Verlag: Brepols Publishers, 2021
ISBN 10: 250358618X ISBN 13: 9782503586182
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. 320 pages. 11.00x8.50x1.00 inches. In Stock.
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Gebraucht ab EUR 80,78
Mehr entdecken Hardcover
Verlag: Pontifical Inst of Medieval studies, 2016
ISBN 10: 0888444265 ISBN 13: 9780888444264
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. reprint edition. 212 pages. 9.75x8.00x0.50 inches. In Stock.
Verlag: Metropolitan Museum of Art, 2009
ISBN 10: 0300148941 ISBN 13: 9780300148947
Anbieter: SatelliteBooks, Burlington, VT, USA
Hardcover. Zustand: As New. Hardcover. Near fine / near fine dust jacket. Free of any markings and no writings inside. For any additional information or pictures, please inquire.
Verlag: Turnhout: Brepols 2022., 2022
Anbieter: Antiquariat Bergische Bücherstube Mewes, Overath, Deutschland
212 p., 45 col. Illustrations. Br. *neuwertig, as new* Opicinus's drawings complicate many of our assumptions about medieval visual culture, and spark lines of inquiry into the interplay of religion and science, the practice of experimentation, the operations of allegory in the fourteenth century, and ultimately into the status of representation itself.
Verlag: PIMS, 2014
ISBN 10: 088844186X ISBN 13: 9780888441867
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Text and images are unmarked; pages are bright. Binding is tight and square. Dust jacket shows very little wear. Overseas/Priority shipping at cost. 212pp.
Verlag: Turnhout: Brepols 2021., 2021
Anbieter: Antiquariat Bergische Bücherstube Mewes, Overath, Deutschland
320 S., zahlr. farb. Abb. 4° Ln.mS. neuwertig, as new*.
Verlag: Harvey Miller Pub, 2023
ISBN 10: 1915487048 ISBN 13: 9781915487049
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New.
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Mehr entdecken Hardcover Erstausgabe
Verlag: Metropolitan Museum of Art, 2009
ISBN 10: 0300148941 ISBN 13: 9780300148947
Erstausgabe
Hardcover. First Edition. Book condition is Very Good+; with a Very Good+ dust jacket. Text is clean and unmarked, still in factory shrinkwrap. ; 11.20 X 8.80 X 1.10 inches; 200 pages.
Verlag: Brepols - Harvey Miller 2023, 2023
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgien
Verbandsmitglied: ILAB
Hardback, 367 pages, Size:220 x 280 mm, Illustrations:115 col., Language: English. ISBN 9781915487049. Summary In dozens of monumental examples across central and northern Italy, late-medieval artists created complex diagrammatic paintings whose content was conveyed not through proto-perspectival spaces but rather through complex circles, trees, hierarchical stemmata, and winding pathways. Trecento Pictoriality is the first comprehensive study of the practice of monumental diagrammatic painting in late-medieval Italy, moving the study of diagrams from the manuscript page to the frescoed wall and tempera panel. Often placed alongside narrative, devotional, and allegorical paintings, the diagrammatic mode was one of a number of pictorial modes available to artists, patrons, and planners, with a unique ability to present complex content to viewers. While monumental diagrams may have sparked some of the experiences usually associated with diagrams in manuscripts, acting as machines for thought, scaffolds for memory, or tools for the visualization of complex concepts, their reception was also shaped by their presence in public spaces, their scale and aura as richly decorated works of monumental visual art, and their insertion into larger pictorial programs. Closely examining the visual and communicative strategies of these paintings expands the horizon of trecento art history beyond narrative and devotional painting, and shifts our understanding of all of the arts of the trecento, calling attention to issues of scale, visual rhetoric, pictorial ingenuity, and reception. 0 g.
Anbieter: Libreria Studio Bosazzi, Firenze, FI, Italien
Rilegato. Zustand: nuovo. Pages: 367 p. Illustrations:115 col. Language(s):English. Hardback. Brepols, Publication Year:2023 -- SUMMARY In dozens of monumental examples across central and northern Italy, late-medieval artists created complex diagrammatic paintings whose content was conveyed not through proto-perspectival spaces but rather through complex circles, trees, hierarchical stemmata, and winding pathways. Trecento Pictoriality is the first comprehensive study of the practice of monumental diagrammatic painting in late-medieval Italy, moving the study of diagrams from the manuscript page to the frescoed wall and tempera panel. Often placed alongside narrative, devotional, and allegorical paintings, the diagrammatic mode was one of a number of pictorial modes available to artists, patrons, and planners, with a unique ability to present complex content to viewers. While monumental diagrams may have sparked some of the experiences usually associated with diagrams in manuscripts, acting as machines for thought, scaffolds for memory, or tools for the visualization of complex concepts, their reception was also shaped by their presence in public spaces, their scale and aura as richly decorated works of monumental visual art, and their insertion into larger pictorial programs. Closely examining the visual and communicative strategies of these paintings expands the horizon of trecento art history beyond narrative and devotional painting, and shifts our understanding of all of the arts of the trecento, calling attention to issues of scale, visual rhetoric, pictorial ingenuity, and reception.