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Verlag: Norton & Company Limited, W. W., 2006
ISBN 10: 0393061604ISBN 13: 9780393061604
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Mehr entdecken Hardcover Erstausgabe
Verlag: LensWork Publishing: Anacortes, WA
ISBN 10: 1888803207ISBN 13: 9781888803204
Anbieter: SecondSale, Montgomery, IL, USA
Buch
Zustand: Very Good.
Verlag: Chicago: Stephen Daiter Gallery, 2001
Anbieter: ANARTIST, New York, NY, USA
Softcover, 36 pages, very good condition, clean and crisp, no internal marks.
Verlag: Stephen Daiter Gallery, Chicago, IL, 2001
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
First edition. Softcover. 36 pages. Features an essay by Robert Gurbo. Includes 26 duotone images. A fine copy in stapled wrappers in a very near fine dust jacket.
Verlag: Chicago: Stephen Daiter Gallery, 2001
Anbieter: A Book Preserve, Columbus, OH, USA
Buch Erstausgabe
Soft cover. Zustand: Fine. 1st Edition. Scarce. Fine illustrated wrappers with french flaps. Andre Kertesz: New York State of Mind Chicago: Stephen Daiter Gallery, 2001. 36 pp. Photos; plates. Exhibition Catalog. Ships fast with tracking.
Verlag: Stephen Daiter Gallery, Chicago, 1999
Anbieter: Thomas J. Joyce And Company, Chicago, IL, USA
Erstausgabe
stapled wrappers. Zustand: Good. First Edition. Quarto, 14 pages, glossy paper, soft, vertical, semi-fold The Stephen Daiter Gallery in Chicago was selected by the Estate of Andre Kertesz to represent the estate of Kertesz. This is the first of several exhibitions of the photographs of Kertesz at the Daiter Gallery. The introductory essay is by Robert Gurbo, the Curator for the Kertesz estate. This selection of images from the exhibition explores his use of mirrors - especially distortion mirrors, particularly a small distortion mirror which he found in a second-hand antique shop.
Verlag: Chicago, IL: Stephen Daiter Gallery, 2001
Anbieter: ModernRare, CHICAGO, IL, USA
Erstausgabe
Soft cover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. 1st Printing. 36 pages. Published in 2001. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. None of the copies was sold to the public. There is no ISBN. The Exhibition Catalog is now scarce. An austerely elegant production by Adam Holtzman: Regular-sized volume format. Glossy pictorial softcovers with black titles on the cover and spine, as issued. Photographs by Andre Kertesz. Essay by Paul Berlanga. Printed on pristine-white, uncoated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the AIPAD Photography Show held in New York City from March 26-29, 2009. Presents "Andre Kertesz: New York: 'The Lost Years' ". Reproductions of Kertesz's vintage prints, complete with handwritten and stamped information exactly as they appear on the prints themselves. The images are presented on the right-hand side, the captions en face. By the time Kertesz immigrated to the United States in 1937, he was already a well-known artist/photographer in Europe, and (rightly) expected to be greeted with the critical acclaim and financial success that a figure of his stature deserved. Instead, his work was completely ignored. Kertesz was forced to eke out a living by doing commercial work for House & Garden Magazine. It was not until the prescient John Szarkowski gave him a one-man show at the Museum of Modern Art (MOMA) in 1964, a posthumous-like, twenty-seven years later, that he finally achieved the recognition that he enjoys to this day. There are critics, scholars, dealers, and collectors who consider Kertesz to be the greatest photographer of the 20th century. Full stop. Kertesz called his long American obscurity, "The Lost Years", when instead of giving up, he persevered and "developed a body of work that visually distilled his isolation and anxieties, creating subdued and poetic photographs. Photographs that asked New York to slow down and hear a whisper among the shouts. And he remained true to his vision" (Paul Berlanga). All great art compels us to slow down, tarry, take our time; transports us to another temporal reality and immerses us in it, which Andre Kertesz's best photographs do. An absolute "must-have" title for Andre Kertesz collectors. This title is a contemporary art photography classic. This is one of few copies still available online and is in especially fine condition: Clean, crisp, and bright. Please note: This Exhibition Catalog was not sold to the public. It was given as a keepsake/souvenir to Andre Kertesz print collectors only. A scarce copy thus. 34 plates. Andre Kertesz's "Day of Paris" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER ANDRE KERTESZ TITLES IN OUR CATALOG). no.
Verlag: Chicago, IL: Stephen Daiter Gallery, 2000
Anbieter: ModernRare, CHICAGO, IL, USA
Erstausgabe
Soft cover. Zustand: As New. 1st Edition. 1st Printing. 15 pages. Published in 2000. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now scarce. An austerely elegant production by David W. Williams: Regular-sized volume format. Pictorial softcovers with titles on the cover, as issued. Photographs by Andre Kertesz. Essay, "The Mirror As Muse", by Robert Gurbo, Curator of the Andre Kertesz Estate. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the exhibition of the same name held at the Stephen Daiter Gallery Chicago from November 26, 1999 through January 15, 2000. Presents "Andre Kertesz: The Mirror As Muse". Some of the photographer's celebrated portraits using a distorted mirror. They are among the most sensuous and elegant female nude photographs ever taken in the medium's history. The remarkable achievement of Andre Kertesz's "Distortion Series" is that the resulting images make one forget about the technical feat involved and is transported to another world, as the photographer intended, the closest any 20th-century artist/photographer has come to an Adult Wonderland Through A Looking Glass. An absolute "must-have" title for Andre Kertesz collectors. This title is a contemporary art photography classic. This is one of few copies of the Exhibition Catalog still available online and is in especially fine condition: Clean, crisp, and bright. Please note: This is a Catalog, not a monograph or full-fledged book. But it is a beauty and rarity for Andre Kertesz completists, plus an original Essay by Robert Gurbo, the Curator of the Andre Kertesz estate. A scarce copy thus. 13 duotone plates. Andre Kertesz's "Day of Paris" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER ANDRE KERTESZ TITLES IN OUR CATALOG). no.
Verlag: Chicago, IL: Stephen Daiter Gallery, 2014
Anbieter: ModernRare, CHICAGO, IL, USA
Erstausgabe
Soft cover. Zustand: As New. 1st Edition. 1st Printing. 100 pages. Published in 2014. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. None of the copies was sold to the public. There is no ISBN. The Exhibition Catalog is now scarce. An austerely elegant production by Stephen Daiter Gallery: Regular-sized volume format. Glossy black softcovers with white titles on the cover and spine, as issued. Photographs by Andre Kertesz. Essay by Robert Gurbo. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the landmark exhibition of the same name held at Stephen Daiter Gallery Chicago from March 7 through May 24, 2014. Presents "Andre Kertesz: 'Raison d'Etre': Photographs From The Concerned Photographer Exhibitions 1967-69". The fifth, and most comprehensive, publication by Stephen Daiter Gallery on the photographic art and achievement of Andre Kertesz. His participation in the eponymous - and eleemosynary: The Concerned Photographer shows helped establish the International Center for Photography (ICP) - exhibitions was sweet confirmation of the photographer's stature as one of the greatest photographers of the time. By the time Kertesz immigrated to the United States in 1937, he was already a well-known artist/photographer in Europe, and (rightly) expected to be greeted with the critical acclaim and financial success that a figure of his stature deserved. Instead, his work was completely ignored. Kertesz was forced to eke out a living by doing commercial work for House & Garden Magazine. It was not until the prescient John Szarkowski gave him a one-man show at the Museum of Modern Art (MOMA) in 1964, a posthumous-like, twenty-seven years later, that he finally achieved the recognition that he enjoys to this day. There are critics, scholars, dealers, and collectors who consider Kertesz to be the greatest photographer of the 20th century. Full stop. "The camera is my tool through which I try to give a reason to everything and to every happening around me. Every subject has a rhythm. To feel this rhythm is the raison d'etre" (Andre Kertesz). All great art compels us to slow down, tarry, take our time; transports us to another temporal reality and immerses us in it, which Andre Kertesz's best photographs do. An absolute "must-have" title for Andre Kertesz collectors. This title is a contemporary art photography classic. This is one of few copies of the Exhibition Catalog still available online and is in especially fine condition: Clean, crisp, and bright. Please note: This Exhibition Catalog was not sold to the public. It was given as a keepsake/souvenir to Andre Kertesz print collectors only. A scarce copy thus. 97 plates. Andre Kertesz's "Day of Paris" was selected as one of the greatest photography books in "The Photobook". One of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER ANDRE KERTESZ TITLES IN OUR CATALOG). no.
Verlag: W.W. Norton & Company, New York, 2005
ISBN 10: 0393061604ISBN 13: 9780393061604
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Buch Erstausgabe
First edition and first printing. Small hardcover. 158 pages. Published in conjunction an exhibition that ran October through November 2005 at Bruce Silverstein Gallery. Features an introduction by Bruce Silverstein and an essay by Robert Gurbo. Includes 90 duotone images. A fine copy in blue cloth boards with black and white image affixed to the front cover and in a very near fine translucent printed dust jacket.
Verlag: National Gallery of Art, Washington, 2005
ISBN 10: 0894683128ISBN 13: 9780894683121
Anbieter: Clayton Fine Books, Shepherdstown, WV, USA
Buch Erstausgabe
Soft cover. Zustand: Fine. First Edition. Fine in wrappers.
Verlag: Norton, New York, 2007
ISBN 10: 0393065642ISBN 13: 9780393065640
Anbieter: WAVERLEY BOOKS ABAA, Santa Monica, CA, USA
Buch Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition; First Printing. First edition. Fine in near fine dust jacket. (Small black remainder dot flush with spine block on top edge of text. Trifle bit of shelf-wear at edges of jacket. ) Color throughout. ; 6 1/2" X 7 1/4"; 127 pages.
Verlag: Chicago, IL: Stephen Daiter Gallery., 1999
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Erstausgabe
Zustand: Good. 4to. [14 pp]. Soft, stapled black and white photographic wraps with beige text. Very good with marginal creasing along top right front wrap corner. 12 black and white early gelatin silver plates by Andre Kertesz. Includes an essay by exhibition curator Robert Gurbo. Catalogue created on occasion of exhibition ?Andre Kertesz: Mirror as Muse? at the Stephen Daiter Gallery in Chicago, IL from November 26, 1999 through January 15, 2000. First edition. From the Collection of the Art Historian Peter Selz.
Verlag: National Gallery of Art and Princeton University Press, Washington, D.C. and Princeton, NJ, 2005
ISBN 10: 0691121141ISBN 13: 9780691121147
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Buch Erstausgabe
First edition and first printing. Hardcover. 302 pages. Published in conjunction with an exhibition that ran February 6 through May 15, 2005 at the National Gallery of Art and then June 12 through September 3, 2005 at the Los Angeles County Museum of Art. Introduction by Sarah Greenough and Robert Gurbo. Essays by Greenough, Gurbo, and with a chronology by Sarah Kennel. Includes over 100 black and white images. A very fine copy in a very fine dust jacket and still somewhat in the publisher's shrinkwrap.
Verlag: Princeton and Washington, D.C. National Gallery of Art and the Princeton University Press 2005, 2005
Anbieter: Buddenbrooks, Inc., Newburyport, MA, USA
Erstausgabe
First Edition. With more than 250 superb photographs in gravure. 4to, publisher's original stiff printed wrappers, illustrated with photographs on the covers by Kertesz. xiv, 302 pp. A very fine copy, pristine as issued, tight, clean, and well preserved. FIRST EDITION. ANDRE KERTESZ IS ONE OF THE MOST IMPORTANT PHOTOGRAPHERS OF THE 20TH C. "This book chronicles his rich art, from his first works taken in his native Hungary just shortly before World War I, to his highly celebrated photographs of Paris in the 1920's and 1930's, and his studies of New York from the late 1930s to the early 1980s."- publisher.