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Softcover. Backstrip slightly sun-darkened; corners slightly bumped, affecting pages; pages toned and pages adjacent to covers slightly foxed; otherwise very good condition. . 153p.

Hardcover. X, 164 S. ; gr. 8 Guter Zustand. Leseseiten sind sauber u. ohne Markierungen. Ehem. Bibliotheksexemplar mit entsprechender Kennzeichnung und leichten Lager- bzw. Gebrauchsspuren. Schutzumschlag fehlt. Ansonsten ordentliches Exemplar. Sprache: Deutsch Gewicht in Gramm: 1000.

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Zustand: As New. Unread book in perfect condition.

Ingenaaid. Zustand: Gebruikssporen. 153 pp. Roest op een aantal pagina's. Het zwakke papieren kaft vertoont gebruikssporen (slijtage, o.a. langs de rug).

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Fine oblong quarto hardcover in a near fine dj. Black cloth hardcover. No names or markings to text. 338pp. Illustrated index. First edition with full number line. English text. Oversized military aeronautical.

Zustand: New.

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Zustand: As New. Unread book in perfect condition.

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Zustand: new. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

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Zustand: Good. Dedication on first endpaper.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback with flaps, 300x240mm, 144p, 70 colour illustrations, Dutch (NL) edition . ISBN 9789061533498. Het begin van de negentiende eeuw was een turbulente tijd: de eeuwenlange zekerheden van het Ancien Regime waren nog maar net van de kaart geveegd door de Franse Revolutie en heel Europa kreeg al meteen te maken met de Napoleontische Oorlogen. Er kwamen nieuwe sociale klassen naar voren: de burgerij en de arbeiders. Liberalisme en de Industriele revolutie breken door. Met andere woorden, de hele maatschappij was in sneltreinvaart aan het veranderen. Deze overgang was niet in het minst te voelen in de artistieke wereld. Als reactie op het rationele van de 18e eeuwse verlichting ontstond er een tegenbeweging die nadruk wou leggen op het gevoel, op de mystiek van het verleden, de passie en hartstochten: de Romantiek. Deze reactie is in heel Europa voelbaar maar toch omvat de huidige canon van romantische schilders slechts een handvol namen als William Turner, John Constable, Theodore Gericault of Eugene Delacroix. De volledige romantische schilderkunst uit de Lage Landen is echter langzaam verdwenen uit het collectieve geheugen. De kunstenaars van deze weinig gekende romantische schilderschool muntten uit in techniek en vervaardigden pittoreske en sublieme pareltjes. Werken van Barend Cornelis Koekkoek, Andreas Schelfhout, David de Noter, Fredrik Marinus Kruseman, Jacob Abels, Basile de Loose, Petrus van Schendel zullen in Een Romantische Kijk te zien zijn. De tentoonstelling en de catalogus worden opgebouwd rond vijf thema's of genres: de genrestukken, de architectuurstukken, de landschap, de marine en de nocturnes. 0 g.

Paperback with flaps, 300x240mm, 144p, 70 colour illustrations,Deutsch (DE) edition . ISBN 9789061533528. The early nineteenth century was a momentous time: the French Revolution had swept away the secular certainties of the Ancien Regime, and the Napoleonic wars shook all of Europe to its foundations. New social strata the bourgeoisie and the working class began to emerge. Liberalism and the Industrial Revolution took centre stage. In short, society was evolving at a breakneck pace. These changes were particularly spectacular in the artistic world. In reaction to the rationality of the Enlightenment, Romanticism stressed the importance of emotion, passion and mysticism. Although the Romantic movement arose everywhere across Europe, today its pictorial form is often reduced to a handful of names, such as William Turner, John Constable, Theodore Gericault and Eugene Delacroix. Dutch Romantic painting was progressively eliminated from collective memory. And yet, artists from this little-known school of painting who excelled in technique left small masterpieces behind them, vivid and sublime. Both the exhibition and catalogue for Through the Romanticist's Eyes are structured around five themes or genres: summer and winter landscapes, seascapes, urban scenes, still lifes and portraits. Through them, we are able to discover the works of Barend Cornelis Koekkoek, Andreas Schelfhout, David de Noter, Fredrik Marinus Kruseman, Jacob Abels, Basile de Loose and Petrus van Schendel. 0 g.

Paperback with flaps, 300x240mm, 144p, 70 colour illustrations, FRENCH (FR) edition . ISBN 978906153349813. Au cours de l'ete 2011, M le Musee de Louvain presente l'exposition itinerante "Un Regard Romantique" et le Fonds Mercator publie le catalogue qui l'accompagne. Un ensemble de quelque 70 tableaux compose un panorama unique de la peinture romantique du 19e siecle en Belgique et aux Pays-Bas. L'automne dernier, cette exposition a deja ete accueillie au Musee d'Etat de l'Ermitage a Saint-Petersbourg sous le titre "Through the Romanticists Eyes". 0 g.

Paperback with flaps, 300x240mm, 144p, 70 colour illustrations, English (ENG) edition . ISBN 9789061533511. The early nineteenth century was a momentous time: the French Revolution had swept away the secular certainties of the Ancien Regime, and the Napoleonic wars shook all of Europe to its foundations. New social strata the bourgeoisie and the working class began to emerge. Liberalism and the Industrial Revolution took centre stage. In short, society was evolving at a breakneck pace. These changes were particularly spectacular in the artistic world. In reaction to the rationality of the Enlightenment, Romanticism stressed the importance of emotion, passion and mysticism. Although the Romantic movement arose everywhere across Europe, today its pictorial form is often reduced to a handful of names, such as William Turner, John Constable, Theodore Gericault and Eugene Delacroix. Dutch Romantic painting was progressively eliminated from collective memory. And yet, artists from this little-known school of painting who excelled in technique left small masterpieces behind them, vivid and sublime. Both the exhibition and catalogue for Through the Romanticist's Eyes are structured around five themes or genres: summer and winter landscapes, seascapes, urban scenes, still lifes and portraits. Through them, we are able to discover the works of Barend Cornelis Koekkoek, Andreas Schelfhout, David de Noter, Fredrik Marinus Kruseman, Jacob Abels, Basile de Loose and Petrus van Schendel. 0 g.

Amsterdam, (1911). 24 x 15,8 cm. Oorspronkelijke omslag. Geniet. 43 pag. [Brochure, pamfletten (politiek) e.d. ].

Leatherbound. Zustand: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 176. A perfect gift for your loved ones. Reprinted from 1910 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Dutch Pages: 176.