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Paperback. Zustand: new. Paperback. Arctic Practices: Design for a Changing World is an edited volume framing plural understandings of an accelerated and amplified environment, the Arctic.Developed as a timely contribution to literature on Arctic design, this publication covers 33 chapters and features 45 contributors, including… designers, educators, artists, photographers, and filmmakers. Among this cohort, some are Indigenous, some are residents, and some are visitors to the Circumpolar North. But all generously share their ways of designing with or approaching, translating, seeing, or inhabiting changing Arctic landscapes.The contributions shared in Arctic Practices respond to colonial histories, foreground Indigenous livelihoods, and demonstrate how Arctic design practices are adapting to new and changing climatic contexts. In the past, Arctic design (e.g., Arctic architecture, landscape architecture, and urbanization) has been dominated by colonial and nation-state interests, often influenced by design perspectives more appropriate to southern landscapes. Western-centric narratives and design paradigms that suffered from limited understandings of the internal dynamics, unique climatic conditions, and diversity of different people and cultures were often projected and forced-sometimes violently-onto the many different peoples and regions of the Circumpolar North.Arctic Practices believes that designers (and others) can only move forward by first acknowledging the past; this includes taking seriously the responsibility to avoid committing the mistakes of those who came before them. The stories and images shared in these pages were gathered by deliberately seeking out many different forms of contributions and media in order to more adequately respond to the remarkably rich and varied histories of the world's northernmost regions.The collection of works found in Arctic Practices has taken great care to manifest design projects, pedagogies, and artistic interventions that both critique the discipline's troubled history while also, in most cases, introducing speculative ways forward into an uncertain planetary future. This polyvocal assembly is an offering to begin to learn and unlearn so that we may share meaningful design interventions across northern lands, seas, and ice. *Arctic Practices: Design for a Changing World* examines the rapidly changing Arctic through 33 chapters by 45 contributors, including designers, artists, and Indigenous voices. It highlights diverse approaches to designing, interpreting, and inhabiting the Arctics transforming landscapes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: new. Paperback. Inventing Greenland is a critical and timely assemblage of stories highlighting a shifting landscape one born from the imagination, projections, and ambitions of a wide range of actors. Geared towards a design audience, this book combines spatial sensibilities with Greenland's local cultural,…social, and environmental realities. Inventing Greenland is a critical and timely assemblage of stories highlighting a shifting landscape one born from the imagination, projections, and ambitions of a wide range of actors.Today, especially within the design discipline, there is a lack of understanding of Greenland as a complex constellation of perspectives, histories, and forces. This book aims to fill that knowledge vacuum. Geared towards architects, landscape architects, and urban planners, this book combines spatial sensibilities with local cultural, social, and environmental realities. More specifically, spatial sensibility is a way of responding to and reading beyond a diverse array of relationships in the built environment. Furthermore, Inventing Greenland provides a broad understanding of a unique island undergoing intense transformation while drawing attention to its historical and current challenges and emerging opportunities.Distinctly, each individual story is anchored to a common thread and interest in architecture, landscape architecture, and urbanism. Such discourse may serve to prepare designers at large as they take on projects in a rapidly developing Arctic. In the past, the extremeness of Greenland's landscape did not impede the first immigration of Inuit hunting tribes, Norsemen from becoming Greenland Vikings, and European explorers from searching for new trade routes and eventually reaching the North Pole. Every single one of them read, saw, and understood the Greenlandic landscape differently, while projecting their hopes and dreams onto new landscapes, seascapes, and icescapes. As will become apparent, similar hopes and dreams of the early settlers and explorers continue in postcolonial times in a different set of actors, among them the U.S. military, foreign investors, and an Inuit-run government. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: Brand New. 151 pages. 8.50x6.00x0.50 inches. In Stock.
- Softcover
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- Softcover
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- Softcover
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- Softcover
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Paperback. Zustand: new. Paperback. Inventing Greenland is a critical and timely assemblage of stories highlighting a shifting landscape one born from the imagination, projections, and ambitions of a wide range of actors. Geared towards a design audience, this book combines spatial sensibilities with Greenland's local cultural,…social, and environmental realities. Inventing Greenland is a critical and timely assemblage of stories highlighting a shifting landscape one born from the imagination, projections, and ambitions of a wide range of actors.Today, especially within the design discipline, there is a lack of understanding of Greenland as a complex constellation of perspectives, histories, and forces. This book aims to fill that knowledge vacuum. Geared towards architects, landscape architects, and urban planners, this book combines spatial sensibilities with local cultural, social, and environmental realities. More specifically, spatial sensibility is a way of responding to and reading beyond a diverse array of relationships in the built environment. Furthermore, Inventing Greenland provides a broad understanding of a unique island undergoing intense transformation while drawing attention to its historical and current challenges and emerging opportunities.Distinctly, each individual story is anchored to a common thread and interest in architecture, landscape architecture, and urbanism. Such discourse may serve to prepare designers at large as they take on projects in a rapidly developing Arctic. In the past, the extremeness of Greenland's landscape did not impede the first immigration of Inuit hunting tribes, Norsemen from becoming Greenland Vikings, and European explorers from searching for new trade routes and eventually reaching the North Pole. Every single one of them read, saw, and understood the Greenlandic landscape differently, while projecting their hopes and dreams onto new landscapes, seascapes, and icescapes. As will become apparent, similar hopes and dreams of the early settlers and explorers continue in postcolonial times in a different set of actors, among them the U.S. military, foreign investors, and an Inuit-run government. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Softcover
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EUR 33,38
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Paperback. Zustand: New.
Verlag: Leuven, 2006, 2006
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In den Warenkorb111pp., 21cm., onuitgegeven verhandeling tot het behalen van de graad van licentiaat in de geschiedenis (Katholieke Universiteit Leuven, 2006), luttele aantekeningen/ correcties in de tekst, goede staat, R94721.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - Arctic Practices: Design for a Changing World is an edited volume framing plural understandings of an accelerated and amplified environment, the Arctic.Developed as a timely contribution to literature on Arctic design, this publication covers 33 chapters and features 45 contributors, includin…g designers, educators, artists, photographers, and filmmakers. Among this cohort, some are Indigenous, some are residents, and some are visitors to the Circumpolar North. But all generously share their ways of designing with or approaching, translating, seeing, or inhabiting changing Arctic landscapes.The contributions shared in Arctic Practices respond to colonial histories, foreground Indigenous livelihoods, and demonstrate how Arctic design practices are adapting to new and changing climatic contexts. In the past, Arctic design (e.g., Arctic architecture, landscape architecture, and urbanization) has been dominated by colonial and nation-state interests, often influenced by design perspectives more appropriate to southern landscapes. Western-centric narratives and design paradigms that suffered from limited understandings of the internal dynamics, unique climatic conditions, and diversity of different people and cultures were often projected and forcedsometimes violentlyonto the many different peoples and regions of the Circumpolar North.Arctic Practices believes that designers (and others) can only move forward by first acknowledging the past; this includes taking seriously the responsibility to avoid committing the mistakes of those who came before them. The stories and images shared in these pages were gathered by deliberately seeking out many different forms of contributions and media in order to more adequately respond to the remarkably rich and varied histories of the world's northernmost regions.The collection of works found in Arctic Practices has taken great care to manifest design projects, pedagogies, and artistic interventions that both critique the discipline's troubled history while also, in most cases, introducing speculative ways forward into an uncertain planetary future. This polyvocal assembly is an offering to begin to learn and unlearn so that we may share meaningful design interventions across northern lands, seas, and ice.
