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Artheme Fayard, Collection Le Livre de Demain, 1924. Format 18x24 cm, broche, 125 pages. Rousseurs eparses. Etat correct.
Verlag: Editions Arthème Fayard et Cie, 1933
Anbieter: Librairie Et Cætera (et caetera) - Sophie Rosière, Belin-Béliet, Frankreich
Buch
Couverture souple. 36 bois originaux de Guy Dollian. (illustrator). Livre en français. 36 bois originaux de Guy Dollian. Le livre de demain N° 128. Broché. 19 x 24 cm. 125 pages. Le livre de demain. Livre.
Verlag: Arthème Fayard et cie, Paris
Anbieter: Les bouquins d'Alain, Ondres, Frankreich
Buch
Couverture souple. Zustand: Bon. Dollian, Guy (illustrator). (sans date, 1924). Le livre de demain, n° XVI. Broché, non rogné, couverture illustrée. Grand in-8 de 125 pages. Couverture lég. défraîchie, bel intérieur.
Verlag: Editions Arthème Fayard et Cie, 1926
Anbieter: Librairie Et Cætera (et caetera) - Sophie Rosière, Belin-Béliet, Frankreich
Buch
Couverture souple. 30 bois originaux de Guy Dollian. (illustrator). Livre en français. 30 bois originaux de Guy Dollian. Le livre de demain N° 16. Broché. 19 x 24 cm. 126 pages. Le livre de demain. Livre.
Verlag: Fayard, Paris, 1926
Anbieter: Au vert paradis du livre, AUMES, LR, Frankreich
Erstausgabe
Couverture souple. Zustand: Très Bon État . Guy Dollian (illustrator). 1ère Édition. N° 16 Collection " Le livre de demain " Grand format jaune . Avec 30 bois originaux de Guy Dollian . Gravures sur bois . Littérature . - 126 p. , 350 gr.
Zustand: Bon. Guy Dollian (illustrator). Fayard, collection le livre de demain, illustré 30 bois originaux de Guy Dollian, 128 pages, numéro XVI, bon état, certaines pages mal découpées | Vendeur professionnel avec envoi sous pli à bulles philatélique ! french.
Artheme Fayard, collection "le livre de demain", 1924. Format 18x24 cm, broche, 125 pages. Tres bon etat.
Verlag: Le Livre de Demain. Artheme Fayard & Cie Editeurs. Paris.
Anbieter: Riverby Books, Fredericksburg, VA, USA
Soft cover. Zustand: Good. Softcover in original printed yellow wraps. Covers and spines printed in black with some red decoration. 125 pages. Text in French. No date on title page. No date on colophon page. Circa late 1920s. Front cover reads, "Ouvrage Inedit" in red. The Livre de Demain series, of which this is #16, was a successful, small press literary periodical begun during the Lost Generation decade in Paris and continued through WWII. Each issue is illustrated with woodcuts. Wraps are a bit faded and lightly shelf cocked. Heavy foxing throughout. Last page uncut. Binding tight. Covers complete. Overall good condition.
Verlag: Le Livre de Demain. Artheme Fayard & Cie Editeurs. Paris., 1928
Anbieter: Riverby Books, Fredericksburg, VA, USA
Soft cover. Zustand: Good. Softcover in original printed yellow wraps. Covers and spines printed in black with some red decoration. 126 pages. Text in French. No date on title page. Colophon page dated 1928. "Ouvrage Inedit" in red lettering on front cover. The Livre de Demain series, of which this is #16, was a successful, small press literary periodical begun during the Lost Generation decade in Paris and continued through WWII. Each issue is illustrated with woodcuts. Wraps are a bit faded and lightly shelf cocked. Binding tight. Covers complete. Overall good condition.
Verlag: Fayard, Le Livre de Demain, [1924]., Paris, 1924
Anbieter: Justin Croft Antiquarian Books Ltd ABA, Faversham, Vereinigtes Königreich
Erstausgabe
First edition of these three novellas, number 2 of 15 copies with the suite of original woodcuts, initialled by Dollian.Fayard's Livres de demain brought examples of the current revival in woodcut and wood engraving to a wide audience at a reasonable price. Accordingly, the illustrations of the regular volumes were printed in large numbers from phototype metal blocks made from the prints, with just 15 copies of each (as here) presented with an additional suite of the original woodcuts specially printed on fine paper. 4to (230 × 170 mm), pp. 125, [3], numerous illustrations after woodcuts by Dollian, plus a suite of 31 original woodcuts on chine, numbered and initialled by the artist. Some foxing to extreme margins in text. Original yellow decorative wrappers and wrappers to the suites preserved, in contemporary marbled boards with orange morocco geometric onlays. Occasional peeling to the onlays and some minor rubbing but very good overall.