Sprache: Englisch
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
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paperback. Zustand: Good.
Sprache: Englisch
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
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Sprache: Englisch
Verlag: Edinburgh University Press, Edinburgh, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
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Paperback. Zustand: new. Paperback. World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalization. With case studies of essayistic works by John Akomfrah, Nguyen Trinh Thi and Apichatpong Weerasethakul, amongst many others, and with a photo-essay by Trinh T. Min-ha and a discussion of Frances Calvert's work, it expands current research on the essay film beyond canonical filmmakers and frameworks, and presents transnational perspectives on what is becoming a global film practice. World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
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Sprache: Englisch
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
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Sprache: Englisch
Verlag: Edinburgh University Press, GB, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
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In den WarenkorbPaperback. Zustand: New. World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalization. With case studies of essayistic works by John Akomfrah, Nguyen Trinh Thi and Apichatpong Weerasethakul, amongst many others, and with a photo-essay by Trinh T. Min-ha and a discussion of Frances Calvert's work, it expands current research on the essay film beyond canonical filmmakers and frameworks, and presents transnational perspectives on what is becoming a global film practice.
Sprache: Englisch
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
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Sprache: Englisch
Verlag: Edinburgh University Press, Edinburgh, 2017
ISBN 10: 1474425933 ISBN 13: 9781474425933
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Paperback. Zustand: new. Paperback. Near to one billion people call slums their home, making it a reasonable claim to describe our world as a 'planet of slums.' But how has this hard and unyielding way of life been depicted on screen? How have filmmakers engaged historically and across the globe with the social conditions of what is often perceived as the world's most miserable habitats?Combining approaches from cultural, globalisation and film studies, Igor Krstic outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our 'planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film culture. From Jacob Riis' How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of films from different historical periods and regions to outline how contemporary film and media practices relate to their past predeccesors, demonstrating the way various filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes to convey life in our 'planet of slums'. From Jacob Riis' How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), Igor Krsti outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our 'planet of slums'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: Edinburgh University Press, 2017
ISBN 10: 1474425933 ISBN 13: 9781474425933
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Sprache: Englisch
Verlag: Edinburgh University Press, GB, 2017
ISBN 10: 1474425933 ISBN 13: 9781474425933
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In den WarenkorbPaperback. Zustand: New. Near to one billion people call slums their home, making it a reasonable claim to describe our world as a 'planet of slums.' But how has this hard and unyielding way of life been depicted on screen? How have filmmakers engaged historically and across the globe with the social conditions of what is often perceived as the world's most miserable habitats?Combining approaches from cultural, globalisation and film studies, Igor Krstic outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our 'planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film culture. From Jacob Riis' How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of films from different historical periods and regions to outline how contemporary film and media practices relate to their past predeccesors, demonstrating the way various filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes to convey life in our 'planet of slums'.
Sprache: Englisch
Verlag: Edinburgh University Press, GB, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
Anbieter: Rarewaves USA, OSWEGO, IL, USA
Paperback. Zustand: New. World Cinema and the Essay Film examines the ways in which essay film practices are deployed by non-Western filmmakers in specific local and national contexts, in an interconnected world. The book identifies the essay film as a political and ethical tool to reflect upon and potentially resist the multiple, often contradictory effects of globalization. With case studies of essayistic works by John Akomfrah, Nguyen Trinh Thi and Apichatpong Weerasethakul, amongst many others, and with a photo-essay by Trinh T. Min-ha and a discussion of Frances Calvert's work, it expands current research on the essay film beyond canonical filmmakers and frameworks, and presents transnational perspectives on what is becoming a global film practice.
Sprache: Englisch
Verlag: Edinburgh University Press, 2017
ISBN 10: 1474425933 ISBN 13: 9781474425933
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Sprache: Englisch
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ISBN 10: 1474425933 ISBN 13: 9781474425933
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Verlag: Edinburgh University Press, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
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Verlag: EDINBURGH UNIVERSITY PRESS, 2021
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Zustand: New. . . 2021. Paperback. . . . .
Sprache: Englisch
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ISBN 10: 1474425933 ISBN 13: 9781474425933
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ISBN 10: 1474429254 ISBN 13: 9781474429252
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ISBN 10: 1474425933 ISBN 13: 9781474425933
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Verlag: Edinburgh University Press, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
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Sprache: Englisch
Verlag: Edinburgh University Press, 2021
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In den WarenkorbZustand: New. From Jacob Riis' How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), Igor Krstic outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our 'planet of slums'. BIC Classification: APFA; JFSG. Category: (G) General (US: Trade). . . 2017. Reprint. Paperback. . . . .
Sprache: Englisch
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
Sprache: Englisch
Verlag: Edinburgh University Press, 2017
ISBN 10: 1474425933 ISBN 13: 9781474425933
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Verlag: EDINBURGH UNIVERSITY PRESS, 2021
ISBN 10: 1474429254 ISBN 13: 9781474429252
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