Sprache: Englisch
Verlag: University of Arkansas Press, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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Sprache: Englisch
Verlag: University of Arkansas Press, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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Sprache: Englisch
Verlag: University of Arkansas Press, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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Verlag: University of Arkansas Press, 2024
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Sprache: Englisch
Verlag: University of Arkansas Press, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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Sprache: Englisch
Verlag: University of Arkansas Press 4/5/2024, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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Paperback or Softback. Zustand: New. Broadcasting the Ozarks: Si Siman and Country Music at the Crossroads. Book.
Sprache: Englisch
Verlag: University of Arkansas Press, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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Verlag: University of Arkansas Press, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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Sprache: Englisch
Verlag: University of Arkansas Press, US, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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Paperback. Zustand: New. Broadcasting the Ozarks explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Central to this history is the Ozark Jubilee (1955-60), the first regularly broadcast live country music show on network television. Dubbed the "king of the televised barn dances," the show introduced the Ozarks region to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry-with the Jubilee's producer, Si Siman, at the helm. Siman's life story is almost as remarkable as the show he produced. He was booking Tommy Dorsey, Ella Fitzgerald, and Glenn Miller during the mid-1930s while still a high school student and produced nationally syndicated country music radio shows in the decades that followed. Siman was a promotional genius with an ear for talent, a persuasive gift for gab, and the energy and persistence to make things happen for many future Country Music Hall of Famers, including Chet Atkins, Porter Wagoner, the Browns, and Brenda Lee. Following the Jubilee's five-year run, Siman had a hand in some of the greatest hits of the twentieth century as a music publisher, collaborating with such songwriters as rockabilly legend and fellow Springfieldian Ronnie Self, who wrote Brenda Lee's signature hit, "I'm Sorry," and Wayne Carson, who wrote Willie Nelson's "Always on My Mind." Although Siman had numerous opportunities to find success in bigger cities, he chose to do it all from his home in the Ozarks.
Sprache: Englisch
Verlag: University of Arkansas Press, Fayetteville, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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Paperback. Zustand: new. Paperback. Broadcasting the Ozarks explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Central to this history is the Ozark Jubilee (195560), the first regularly broadcast live country music show on network television. Dubbed the king of the televised barn dances, the show introduced the Ozarks region to viewers across America and put Springfield in the running with Nashville for dominance of the country music industrywith the Jubilees producer, Si Siman, at the helm. Simans life story is almost as remarkable as the show he produced. He was booking Tommy Dorsey, Ella Fitzgerald, and Glenn Miller during the mid-1930s while still a high school student and produced nationally syndicated country music radio shows in the decades that followed. Siman was a promotional genius with an ear for talent, a persuasive gift for gab, and the energy and persistence to make things happen for many future Country Music Hall of Famers, including Chet Atkins, Porter Wagoner, the Browns, and Brenda Lee. Following the Jubilees five-year run, Siman had a hand in some of the greatest hits of the twentieth century as a music publisher, collaborating with such songwriters as rockabilly legend and fellow Springfieldian Ronnie Self, who wrote Brenda Lees signature hit, Im Sorry, and Wayne Carson, who wrote Willie Nelsons Always on My Mind. Although Siman had numerous opportunities to find success in bigger cities, he chose to do it all from his home in the Ozarks. Explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Central to this history is the Ozark Jubilee (1955-60), the first regularly broadcast live country music show on network television. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: University of Arkansas Press, US, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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In den WarenkorbPaperback. Zustand: New. Broadcasting the Ozarks explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Central to this history is the Ozark Jubilee (1955-60), the first regularly broadcast live country music show on network television. Dubbed the "king of the televised barn dances," the show introduced the Ozarks region to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry-with the Jubilee's producer, Si Siman, at the helm. Siman's life story is almost as remarkable as the show he produced. He was booking Tommy Dorsey, Ella Fitzgerald, and Glenn Miller during the mid-1930s while still a high school student and produced nationally syndicated country music radio shows in the decades that followed. Siman was a promotional genius with an ear for talent, a persuasive gift for gab, and the energy and persistence to make things happen for many future Country Music Hall of Famers, including Chet Atkins, Porter Wagoner, the Browns, and Brenda Lee. Following the Jubilee's five-year run, Siman had a hand in some of the greatest hits of the twentieth century as a music publisher, collaborating with such songwriters as rockabilly legend and fellow Springfieldian Ronnie Self, who wrote Brenda Lee's signature hit, "I'm Sorry," and Wayne Carson, who wrote Willie Nelson's "Always on My Mind." Although Siman had numerous opportunities to find success in bigger cities, he chose to do it all from his home in the Ozarks.
Sprache: Englisch
Verlag: University of Arkansas Press, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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Verlag: University of Arkansas Press, 2024
ISBN 10: 1682262502 ISBN 13: 9781682262504
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In den WarenkorbHardback. Zustand: New. Broadcasting the Ozarks explores the vibrant country music scene that emerged in Springfield, Missouri, in the 1930s and thrived for half a century. Central to this history is the Ozark Jubilee (1955-60), the first regularly broadcast live country music show on network television. Dubbed the "king of the televised barn dances," the show introduced the Ozarks region to viewers across America and put Springfield in the running with Nashville for dominance of the country music industry-with the Jubilee's producer, Si Siman, at the helm. Siman's life story is almost as remarkable as the show he produced. He was booking Tommy Dorsey, Ella Fitzgerald, and Glenn Miller during the mid-1930s while still a high school student and produced nationally syndicated country music radio shows in the decades that followed. Siman was a promotional genius with an ear for talent, a persuasive gift for gab, and the energy and persistence to make things happen for many future Country Music Hall of Famers, including Chet Atkins, Porter Wagoner, the Browns, and Brenda Lee. Following the Jubilee's five-year run, Siman had a hand in some of the greatest hits of the twentieth century as a music publisher, collaborating with such songwriters as rockabilly legend and fellow Springfieldian Ronnie Self, who wrote Brenda Lee's signature hit, "I'm Sorry," and Wayne Carson, who wrote Willie Nelson's "Always on My Mind." Although Siman had numerous opportunities to find success in bigger cities, he chose to do it all from his home in the Ozarks.
Sprache: Englisch
Verlag: University of Arkansas Press, 2024
ISBN 10: 1682262510 ISBN 13: 9781682262511
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