Hogarth cook (90 Ergebnisse)

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

No Binding. Zustand: Very Good. Size: Sheet 32 x 48.5 cm, platemark (both prints) 21.5 x 38 cm, Frontispiece image 13.5 x 17.5 cm, Tailpiece image approx. 13 x 12 cm Condition: Very good condition, an excellent impression on wove paper In 1761 a group of artists, including Hogarth, set up as the Society of Artists and exhibited their paintings in Charing Cross, London. The group was set up in protest at the organisation of an exhibition the previous year by the Society for the Encouragement of Arts, Manufacture and Commerce. Hogarth designed this frontispiece and tailpiece for the catalogue. The illustrations were originally engraved by Charles Grignion, but this print is from copper plates engraved (very close indeed to the originals) later, probably by Thomas Cook c1800. Both images are engraved on a single plate, unlike the originals. We believe that the original Grignion plates no longer exist, and this engraving was used as a substitute in early 19th century editions. This impression is from the 1835-1837 edition published in parts by Baldwin Cradock & Joy. The Hogarth designs are listed as 236 and 237 in Paulson's catalogue Hogarth's Graphic Works, 1989, where a full description and other details can be found.…

Zustand: New. In English.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Original Radierung von William Hogarth von der Originalplatte abgedruckt aus: "The Works of William Hogarth from the original plates restored by James Heath, etc." - London, Baldwin and Cradock, 1822. -- Blatt-Format: ca. 48 x 64 cm. -- am unteren Rand mit kleinem hinterlegten Randeinriss, sonst gut erhalten. || Original etching by William Hogarth printed from the original plate out of: "The Works of William Hogarth from the original plates restored by James Heath, etc.". Published in London by Baldwin and Cradock, 1822. with small deposited tear on the lower margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Englisch Gewicht in Gramm: 20.…

No Binding. Zustand: Very Good. Size: Mount 66 x 55.5 cm. Print inside mount 53.5 x 43.5 cm. Condition: Print in very good condition, a good impression on wove paper, but there are three of what look like candle wax marks bottom left. This print was engraved by Thomas Cook in c1803, after painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. The print was published by G & J Robinson in 1803. This copy may well be from Hogarth Restored, 1806 (see below). Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison, not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before. This is an original print from the copper plate engraving, not a reproduction or later print, and it is probably from the 1806 edition of Hogarth Restored.…

Kartoniert / Broschiert. Zustand: New.

Leather Bound. Zustand: Fair. Volume 2 only. Ex-library copy. Note: Reading copy only in poor condition. No date of publication is given on this copy, but appears to be from the leather bound editions published c. 1860. Warm brown leather with gilt decorations on cover and spine, gilt page edges on top and side. Front free endpaper removed. Rear hinge opening. Library stampings on first page, bookplate inside front cover. Mild foxing on many pages.…

Gebunden. Zustand: New.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Cloth hardcover, reprint with corrections, xxv + 821pp + 25 folded maps/tables, NOT ex-library. Clean, bright, untanned; unmarked text, no inscriptions, no stamps. Light wear only. -- Contents: Foundation of the Assyrian Empire [Relapse of Assyria 1100-900 BC: Aramaean Pressure; Restoration of Assyria; Expansion of Assyria Under Ashur-Nasir-Pal II; Work of Shalmaneser III; Struggle with Urartu] Supremacy of Assyria [Work of Tiglath-Pileser III: 745-727 BC; Consolidation of the Empire Under Sargon II; Campaigns in Urartu and Syria] Sennacherib & Esarhaddon [Babylonian Policy of Sennacherib; Sennacherib in Syria and Palestine; Internal Conditions; Esarhaddon's Policy of Expansion] Age of Ashurbanipal [Assyrian Religion & State & Society & Army & Learning & Law & Arts and Literature] Ashurbanipal and the Fall of Assyria [Wars of Ashurbanipal; War with Shamash-Shum-Ukin; Fall of Assyria] Hittites of Syria [Southern Hittite Peoples; Struggle with Assyria; Assyrian Conquest and Occupation & Retreat] Hittite Civilization [Hattic Art of Cappadocia; Society; Southern Hittite Art: Zenjirli; Carchemish; Other Sites] Kingdom of Van (Urartu) [Geography: The Inscriptions; Early History to c. 720 BC; Later History from c. 720 BC; Religion and Culture] Scythians & Northern Nomads [Nomads in Western History; Nomadism; Scythians of South Russia; Scythian Customs; Religion, Burial Customs] New Babylonian Empire [Rise Under Nabopolassar; Babylonian Supremacy Under Nebuchadrezzar; Decay and Fall of Babylonia Under Nabonidus] Influence of Babylonia [Literature: The Story of Gilgamesh; Descent of Ishtar & Other Epics; Didactic and Religious Literature; Astronomy and Astrology; Medicine, Grammar, Law; Decay of the Babylonian Civilization; Debt of Europe to Babylon] Eclipse of Egypt [XXIst & XXIInd & XXIIIrd Dynasty] Ethiopians & Assyrians in Egypt [Inscription of Piankhi; Egypt, Palestine, Assyria; Assyrians in Egypt; Egypt's Independence Under Psammetichus I] Restoration of Egypt [XXVIth Dynasty: The Greeks; Egypt and Asia; Saite Revival; Persian Threat & Invasion] Oriental Art of the Saïte Period [Archaism in Egyptian Art; Saïte Portraiture; Intercourse with the Mediterranean Lands; Art of Phoenicia and Syria & Assyria and Babylonia] Topography of Jerusalem [Nature of the Site; Valleys; Plateau and Its Water-Supply; Original Emplacement & Growth of the City] Israel & Neighbouring States [Early History to the Middle of the 9th Century BC; Elijah and the Rise of Jehu; Dynasty of Jehu; Assyria and the Fall of Ephraim] Fall and Rise of Judah [Judah Under the Assyrians; Josiah and the Decline of Judah; Exile; Restoration] Israel Before the Prophets [Relation to the Amarna Age: The Alphabet; Old Yahwism; Fundamental Ideas: Gods and Their Worshippers; Solidarity of the Group and Its God; Death and Sacrifice; Special Features of the Old Religion] Prophets of Israel [General Characteristics; Destruction & Reconstruction; Patriarchal History; Growth of the Law; Climax] Lydia and Ionia [Central Anatolian Powers: Phrygia and Sardes; Gyges & Independence of Lydia; Lydian Aggression; Lydia and the Tyrannis; Lydian Conquest of Ionia; Croesus and the East; Persian Conquest] Growth of the Dorian States [Argos in the Dark Age; Arcadia; End of the Dark Ace; King Pheidon; Elis and Olympia; Tyrants; Sparta: The Eunomia & Beginnings of the League] Early Athens [People of Attica; Union of Attica; City of Athens; Social Conditions; Earliest Constitution; Aristocracy; Athenian Progress in Culture] Northern & Central Greece [Thessaly; Boeotia; Locris and Phocis; Euboea; Delphi] Colonial Expansion of Greece [Survey of Distribution of Greek Colonies; Precursors of Greek Colonization & Fate of the Sea-Raiders; North Aegean Coast; Hellespont & Propontis; Euxine; Cyrenaica; The West] Growth of the Greek City-State [Earliest Order; Growth of the New Greek Cities; Character of the City-State; Aristocracy; Bibliographies; Chronological Notes; Index: General, Maps, Biblical Passages.…

No Binding. Zustand: Very Good. A fine original engraving. Mounted and ready to frame, this is a wonderful opportunity to purchase this splendid portrait. Decorative and attractive. C. 1840. Engraved By Cook (illustrator).

1. Original-Kupferstich von Cook (in der Platte signiert) auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 9,5 x 15 cm, Blattgröße ca. 20 x 29 cm (jeweils Höhe x Breite), im breiten Blattrand minimal gebräunt, ansonsten sauber und sehr gut erhalten 1100 gr.

43.5x54.5 cm. Uncolored engraving in fair condition. Frayed and soiled at edges, bottom edge trimmed close, short tear at top of center fold into image, other short tears into edges have earlier mends. A restorable copy of a famous print, published on June 1, 1803 by G & J Robinson, depicting several members of the House of Commons, including James Oglethorpe and Archibald Grant, gathered in a room at the Fleet Prison for an investigation of Thomas Bambridge, warden of the prison, for the brutal treatment of prisoners, one of whom is shown at center wearing a punishment device, known as the collar, that fits around the neck and one or both hands. Another device, known as the sheers, is held by Grant, and another device, known as the skull cap, is held by Oglethorpe and two other committee members. Bambridge was subsequently tried at the Old Bailey for the murder of a prisoner and was acquitted.…

No Binding. Zustand: Very Good. Size: Print inside mount 55 x 44 cm (22 x 17 inches approx) Condition: Print in excellent condition, mount new. This print was engraved by Thomas Cook in c1803, after a painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. Although the print was first published in 1803, this impression is slightly later, probably about 1822 from the collection of Hogarth's original works published by Baldwin Cradock and Joy. Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison,not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before.…

Softcover. Zustand: As New. Heath Edition 1822. This is an Antique Engraving Print of "Sancho at the Feast Starved by his Physician", designed by William Hogarth and engraved by T Cook from the original plates as restored by Heath, 1822. Taken from "The Works of William Hogarth, from the original plates as restored by James Heath Esq. R.A; with the addition of many subjects not before collected: to which are prefixed, A Biographical essay on the Genius and Productions of Hogarth and Explanation of the Subjects of the Plates" Many of these plates were formerly in the possession of Alderman Boydell; others belonged to Mr T. Cook, (who himself copied many of Hogarth's engravings;) others were purchased at various sales. The image is within plate mark sized 305 x 330 mm. The overall page is sized 475 x 635 mm. The engraving is in excellent condition. Why on Amazon do most sellers not describe their actual item? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley Bookshop & Gallery CAMBO & PBFA (now lapsed) members here in Leicester City Centre UK Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Heath Edition 1822. Size: 475 x 635 mm. 0 pages. Item Type: Antique Print. Illustrator: William Hogarth. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Art & Design; Engraving; Britain/UK; 19th century; Pictures of this item not already displayed here available upon request. Inventory No: 50032. William Hogarth (illustrator).…

Softcover. Zustand: As New. Heath Edition 1822. This is an Antique Engraving Print of "Woman Swearing a Child to a Grave Citizen", designed by William Hogarth and engraved by T Cook from the original plates as restored by Heath, 1822. Taken from "The Works of William Hogarth, from the original plates as restored by James Heath Esq. R.A; with the addition of many subjects not before collected: to which are prefixed, A Biographical essay on the Genius and Productions of Hogarth and Explanation of the Subjects of the Plates" Many of these plates were formerly in the possession of Alderman Boydell; others belonged to Mr T. Cook, (who himself copied many of Hogarth's engravings;) others were purchased at various sales. The image is within platemark sized 315 x 365 mm. The overall page is sized 475 x 630 mm. The engraving is in excellent condition. Why on Amazon do most sellers not describe their actual item? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley Bookshop & Gallery CAMBO & PBFA (now lapsed) members here in Leicester City Centre UK Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Heath Edition 1822. Size: 475 x 630 mm. 1 pages. Item Type: Antique Print. Illustrator: William Hogarth. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Art & Design; Engraving; Britain/UK; 19th century; Pictures of this item not already displayed here available upon request. Inventory No: 50040. William Hogarth (illustrator).…

1. Original-Kupferstich von Cook (in der Platte signiert) nach Hogarth auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 12,5 x 15,5 cm, im breiten Rand außerhalb der bildlichen Darstellung etwas Alterspatina, ansonsten sauber und gut erhalten 1100 gr.

No Binding. Zustand: Very Good. Size: Print to platemark 55.5 x 45.5 cm. Condition: Print in very good condition, a good well balanced impression on wove paper, small loss to bottom left margin. This print was engraved by Thomas Cook in c1803, after painting which William Hogarth painted in 1728. The original painting is lost, but other versions painted by Hogarth are in the Fitzwilliam Museum Cambridge and the National Portrait Gallery. The print was published by G & J Robinson in 1803. This copy may well be from Hogarth Restored, 1806 (see below). Thomas Bambridge was the Warden of the Fleet Prison in 1728, and following complaints about the state of the prison, a Committee of the House of Commons examined Bambridge at the Fleet prison several times. Subsequently Bambridge was tried and acquitted of the murder of one of the prison inmates. The full title of this print is "BAMBRIDGE ON TRIAL FOR MURDER BY A COMMITTEE OF THE HOUSE OF COMMONS|Engraved by T Cook from an Original Painting by Wm. Hogarth in the possession of Mr. Ray. Published June 1st. 1803, by G. & J. Robinson, Paternoster Row, London." The title is inaccurate however, because the painting actually shows the earlier examination of Bambridge at the prison, not his trial. Hogarth, only 31 years old and still at the start of his career in 1728, was deeply affected by the scandal of conditions at the Fleet prison, his own father having been an inmate there. His painting shows deep emotion which is captured admirably by Cook. On the left can be seen the figure of Bambridge, squirming while various dreadful instruments are demonstrated to the Committee. The painting is also clearly of great historical value for the portraiture of the Committee members. Thomas Cook was a remarkable engraver, best known for having copied the complete engraved work of Hogarth, to which he devoted the years 17951803, and which was published in 1806 under the title of Hogarth Restored. This is a very valuable collection, as many of Hogarth's prints were of great rarity, and had not been made public before. This is an original print from the copper plate engraving, not a reproduction or later print, and it is probably from the 1806 edition of Hogarth Restored. …

Sin Encuadernar. Zustand: Bien. 58 x 46 cm.

Sin Encuadernar. Zustand: Bien. 58 x 46 cm.

(Breitrandige Exemplare wohl der 1812er Ausgabe, möglicherweise auch etwas spätere Abzüge, das Papier ohne Wasserzeichen, jeweils etwas fleckig, 2 Blatt im weißen Rand stärker fleckig, sonst gute Exemplare). Vollständige Ausgabe in Originalgröße / Complete suite in original size. ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland. …

Softcover. Zustand: As New. Heath Edition 1822. This is an Antique Engraving Print of "Royal Masquerade, Somerset House", designed by William Hogarth and engraved by T Cook from the original plates as restored by Heath, 1822. Taken from "The Works of William Hogarth, from the original plates as restored by James Heath Esq. R.A; with the addition of many subjects not before collected: to which are prefixed, A Biographical essay on the Genius and Productions of Hogarth and Explanation of the Subjects of the Plates" Many of these plates were formerly in the possession of Alderman Boydell; others belonged to Mr T. Cook, (who himself copied many of Hogarth's engravings;) others were purchased at various sales. The image is within platemark sized 460 x 575 mm. The overall page is sized 480 x 630 mm. The engraving is in excellent condition. Why on Amazon do most sellers not describe their actual item? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley Bookshop & Gallery CAMBO & PBFA (now lapsed) members here in Leicester City Centre UK Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Heath Edition 1822. Size: 480 x 630 mm. 0 pages. Item Type: Antique Print. Illustrator: William Hogarth. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Art & Design; Engraving; Britain/UK; 19th century; Pictures of this item not already displayed here available upon request. Inventory No: 50038. William Hogarth (illustrator).…

Hardcover. Zustand: Good. Ex-library book, usual markings. Hardback rebound by library. In good condition for its age, with minor discolouring or markings to several pages due to age. Clean text, sound binding. Quick dispatch from UK seller.

Hardcover. Zustand: Very Good. 2 volume set. Folios, 32 x 25.5 cm. Bound in full contemporary straight-grained, navy blue moroccan leather. Gilt stamping to spines, gilt borders to covers. All edges gilt. Some scuffing / rubbing to covers. Volume 2 front board detached. vi, [vi], 203 + [iv], 96pp. Lovely illustrations throughout. v. 1. Industry and idleness.--The harlot's progress.--The rake's progress.--Southwark fair.--Marriage a la mode.--The lecture.--The cock-pit royal.--The four times of the day.--The distressed poet.--The enraged musician.--Roast beef at the gate of Calais.--Midnight modern conversation.--Mr. Garrick in the character of Richard III.--The four stages of cruelty.--The march to Finchley.--Credulity, superstition, and fanaticism.--Before and after.--v. 2. Strolling players dressing in a barn.--Moses brought before Pharaoh's daughter.--Four prints of an election.--The invasion; or, England and France.--Paul before Felix.--The times.--The analysis of beauty. This is an oversized or heavy book, which requires additional postage for international delivery outside the US. …

No Binding. Zustand: Collectible-Very Good. Two original black-and-white engravings on one leaf of white paper, Hudibras Vanquish'd by Trussa (Plate 5) and Hudibras in Tribulation (Plate 6). This print is likely disbound from a publication. Leaf measures 16 1/2" x 22 1/2." Each printed area (plate) measures 13" x 9." The print is very clean and intact except for age toning, a few faint dampstains, and a small chip in the lower-right corner not affecting text. A Very Good copy. Two original engravings on one sheet of paper designed by William Hogarth and engraved by Thomas Cook. The following text credits the artists and is printed below each engraving: "Design'd by W. Hogarth" and "Engrav'd by T. Cook." Publisher's information printed in bottom margin: "London, Published by G. & J. Robinson, Pater noster Row, April 1st, 1802." These engravings are reproductions engraved by Cook and modeled after the original designs of Hogarth. William Hogarth (1697-1764) was an English printmaker, painter, satirist, cartoonist, and social critic. Thomas Cook (1744/45-1818) was an English printmaker. Cook is perhaps best-known for his reproductions of Hogarth's works, which were first compiled and published as Hogarth Restored in 1806. The subjects of these prints are scenes from Samuel Butler's satirical poem, Hudibras. The poem was published in three parts as The First Part (1663), The Second Part (1664), and The Third and Last Part (1678). The poem takes place during the final years of the Interregnum, about 1658-1660, and is about the titular Hudibras, a knight and colonel of the Parliamentary New Model Army, and his squire, Ralpho. Throughout the poem, Hudibras and Ralpho are comically defeated on a regular basis, often at the hands of witty or courageous women. Each engraving includes parts of the poem corresponding to the scene. These two scenes are from The First Part of the poem, in which Hudibras and Ralpho venture out on a chivalrous quest. After trying to stop a round of local bear-baiting, Hudibras and Ralpho are overtaken by the townspeople. Hudibras is summarily humiliated when the local prostitute, Trussa (or Trulla), defeats him, stands on top of him, and requests that Crowdero, the town fiddler, be released from prison and have his fiddle and instrument case returned to him. The top plate, Plate 5, shows Hudibras's defeat by Trussa. The scene also depicts Trussa's role as Hudibras's protector as she fends off angry villagers with various weapons. After subduing Hudibras, Trussa locks both him and Ralpho in the village stocks to await an imminent flogging. However, Plate 6 shows what happens next, a rich widow frees an embarrassed Hudibras and Ralpho but under one final humiliating stipulation, that Hudibras must flog himself afterward. Hudibras and Ralpho represent the hypocrisy and ignorance Butler saw in the English Puritan leaders of the seventeenth century while the townspeople, including Trussa and Crowdero, represent virtue and the interests of the public. …