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Verlag: Urban Council, Hong Kong, Hong Kong, 1989
ISBN 10: 9622150950ISBN 13: 9789622150959
Buch
Hardcover. Zustand: Near Fine. No Jacket. Illustrated in color and b&w. 221 pages. 4to. Hardcover: pictorial boards. No dust jacket. Near Fine.
Verlag: CHOW YUN FAT 0
Anbieter: Versandhandel K. Gromer, Saalburg-Ebersdorf, Deutschland
Buch
Hardcover. Zustand: Sehr gut. Standard Version. Sauberes Exemplar, sehr gut erhalten. ---.
Verlag: Hong Kong University of Art, Hong Kong 2008, 2008
Anbieter: THE CROSS Art + Books, Sydney, NSW, Australien
32.0 x 24.0cms, 336pp, colour & b/w illusts, very good hardback with decorated boards (no dustwrapper as issued, small scar on front board) The essays are: the East & West in harmony within the mind's source, the oil paintings of Ding Yanyong: Ding Yanyong's explorations with Chinese paintings; Ding Yanyong's art of seal carving; after a good nap, the album & its painter; plates & sectional texts. Chinese & English text.
Verlag: Hong Kong: Urban Council
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Zustand: Used - Very Good. 1992. Cloth, dj. Quarto. 224 pp. Profusely illustrated. Text in Chinese and English. Mild shelf wear to dust jacket. Previous owner's inscription and stamp to ffep. Altogether a copy in Very Good condition.
Verlag: Leisure & Cultural Services Dept., Hong Kong, Hong Kong, 2011
ISBN 10: 9622152295ISBN 13: 9789622152298
Buch Erstausgabe
Hardbound in decorative boards. Zustand: New. First Edition. Catalogue of an exhibition exploring the extent to which Western artistic techniques and traditions were adopted for the production of Chinese export paintings ("China trade paintings") in the late Qing. The comparison is achieved by juxtaposing Western artists' works in oil, lithograph and sketch with corresponding works by both famous and anonymous Chinese artists producing China trade paintings. In some places, transparent overlays are also used to emphasize similarities in the use of perspective between this genre and Western works of art. An enlightening study. Print run 1,000 copies only. Text in bilingual English/Chinese. 108 pp. 85 col. plates, 3 transparency overlays, bibliography. Size: 29 x 28 cm.
Verlag: the Hong Kong Museum of Art, 1990
ISBN 10: 9622150977ISBN 13: 9789622150973
Anbieter: monobooks, Livingston, NJ, USA
Buch Erstausgabe
Soft cover. Zustand: New. No Jacket. 1st Edition. First edition 1990. Text in Chinese. Published in conjunction with the exhibition 10-4-1990 to 10-6-1990 by the Hong Kong Museum of Art. Large softcover without DJ as issued. Condition new, square tight and clean book, no edgewear, sharp corners, no markings of any kind, no names, no underlinings, no highlights, no bent pages, not a reminder. 4to, 173 pages, illustrated throughout. Scarce book.
Verlag: Hong Kong Museum of Art, Hong Kong, 2010
ISBN 10: 9622152201ISBN 13: 9789622152205
Anbieter: Liberty Book Store ABAA FABA IOBA, Jupiter, FL, USA
Buch Erstausgabe
Hardcover. Zustand: new. First Edition. 4to (30 x 30 cm). 156 pp. Includes two 10 pp. descriptive pamphlets in Chinese and English with illustrations and descriptions of the gift. New in shrink wrap.
Verlag: Hong Kong Museum of Art [for] Urban Council, 1984
Anbieter: Bow Windows Bookshop (ABA, ILAB), Lewes, Vereinigtes Königreich
Sole edition. 4to. 221, (1) pp. Publisher's white cloth, gilt lettered to the spine, contemporary gift inscription to the half title, dust jacket. Numerous colour photographic illustrations. A little light edge wear to the jacket, very good. Uncommon.
Verlag: Unban Council, Hong Kong, 1992
ISBN 10: 9622151094ISBN 13: 9789622151093
Anbieter: Jorge Welsh Books, Lisboa, Portugal
Buch Erstausgabe
Hardcover. Zustand: Good. No Jacket. 1st Edition. English and Chinese text.; Hardcover (silk cloth without dust jacket - as issued. Two volumes in slipcase.); 28 x 37 cm x 6.5 cm; 5.4 Kg; Volume I, 412 pages with colours illustrations and a few fold outs, including text by Christina Chu, and Painting and Callygraphy images; Volume II, 122 pages with the catalogue entries, each with a caption in English and Chinese.; Used with signs of wear, namely on the exterior of the slipcase, which is faded on the top and bottom of the front. The hardcover volumes have minor signs of wear. Interior as new. Both volumes include a stamp stating "Complementary" on the rear of the front cover.; "In view of Hong Kong's geographical and cultural affinity to the Guangdong province, more works of art of Guandgond origin are available here for acquisition than those of other provinces. As a result, the Museum has succeeded in building up one of the most representative collections of Guangdong painting and calligraphy, but its collection of works by artists of non-Guandong origin remains relatively weak. This is reflected in the displays in the Chinese Fine Art Gallery where only Guangdong paintings and calligraphy together with 20th - century Chinese paintings are on show, but no works earlier than 20th century by masters of non-Guangdong origin are represented. This phenomenon has changed since the receipt of the Xubaizhai Collection into the Museum. After the opening of the Xubaizhai Gallery of Chinese Painting and Calligraphy on 26 September 1992, visitors to the Museum will be able to view the gems of Chinese painting and calligraphy in the context of Chinese fine art in China as a whole. The Museum's collection of Chinese fine art majoring in works by Guangdong masters was much expanded in scope in 1989 when Mr. Low Chuck Tiew donated his collection of Chinese painting and calligraphy dating from the 5th to the 20th century to the Urban Council. Known as the Xubaizhai Collection of Chinese Painting and Calligraphy, the collection was assembled by the determined efforts of Mr. Low over a period of fifty years. His aim was to build up a comprehensive coverage of Chinese painting particularly of the Ming and Qing periods. While the early periods in the development of Chinese painting and calligraphy were highlighted by pieces of Six Dynasties and Tang dynasty sutra writing and important works of Song and Yuan masters, the collection features a comprehensive coverage of works of major masters of the Ming and Qing dynasties. Masterpieces of the twentieth century by such masters as Wu Changshuo, Qi Baishi, Huang Binhong and Xu Beihong are also represented in the Xubaizhai Collection. This generous gift from Mr. Low Chuck Tiew changes the status of the collection of Chinese painting and calligraphy in the Museum of Art. From a provincial collection of Guangdong painting and calligraphy, the collection now has risen to a standard of international distinction." excerpt from the preface by Laurence C.S. TAM, Chief curator, Hong Kong Museum of Art, 20 July 1992.