Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Verlag: Fischer, 1977
ISBN 10: 3596219302 ISBN 13: 9783596219308
Anbieter: HISPANO ALEMANA Libros, lengua y cultura, Valencia, V, Spanien
330 S. Frankfurt, guter Zustand, ungelesen, Einband befleck, Schnitt alterbedingt nachgedunkelt.
Verlag: Brentano's, New York, 1908
Anbieter: Thomas J. Joyce And Company, Chicago, IL, USA
Erstausgabe
Hardcover. Zustand: Good. First American edition. 12mo, 83 pages, decorated black cloth Von Hoffmansthal met Richard Strauss in 1900. HvH wrote "Elektra" as a drama, and then provided the libretti to Strauss's opera, "Elektra" in 1909, the first of multiple operas they did together.
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
hardcover. Zustand: Used-Very Good. Cloth, dj. Minor shelf wear. Else a bright, clean copy.
Verlag: Wien, Prag, Leipzig, Strache., 1920
Anbieter: Michael Steinbach Rare Books, Wien, Österreich
Erstausgabe
21 : 11,5 cm. 44 Seiten, 2 Blatt. Original Pappband mit Rückenschild. Erste Ausgabe. - Rücken mit kleinen Läsuren.
Anbieter: butzle, Buttenwiesen, DE, Deutschland
Zustand: Gut. 5. 4924 S. B1801-251 9783458319245 Sprache: Deutsch Gewicht in Gramm: 2500 Taschenbuch, Maße: 15 cm x 11 cm x 18.7 cm.
Brossurato. Buone condizioni.
Brossura. Abrasioni leggere in copertina. In buone condizioni.
Brossura. Abrasioni leggere in copertina. In buone condizioni.
In buone condizioni.
paperback. Zustand: Fine. Brossura editoriale di pagine 177, testo originale a fronte. A cura di Giuseppe Zamboni. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine. Book.
Leather Binding. Zustand: Near Fine. Early printing. A good copy in later full brown calf, spine and front cover stamped in gilt, paste-paper endpapers, original covers bound in at front and rear (leather rubbed, upper hinge starting at top; spine a trifle brittle; several pencil notes in text). From the library and with the label of visionary mid-century architect Thornton Ladd. 451 pages.
Verlag: Fischer., Berlin., 1911
Anbieter: Buecherstube Eilert, Versandantiquariat, Dresden, DD, Deutschland
8° 167 S. Kleine Illustration auf Deckblatt. 2. Aufl. Ill. OPbd. Außen bestoßen, innen erste u. letzte Seiten mit Flecken. Kopfgoldschnitt, sonst unbeschnitten. Besitzereintrag auf Vorsatz. . Sprache: de.
Verlag: Blokland, Holland, 1982
Anbieter: Burwood Books, Wickham Market, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe Signiert
EUR 59,42
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Fine. First Edition. Wraps. Slim 8vo.pp. 24. Signed by the artist in pencil below each illustration. Limited Edition of 70 copies, this being No.70. Embossed stamp on rear end paper 'TW Nissam Mill Library.' Poetry. In Dutch. Four fine lithographs in colour by Jaroslav Kaiser. Original publisher's wraps in a soft brown, lettered purple. Fine. Signedes.
Anbieter: diakonia secondhand, München, Deutschland
Erstausgabe
Zustand: Sehr gut. 1. Auflage. 4924 S. Zustand sehr gut. Ein schonend gelesenes Exemplar. Schuber an Ecken oder Kanten leicht berieben. Einbände an Ecken oder Kanten leicht berieben. 453 Sprache: Deutsch Gewicht in Gramm: 2630 Taschenbuch, Maße: 15 cm x 11 cm x 18.7 cm.
Verlag: Insel,, Frankfurt a. Main,, 1968
Anbieter: Antiquariat Tode, Berlin, Deutschland
6 Bände, 12 x 18,5 cm, 771 S., 863 S., 837 S., 837 S., 778 S., 775 S., schöne goldgepr. Kunstlederausgabe, äußerlich leicht angestaubt, einige Bände etwas schiefgelesen, sonst gut erhalten. 2000 gr.
Anbieter: Studibuch, Stuttgart, Deutschland
paperback. Zustand: Gut. 4924 Seiten; 9783458319245.3 Gewicht in Gramm: 5.
Sprache: Deutsch
Verlag: Im Insel-Verlag, 1958
Anbieter: Fox and Tome Booksellers, Frederick, MD, USA
Hardback. Zustand: Very Good. 1958 hardcover with jacket, the jacket has mild wear and damage that is fixed on the corners with tape, I added a clear plastic sleeve to the jacket to project from further damage, German Language Book, A nice copy. No writing or highlighting. Clean pages, shows very minimal signs of wear from use. Shipped with care. Feel free to inquire for photos or more details. --- Text in German. By Von Hoffmansthal, Hugo.
Hardcover. Zustand: Fine. First edition. Illustrated by Felix Hoffman. Quarto. 39 French-folded pages. Text in German. Vellum and fine clothcovered boards with cloth spine label. Fine in fine "collapsable" slipcase (two boards bound with fine cloth at three edges) with a couple of tiny soiled spots. One of 500 copies Signed by Felix Hoffman.
Softcover im Schuber. Zustand: Gut. 5. 4924 S. Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, innen alles in Ordnung. Z260205ah216 ISBN: 9783458319245 Sprache: Deutsch Gewicht in Gramm: 2601.
Anbieter: White Fox Rare Books and Antiques, ABAA/ILAB, New York, NY, USA
Signed boldly, in a black flair on the first page, by Jeritza, who introduced the role of the Empress in 1919. Jeritza (1887-1982) was one of the great dramatic sopranos of her day, noted for her acting ability, her beauty, her charisma. She was of Moravian origin and in the early part of her career, based at the Vienna State Opera, introduced a good number of important roles, but came to make her home base the Metropolitan Opera and ended up living most of her life in New Jersey. After retiring from the opera stage, Jeritza remained a public figure and was a regular presence at the Met. This performance of Die Frau Ohne Schatten had a stellar cast, with Leonie Rysanek as the Empress, James King as the Emperor, and Christa Ludwig as the Dyer's Wife. The role was one closely associated with Rysanek, who was responsible more than anyone else in reigniting interest in the opera, which had become relatively obscure but is now a part of the standard repertoire, and who basically owned the part for the rest of her career. Among other things, the challenging role was a perfect fit for Rysanek's voice, with its high tessitura for a dramatic soprano part, the range where Rysanek's voice had few peers.