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Paperback. Zustand: As New. Text clean and tight; Cultural Exegesis; 8vo 8" - 9" tall; 200 pages.

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Paperback. Zustand: new. Paperback. Is contemporary art a friend or foe of Christianity? Art historian, critic, and curator Daniel Siedell, addresses this question and presents a framework for interpreting art from a Christian worldview in God in the Gallery: A Christian Embrace of Modern Art. As such, it is an excellent companion to Francis Schaeffer's classic Art and the Bible. Divided into three parts--"Theology," "History," and "Practice"--God in the Gallery demonstrates that art is in conversation with and not opposed to the Christian faith. In addition, this book is beautifully enhanced with images from such artists as Andy Warhol, Jackson Pollock, Enrique MartA-nez Celaya, and others. Readers of this book will include professors, students, artists, and anyone interested in Christianity and culture. Develops a theological, philosophical, and historical framework within which to experience and interpret modern and contemporary art that is in dialogue with the Christian faith. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: New. God in the Gallery: A Christian Embrace of Modern Art (Cultural Exegesis).

Paper Back. Zustand: New. Writing in a different vein than the somewhat predictable and often uncharitable Christian critiques of modern and contemporary art made by theologians, philosophers, and Christian artists, Daniel Siedell sets out a book of criticism 'nourished by a Nicene Christianity that seeks to embrace all that is good, true, and beautiful.' A professor of modern and contemporary art history, criticism, and theory at the University of Nebraska, Siedell is a former museum curator of modern and contemporary art who has spent most of his professional career outside the bounds of professional Christendom. Interestingly, his experience of certain currents in contemporary art have significantly modified his practice of Christianity, provoking a retrieval of the ancient fullness of the faith 'as a network of robust liturgical, sacramental, and ascetic practices,' which in turn provide a provocative framework for understanding contemporary art. The seven essays in this book form an idiosyncratic but comprehensive critical engagement with modern and contemporary art, moving fluently between history, theology, iconography, theory, artistic intention, and the consideration of a single painting by Enrique Martínez Celaya (a study of artistic practice as structured and shaped by a religious worldview). Long needed as an alternative to traditional 'Christian' criticism, God in the Gallery is (to quote a reviewer), 'a seminal work of interpretation'-subtle, nuanced, and deeply experienced. 362 pp.

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Paperback. Zustand: new. Paperback. Is contemporary art a friend or foe of Christianity? Art historian, critic, and curator Daniel Siedell, addresses this question and presents a framework for interpreting art from a Christian worldview in God in the Gallery: A Christian Embrace of Modern Art. As such, it is an excellent companion to Francis Schaeffer's classic Art and the Bible. Divided into three parts--"Theology," "History," and "Practice"--God in the Gallery demonstrates that art is in conversation with and not opposed to the Christian faith. In addition, this book is beautifully enhanced with images from such artists as Andy Warhol, Jackson Pollock, Enrique MartA-nez Celaya, and others. Readers of this book will include professors, students, artists, and anyone interested in Christianity and culture. Develops a theological, philosophical, and historical framework within which to experience and interpret modern and contemporary art that is in dialogue with the Christian faith. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Zustand: new. Paperback. Is contemporary art a friend or foe of Christianity? Art historian, critic, and curator Daniel Siedell, addresses this question and presents a framework for interpreting art from a Christian worldview in God in the Gallery: A Christian Embrace of Modern Art. As such, it is an excellent companion to Francis Schaeffer's classic Art and the Bible. Divided into three parts--"Theology," "History," and "Practice"--God in the Gallery demonstrates that art is in conversation with and not opposed to the Christian faith. In addition, this book is beautifully enhanced with images from such artists as Andy Warhol, Jackson Pollock, Enrique MartA-nez Celaya, and others. Readers of this book will include professors, students, artists, and anyone interested in Christianity and culture. Develops a theological, philosophical, and historical framework within which to experience and interpret modern and contemporary art that is in dialogue with the Christian faith. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Zustand: New. &Uumlber den AutorDaniel A. Siedell (PhD, University of Iowa) is director of theological and cultural practices at Coral Ridge Presbyterian Church in Fort Lauderdale, Florida, and chancellor at Knox Seminary. He previously served as pro.

Taschenbuch. Zustand: Neu. Neuware - Is contemporary art a friend or foe of Christianity In God in the Gallery art historian, critic, and curator Daniel Siedell constructs a framework for interpreting modern art from a Christian worldview. He contends that art is not antithetical or hostile to Christianity but is in resonant dialogue with it. Siedell also examines the function of art criticism and the role of visual art in Christian worship and experience.'Dan Siedell is an exceptionally thoughtful and articulate observer of the very difficult intersection of religious belief and contemporary art. The book is full of unexpected and promising confluences. Here a reader will find the principal secular theorists of modernism, but this book is also 'nourished by Nicene Christianity' and informed by a wonderful range of authors, from Florensky, Levinas, and Wyschogrod to Seerveld, Wolterstorff, Walford, and Dyrness. This is a tremendous book, a genuine effort at dialogue in an arena marked by the near-complete absence of open exchange.'--James Elkins, E. C. Chadbourne Chair in the Department of Art History, Theory, and Criticism, School of the Art Institute of Chicago'God in the Gallery is a seminal work of interpretation, a guide for skeptics and faithful alike, in which Siedell offers a most profound, encouraging survey of contemporary art. An Emmaus Road encounter for those traveling on the path of contemporary art, Siedell's careful and loving attention paid to known and unknown artists will surely open our eyes. A must read for all of us laboring in the art world and in the arts academia.'--Makoto Fujimura, artist; founder/creative director, International Arts Movement'Daniel Siedell's passionate appreciation for common grace is apparent on every page of God in the Gallery. This is a book that should be widely read not only for its penetrating account of the contemporary art world but also for its larger understanding of Christ and culture.'--John Wilson, editor, Books & Culture.