Hartt jared (62 Ergebnisse)
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Critical Companion to Medieval Motets
Hartt, Jared C. (EDT); Clark, Alice V. (CON); Zayaruznaya, Anna (CON); Bradley, Catherine (CON); Pesce, Dolores (CON)
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Critical Companion to Medieval Motets
Hartt, Jared C. (EDT); Clark, Alice V. (CON); Zayaruznaya, Anna (CON); Bradley, Catherine (CON); Pesce, Dolores (CON)
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Paperback. Zustand: New. First full comprehensive guide to one of the most important genres of music in the Middle Ages.Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the… first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres.
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Paperback. Zustand: New. First full comprehensive guide to one of the most important genres of music in the Middle Ages.Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the… first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres.
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Paperback. Zustand: new. Paperback. First full comprehensive guide to one of the most important genres of music in the Middle Ages.Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This v…olume - the first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area.The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres. First full comprehensive guide to one of the most important genres of music in the Middle Ages. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Critical Companion to Medieval Motets
Hartt, Jared C. (EDT); Clark, Alice V. (CON); Zayaruznaya, Anna (CON); Bradley, Catherine (CON); Pesce, Dolores (CON)
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Critical Companion to Medieval Motets
Hartt, Jared C. (EDT); Clark, Alice V. (CON); Zayaruznaya, Anna (CON); Bradley, Catherine (CON); Pesce, Dolores (CON)
- Softcover
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- Softcover
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- Softcover
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Paperback. Zustand: New. First full comprehensive guide to one of the most important genres of music in the Middle Ages.Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the… first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres.
A Critical Companion to Medieval Motets
Jared C. Hartt|Elizabeth Eva Leach|Catherine A Bradley|Alice V. Clark|Lawrence Earp
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Kartoniert / Broschiert. Zustand: New. First full comprehensive guide to one of the most important genres of music in the Middle Ages.InhaltsverzeichnisIntroduction: Approaching Medieval Motets - Jared C. HarttThe Genre(s) of Medieval Motets - Elizabeth Eva LeachOrigins.
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Taschenbuch. Zustand: Neu. Neuware - First full comprehensive guide to one of the most important genres of music in the Middle Ages.
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Paperback. Zustand: new. Paperback. First full comprehensive guide to one of the most important genres of music in the Middle Ages.Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This v…olume - the first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area.The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres. First full comprehensive guide to one of the most important genres of music in the Middle Ages. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Paperback. Zustand: New. First full comprehensive guide to one of the most important genres of music in the Middle Ages.Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the… first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres.
Poetry, Art, and Music in Guillaume de Machaut's Earliest Manuscript (Bnf Fr. 1586)
Earp, Lawrence (EDT); Hartt, Jared C. (EDT); Leo, Domenic (CON)
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Poetry, Art, and Music in Guillaume de Machaut's Earliest Manuscript (Bnf Fr. 1586)
Earp, Lawrence (EDT); Hartt, Jared C. (EDT); Leo, Domenic (CON)
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- Hardcover
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Hardback. Zustand: New. First full comprehensive guide to one of the most important genres of music in the Middle Ages.Motets constitute the most important polyphonic genre of the thirteenth and fourteenth centuries. Moreover, these compositions are intrinsically involved in the early development of polyphony. This volume - the…first to be devotedexclusively to medieval motets - aims to provide a comprehensive guide to them, from a number of different disciplines and perspectives. It addresses crucial matters such as how the motet developed; the rich interplay of musical,poetic, and intertextual modes of meaning specific to the genre; and the changing social and historical circumstances surrounding motets in medieval France, England, and Italy. It also seeks to question many traditional assumptions and received opinions in the area. The first part of the book considers core concepts in motet scholarship: issues of genre, relationships between the motet and other musico-poetic forms, tenor organization, isorhythm, notational development, social functions, and manuscript layout. This is followed by a series of individual case studies which look in detail at a variety of specific pieces, compositional techniques, collections, and subgenres. JARED C. HARTT is Associate Professor of Music Theory at the Oberlin College Conservatory of Music. Contributors: Margaret Bent, Jacques Boogaart, Catherine A. Bradley, Alice V. Clark, Suzannah Clark, KarenDesmond, Lawrence Earp, Sarah Fuller, John Haines, Jared C. Hartt, Elizabeth Eva Leach, Dolores Pesce, Gaël Saint-Cricq, Jennifer Saltzstein, Matthew P. Thomson, Stefan Udell, Anna Zayaruznaya, Emily Zazulia.
