Sprache: Englisch
Verlag: SAGE Publications, Inc (edition 1), 2008
ISBN 10: 1412941059 ISBN 13: 9781412941051
Anbieter: BooksRun, Philadelphia, PA, USA
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Zustand: Good. hardcover This item shows wear from consistent use but remains in good readable condition. It may have marks on or in it, and may show other signs of previous use or shelf wear. May have minor creases or signs of wear on dust jacket. Packed with care, shipped promptly.
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paperback. Zustand: Very Good. very clean xlibrary softcover clean text. solid binding. very light wear. xlibrary marks on outside page edging and inside cover. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.
Sprache: Deutsch
Verlag: [München]: APA Publications, 1996
ISBN 10: 3826813545 ISBN 13: 9783826813542
kart. Zustand: Gut. 22,5 cm ; Paperbackausgabe, 384 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw823 ISBN: 3826813545.
Sprache: Englisch
Verlag: SAGE Publications, Incorporated, 2008
ISBN 10: 1412960282 ISBN 13: 9781412960281
Anbieter: Better World Books, Mishawaka, IN, USA
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Verlag: [Singapore] : APA Publ.; Berlin ; Gütersloh ; München ; Stuttgart : RV, Reise- u. Verkehrsverl.; München : GeoCenter, 1995
Anbieter: Versandantiquariat Behnke, Stutensee, Deutschland
Zustand: gut Paperback / Remittend.
Anbieter: Patrico Books, Apollo Beach, FL, USA
paperback. Zustand: Very Good. Ships Out Tomorrow!
Zustand: New.
Zustand: New.
Sprache: Englisch
Verlag: The Museum of Modern Art New York, NY, 1999
ISBN 10: 087070091X ISBN 13: 9780870700910
Anbieter: Specific Object / David Platzker, New York, NY, USA
296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.
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