Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.
Sprache: Englisch
Verlag: University of Minnesota Press, 2010
ISBN 10: 0816660964 ISBN 13: 9780816660964
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: University of Minnesota Press, 2010
ISBN 10: 0816660964 ISBN 13: 9780816660964
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Paperback. Zustand: Good. Sticker residue on front cover Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New.
Zustand: New.
Anbieter: BargainBookStores, Grand Rapids, MI, USA
Paperback or Softback. Zustand: New. Laugh Out Loud! Babies. Book.
Anbieter: BargainBookStores, Grand Rapids, MI, USA
Paperback or Softback. Zustand: New. Laugh Out Loud! Pregnancy. Book.
Zustand: As New. Unread book in perfect condition.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Zustand: New.
Anbieter: BargainBookStores, Grand Rapids, MI, USA
Paperback or Softback. Zustand: New. Laugh Out Loud! Kids. Book.
Zustand: As New. Unread book in perfect condition.
Zustand: New. Num Pages: 288 pages, 57 b&w illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 263 x 181 x 19. Weight in Grams: 632. 2010. paperback. . . . . Books ship from the US and Ireland.
Zustand: New. Num Pages: 288 pages, 57 b&w illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 263 x 181 x 19. Weight in Grams: 632. 2010. paperback. . . . .
Sprache: Englisch
Verlag: University of Minnesota Press, 2010
ISBN 10: 0816660964 ISBN 13: 9780816660964
Anbieter: AwesomeBooks, Wallingford, Vereinigtes Königreich
EUR 15,64
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. Suzanne Lacy: Spaces Between This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Anbieter: Manchester By The Book, Manchester-By-the-Sea, MA, USA
Soft cover. Zustand: Very Good. No markings.
Sprache: Englisch
Verlag: University of Chicago press, 2010
ISBN 10: 0816660964 ISBN 13: 9780816660964
Anbieter: INDOO, Avenel, NJ, USA
Zustand: New. Brand New.
Sprache: Englisch
Verlag: University of Minnesota Press,, Minneapolis:, 2010
ISBN 10: 0816660964 ISBN 13: 9780816660964
Anbieter: Grendel Books, ABAA/ILAB, Springfield, MA, USA
Erstausgabe
Paperback. Zustand: Fine. Color and black and white photographs. First paperback printing. Fine in pictorial wraps.
Sprache: Englisch
Verlag: University of Minnesota Press, Minneapolis, 2010
ISBN 10: 0816660964 ISBN 13: 9780816660964
Anbieter: LEFT COAST BOOKS, Santa Maria, CA, USA
Erstausgabe
Paperback. Zustand: Fine. 1st. xvii, 266 pages, [8] pages of plates, illustrations (some colour); 27 cm. Firm binding, clean inside copy. *** "Often controversial and sometimes even shocking to audiences, the work of California-based artist Suzanne Lacy has challenged viewers and participants with personal accounts of traumatic events, settings that require people to assume uncomfortable positions, multisensory productions that evoke emotional as well as intellectual responses, and even flayed lambs and beef kidneys. Lacy has experimented with ways to claim the power of mass media, to use women's consciousness-raising groups as a performance structure, and to connect her projects to lived experiences. The body and large groups of bodies are the locations for her lifelike art, revealing the aesthetics of relationships among people. In this critical examination of Suzanne Lacy, Sharon Irish surveys Lacy's art from 1972 to the present, demonstrating the pivotal roles that Lacy has had in public art, feminist theory, and community organizing. Lacy initially used her own body--or animal organs--to visually depict psychological states or social conditions in photographs, collages, and installations. In the late 1970s she turned to organizing large groups of people into art events--including her most famous work, The Crystal Quilt, a 1987 performance broadcast live on PBS and featuring hundreds of women in Minneapolis--and pioneered a new genre of public art. Irish investigates the spaces between art and life, self and other, and the body and physical structures in Lacy's multifaceted artistic projects, showing how throughout her influential career Lacy has created art that resists racism, promotes feminism, and explores challenging human relationships." - Publisher. *** CONTENTS: Visceral beginnings; Embodied networks; The urban stage; Convergences; We make the city, the city makes us; Turning point; Teens and violence. Size: 4to. Collectible.
Hardcover. Zustand: Very Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: MP - University Of Minnesota Press, 2010
ISBN 10: 0816660964 ISBN 13: 9780816660964
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 24,42
Anzahl: 2 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 13,01
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 12,93
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: As New. Unread book in perfect condition.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 13,08
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: As New. Unread book in perfect condition.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 13,12
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: University of Minnesota Press, US, 2010
ISBN 10: 0816660964 ISBN 13: 9780816660964
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
EUR 31,00
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: New. Often controversial and sometimes even shocking to audiences, the work of California-based artist Suzanne Lacy has challenged viewers and participants with personal accounts of traumatic events, settings that require people to assume uncomfortable positions, multisensory productions that evoke emotional as well as intellectual responses, and even flayed lambs and beef kidneys. Lacy has experimented with ways to claim the power of mass media, to use women's consciousness-raising groups as a performance structure, and to connect her projects to lived experiences. The body and large groups of bodies are the locations for her lifelike art, revealing the aesthetics of relationships among people. In this critical examination of Suzanne Lacy, Sharon Irish surveys Lacy's art from 1972 to the present, demonstrating the pivotal roles that Lacy has had in public art, feminist theory, and community organizing. Lacy initially used her own body-or animal organs-to visually depict psychological states or social conditions in photographs, collages, and installations. In the late 1970s she turned to organizing large groups of people into art events-including her most famous work, The Crystal Quilt, a 1987 performance broadcast live on PBS and featuring hundreds of women in Minneapolis-and pioneered a new genre of public art. Irish investigates the spaces between art and life, self and other, and the body and physical structures in Lacy's multifaceted artistic projects, showing how throughout her influential career Lacy has created art that resists racism, promotes feminism, and explores challenging human relationships.