signature is starting to pull away from binding along bottom edge, but all pages remain attached to binding. Pages are tanned, but unmarked.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. Dust jacket in acceptable condition. Shelf and handling wear to cover and binding, with general signs of previous use. VINTAGE PRINTING. CLEAN COVER AND CONTENT PAGES. New protective mylar applied to dust jacket before shipping. See photos for more information. Secure packaging for safe delivery.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Ex-library with the usual labeling. Jacket in mylar. Minor shelf/reading wear. Pages clean.

Hardcover. Size: 10"x13.5", 157pp., beautifully illustrated with colour hand-tipped plates throughout. Corner barely bumped, small pale stain to top edge of back cover, pages browning around the edges, else very good / soiled, chipped and torn dust jacket with pale but extensive stain to back panel.

Hardcover. Zustand: Near Fine. Dust Jacket Included. 1st Edition. An oversized volume, tight and clean and bound in full woven white cloth. With a slightly creased but clean jacket and in a lightly worn paper slipcase.

Hardcover. Zustand: Very Good. Large hardback in very good condition. No dust jacket. Rice paper opposite title page is present and in good condition.

Sprache: Deutsch fester Pappband 4;; 154 Seiten; Bibliotheksstempel einer Privatbibliothek auf Haupttitel; Deutsche Bearbeitung von Prof. Dr. W. Speiser; Fotos von den behandelten Kunstwerken auf Kunstdruckpapier, teils in Farbe, teil schwarzweiss; - Dieses Buch widmet sich den in Japan «Frühlingsbildern», SHUNGA, genannten Darstellungen der Liebe und des Sexus, die eine Provinz im Reiche der japanischen Kunst ausmachen. Es ist dabei keineswegs unsere Absicht, irgend etwas Herabsetzendes über dieses Land zu äußern, das nur Respekt verdient. Die Freuden des Fleisches sind der ganzen Welt gemeinsam, und die Künstler haben sie in verhüllter oder in freier, offener Weise überall gepriesen. Eine Ausstellung von Malern unserer Zeit im Museum Galliera von Paris, im Jahre 1963, hatte sich zum Thema das «Paar» gewählt und widmete sich ausdrücklich den Manifestationen einer mit allen Freiheiten dargestellten Liebe. In der Ausstellung wirkte besonders erstaunlich der japanische Einfluß bei zwei Bildern, das erste, von Pierre Ambrogiani, zeigte eine Frau im Kampf mit rundköpfigen, schnabelbewehrten Ungeheuern, die sie mit Froschhänden bedrängten ; das zweite, von Yves Brayer, stellte eine Vereinigung auf einem galoppierenden Pferde dar, jenes Motiv, das uns in Japan wie im China der Mongolenzeit begegnet. Nach «EROS KALOS», «ROMA AMOR» und «KAMA KALA» wollen wir uns auch hier mit dem Gegenstand ohne Verfälschung und Entstellung bekannt machen, wobei wir uns auf Vorstellungen beschränken, die sich seit der gesellschaftlichen Revolution im Japan des 17. Jahrhunderts vollzogen haben. Unser Dank gebührt allen Kennern und Gelehrten, die uns großzügig geholfen und mit ihrem Rat unterstützt haben : Mr. Perry T Rathbone, Direktor des Museums in Boston ; Mr. Robert T Paine, Mr. Hsien-Chi Tseng und Mr. Alan Priest, Konservatoren am gleichen Museum ; Mr. John A. Pope, vom Museum in Washington ; den Herren Serge Elissie und Vadime Elisseeff, Professoren an der Ecole des Hautes Etudes, sowie den Herren Pierre Landy, Toussaint und A. Brunet. - .

157pp. Prof. illus. (mostly tipped-in color plates). Lrg. 4to. Cloth. D.j. Slipcase.

Cloth. Zustand: Good+. No Jacket. Good Plus condition, text tight clean and unmarked with age toning around page edges, white boards show soiling and some fraying at bottom front tip, edges of text show light soiling, no dust jacket don't know if any issued, 157 pages all plates present color and b&w, 10" x 13 1/4" tall.

Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Leinenband mit Goldprägung und Schutzumschlag - Papier etwas gebräunt.

Hardcover with dustjacket, 158 pages; dj is only good with multiple tears at edge and creases down front; internally very good except pages a bit yellowed; no internal marks. Foreign shipping may be extra.

4°, 157 S./p., 155 teils farbige Abbildungen auf Tafeln numerous partially coloured illustrations on plates, 46 montierte Farbtafeln/mounted coloured plates, Originalleineneinband (publisher's cloth binding), Originalumschlag (publisher's dust jacket), gutes Exemplar (fine), Umschlag gering gebrauchsspurig / dustjacket shows some tear and wear, Sprache: deutsch.

hardcover. Zustand: Good. Zustand des Schutzumschlags: good. A very good hardcover in a good dust jacket with mylar sleeve. Edgewear and age toning to dust jacket. Scuffs to mylar. Very light edgewear to boards. Light age toning to text. No markings.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Oversized hardcover, with dust jacket. White cloth over boards with gold lettering to the front color and spine. Illustrated dust jacket with black lettering. Dated 1965 on the copyright page, no date on title page. 157 pages. Good condition. Binding is strong and tight. Cloth is faintly toned, with overall foxing. Corners lightly bumped. Pages evenly toned throughout, but free of marks or writing. Dust jacket IS toned and foxd. Wrinkled at the head and foot of the spine. A bit of chipping at the head of the spine as well. No tears or large creases. Overall good condition. Full color tipped in illustrations throughout. This is an oversized book- extra shipping required for international or priority shipping. Please email with questions or to see any photos.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Acceptable. Book is in fine condition. White cloth board with gilt lettering. 158pp with colour plates . Dust jacket is only good with multiple tears at edges.

Hardcover. Zustand: gut. Seiten angegilbt, Schutzumschlag und Buch in sehr gutem Zustand, scheint ungelesen In deutscher Sprache. pages. Schutzumschlag am Rand leicht angestossen, Seiten leicht angegilbt, scheint ungelesen.

4to. 157 S. Mit zahlreichen, teils montierten Abbildungen in Farbe und Schwarzweiss. Orig.-Leinwand mit Orig.-Umschlag. Papierbedingt etwas gebräunt, sonst gutes Exemplar.

4°, Hardcover mit Schutzumschlag, 157 S.,Umschlag etwas beschädigt, sonst gut erhalten, Mit zahlreichen, meist farbigen, teils montierten Abbildungen im Text und auf Tafeln.

Couverture rigide toile. Zustand: Bon. Zustand des Schutzumschlags: Jaquette en état satisfaisant. In-4. 157 pages. Traces d'usure à la jaquette, taches à la reliure. Approche érudite. Illustrations contrecollées.

Leinen mit Schutzumschlag, 4°, 177, 145 (1), 157 S. mit vielen Abbildungen. Geringe Gebrauchsspuren, guter Zustand, alle Bände im OSchuber. Zu 1: Eine Studie über die Liebe und erotischen Darstellungen in der altpersischen Kunst. 2. Studie über die erotischen Darstellungen in der peruanischen Kunst. 3. Studie über die erotischen Darstellungen in der japanischen Kunst. 2100 gr.

Hardcover. Zustand: vg. First edition. Folio. 157, [1]pp. Original illustrated dust-jacket over tan cloth with gold lettering on front cover and spine. Book housed in original slipcase. Illustrated title-page protected with a tissue-guard. Fascinating work closely tracing the development of Shunga, a branch of pictorial art that glorifies the erotic. Shunga meaning "Spring Pictures" or "Sex Pictures". It captured the spirit of the sex act that in Japanese eyes was simply the joyful union of the sexes, a natural function that represented man's greatest pleasure - almost his raison d'etre! In this book, Grosbois, one-time director of the French-Japanese Institute at Kyoto, has done a remarkable job of placing the Shunga, the erotic prints, within the context of a culture that that's distinctly non-Western. He makes frequent reference to literary works, including some by Saikaku, that the eager amateur student may have missed. He notes the wars, Western contacts, and other social upheavals that elicited and shaped these wonderful portrayals of sexuality. And, above all, he presents over 150 works of classic erotic art, ranging from the mythical (p.114) and literary, to the familiar (as in the cleanup tissues of p.135), exaggerated (p.61-63), multiple (p.111), or hilarious (p. 130). This work is profusely illustrated with numerous tipped-in color plates and b/w plates. 6 of the color plates are small fold-outs. Minor age-wear on dust-jacket with minor soiling on spine and slight age-toning on back cover. Minor age-toning along paper margin. Dust-jacket in overall good+, binding and interior in very good condition.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. Cream colored binding with gold stamping. A VG unmarked copy in a mylar protected DJ that is toned and lightly rubbed at the edges. The copyright date of 1964 is given at the front, but the colophon states: Printed in December 1966 on the presses of Nagel Publishers, Geneva. Lots of tipped in color plates.

Zustand: Very good. - Quarto, white paper covered boards titled in gilt on the front cover & spine, in a pictorial dust wrapper. There is a small area of soiling to the front board & 2 chips to the paper along its front edge. The dust jacket is chipped with the rear panel soiled. A price sticker has been removed from the front panel; there is a tear to its bottom edge, an area of its surface is rubbed away & there is a piece out. 157 pages plus colophon. There is a small ink mark to the front endpaper & light soiling to the colophon. Profusely illustrated with many tipped-in color plates, including a large folding plate, & black-and-white illustrations. Very good in a good dw.

Hardcover. white cloth boards w/ gilt printing. 157 w/ bw & color tipped-in plates. white glossy illustrated dustjacket. Color plates remain bright. A nice copy. VG- (indentation to front board edge; two, fine indentation spots to board edge. two, aged darkened coffee-like spots to upper board edges. foxing to upper textblock edge. dustjacket has edge-wear, scuffs, creasing to edges; small stain spot to back upper edge; speckled foxing to edges).