killip chris (140 Ergebnisse)

Exhibition Announcement Cards. This is not a book. The original announcement card for a book signing with Vince Aletti, Bruce Davidson, Jessica Lange, Saul Leiter, Eric Lindbloom, John T. Hill, and Chris Killip held at Howard Greenberg Gallery, NYC, March 28, [2009]. Stiff card, printed both sides; 5.5 x 8 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.

Zustand: New.

Hardback or Cased Book. Zustand: New. Chris Killip: Pirelli Work 1.85. Book.

First edition. Softcover. 62 pages. January 1971. Cover by Douglas Faulkner. Features images by Sol Mednik, Chris Killip, Axel Kayser, Alexander Van Pieterson, Marc Ghusoland, Karl-Rainer Muller, Douglas Faulkner. A clean very near fine copy in wrappers.

First edition. Softcover. February 1970. Photographers in this issue include: Bruce Forster, Clive Barda, Van Deren Coke, Chris Killip, David Hoffman, and Paul Hill. A near fine copy in stapled wrappers with some light wear.

No Binding. Zustand: New. Contained in the Summer 2017 issue of The Threepenny Review. This issue of the highly regarded literary and arts quarterly contains writing by, among others, Mimi Chubb, Louis B. Jones, Wendy Lesser, Richard Locke, James Longenbach, Javier Marias, Nick Papandreou, Atsuro Riley, Kay Ryan, Lore Segal, Elizabeth Tallent, and Dean Young, as well as photographs by Chris Killip.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Hardback or Cased Book. Zustand: New. Chris Killip: Isle of Man Revisited 2.35. Book.

Hardcover. Zustand: new. Hardcover. I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I knew in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the op - erators had to take, the movement that the processes pre - determined for them. I began again, re-photographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, which was the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion tech - niques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theater and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet realism. For me this "look" seemed a more telling way to record and document this enforced ritual. Chris Killip Chris Killip wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. This book deals with authors life and work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Magazine. First edition. Near Fine magazine with a touch of shelf wear and a bookplate to the inside cover. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The January 1971 issue of Camera magazine, with gravure-printed portfolios of work by Chris Killip, Sol Mednik, Axel Kayser, Alexander Van Pieterson, Marc Ghuisoland, Karl-Rainer Muller, and Douglas Faulkner. Also in the issue is an ad featuring Sam Haskins and a technical section. Edited by Allan Porter. Perfect-bound; 62 pages; color and b&w illustrations throughout; 8.75 x 11.5 inches. Text in English.

Zustand: As New. Unread book in perfect condition.

Exhibition Announcement Cards. This is not a book. The original announcement card for a 3-person exhibition of photography titled "Three from Britain: Chris Killip, Martin Parr, Graham Smith" and held at Rose Gallery, Santa Monica, March 8 - May 31, 2008. Thin stiff card; spiral-fold; 6 pages; 1 color and 2 duo-toned b&w illustrations; 7.5 x 9.75 inches, opens to 22.5 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Hardcover. First Edition, First Printing. 10 x 11in. 85pp. NEAR FINE in Near Fine dust jacket. The book itself shows a remainder mark of the bottom textblock edge, else Fine/As New. The dust jacket shows marginal shelf rubbing along the edges, else Fine/As New. As pictured.

Zustand: Sehr gut. 456 S. in gutem Zustand, 580 ISBN 9788495273789 Sprache: Englisch Gewicht in Gramm: 1270 Maße: 17.15 cm x 3.18 cm x 21.59 cm Softcover/Paperback.

Hardcover. Zustand: new. Hardcover. Thirty years after the publication of the Isle of Man book I was in the process of preparing for my retrospective exhibition at the Museum Folkwang in Germany and started to re-examine my "Isle of Man" negatives. I hadn't had an occasion to think about this work since the first edition of the book was published. Going through these negatives again I found new images that I now liked, but at the time had overlooked or had not used for reasons that now mystify me. I ended up with 250 photographs that I now think of as my "Isle of Man" archive. This new version of Isle of Man draws from that archive. The photographs in this edition keep, more or less, to the same order as the original book but I have changed some of the images, added thirty others, and printed them all larger. Chris Killip features photographs that draws from the "Isle of Man" archive. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

First edition. Softcover. January 1972. This issue feaures black and white images by Erich Salomon and Jim Arnould. Also includes images from Leonard Freed's work in Germany and Chris Killip's work on the Isle of Man. A near fine copy in stapled wrappers with some very minor wear.

First edition. Hardcover. First printing. 88 pages. Text in English. Introduction by Chris Killip. Essay by Clive Dilnot. Attractive collection of black and white photographs. A very fine copy in very fine dust jacket. As new and still in the publisher's shrinkwrap.

FLEX. Zustand: USED Good.

Soft cover. Zustand: New. MARTIN CRUDO CHRIS KILLIP TOBI VAILLIZ HARRIS BEN TROGDON ELLIE MORANBROOKS HEADLEY OSA ATOE JESS SCOTTJESSE MICHAELS SAM RYSER BOB NICKASKENDRA GAETA JEAN NAGAI ADAM OPET ETHAN SWAN TONY MOLINA DAN LACTOSEJENN PELLY SAM RE (illustrator). 1st Edition. Features MARTIN CRUDO CHRIS KILLIP TOBI VAILLIZ HARRIS BEN TROGDON ELLIE MORANBROOKS HEADLEY OSA ATOE JESS SCOTTJESSE MICHAELS SAM RYSER BOB NICKASKENDRA GAETA JEAN NAGAI ADAM OPET ETHAN SWAN TONY MOLINA DAN LACTOSEJENN PELLY SAM REISS JESSE PEARSONNICK RELPH GABRIEL FRANCIS EM AULLFRANK MARCHI CANCER CARL JOLIE M-ABRYONY BEYNON BRACE BELDEN KAPPY RICH JACOBS EUGENE TERRY EMILY RYANALICIA VANDEN HEUVEL FELIX VON HAVOCAMBROSE NZAMS JONATHAN BROKENBROW GOLNAR NIKPOUR ERICA DAWN LYLE ADRIAN REW KIM THOMPSON ZAC DAVIS DEBORAH DXSTROY ANDY CORONADOKEVIN MCCARTHY VIRGINIA ZWANZGER CLARK ALLEN STAN WRIGHT ERIK SUTCHVIOLETA HINOJOSA ERIC BUTTERWORTH SAM LEFEBVRE KEN SANDERSON ED ZED JESSICA SAPPINGTON SONYA KATCHERROTTEN RON READY KATIE ALICE GREER ANDREAS LORETAN PAOLO BONTEMPOAMY BROWNE RYAN NAIDEAU JASON FOXJAMIE JOHNS AJ MCGUIRE MIKE BERDANZANE MORRIS KATIE GREEN ICBM REPORT.

Gebunden. Zustand: Neu. Neu -I wanted to show the manufacturing process as clearly as I could, and to do so in this factory meant it would have to be lit. Ironically, my stubbornness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I knew in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the operators had to take, the movement that the processes predetermined for them. I began again, re-photographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, which was the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion techniques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theater and I embraced the look of these new photographs with their relation to fashion, fi lm noir, and even Soviet realism. For me this "look" seemed a more telling way to record and document this enforced ritual. Chris Killip 88 pp. Englisch.

Paperback. The Summer 1986 issue of Aperture magazine, No. 103, with: interviews with Nan Goldin and Cindy Sherman with portfolios of their work; portfolios of photographs by Chris Killip, Larry Sultan, and John Schlesinger; Marvin Heiferman on Querelle, The Film Book, with photos by Roger Fritz; an essay by Belinda Rathbone on the films of Danny Lyon; and much more. Edited by Mark Holborn. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine paperback with a hint of shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Hardcover. Zustand: new. Hardcover. Late in 2016 Chris Killips son serendipitously discovered a box of contact sheets of the photos his father had made at The Station, an anarcho-punk music venue in Gateshead open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the sub-cultures and punk politics of the time. As Killip recollects: "When I first went to The Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there. Every Saturday that I could, I photographed there. Nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides. With a 4 5 camera around my neck and a Norman flash and its battery around my waist, I must have looked like something out of a 1950s B movie. 1985 was just after the miners strike and there was a lot of youth unemployment. Most of the punks at The Station didnt have a job, and this place, run as a very inclusive collective, was so important to them and their self-worth."What youre trying not to do is oversimplify. Youre trying to have some sort of cool in there somehow, so that people looking at your pictures are not constrained by you. Meaning you havent predetermined everything, so that ambiguity can be embraced. Chris Killip Late in 2016, British photographer Killip's son discovered a box of contact sheets of the photos his father had made at the Station, an anarcho-punk music venue in Gateshead, Northern England, open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Zustand: New.

paperback. Zustand: Very Good. Modest shelfwear to cover, clean pages and sound binding.

Soft cover. Zustand: Fine. 1st Edition. First edition. A fine softcover copy in a fine DJ now protected in a removal mylar cover. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #129.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Num Pages: 88 pages, 57 illustrations. BIC Classification: AJB; AJC. Category: (G) General (US: Trade). Dimension: 280 x 260. Weight in Grams: 860. . 2015. Hardcover. . . . .

Zustand: As New. Unread book in perfect condition.