knight gregory (179 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fair. No Jacket. Gregory Rogers (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Gregory Rogers (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Gregory Rogers (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Gregory Rogers (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: As New. Unread book in perfect condition.

mass_market. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Soft cover. Zustand: Very Good. No Jacket. s1 6"x9"; 280 pages; Volume 3 in the series, Popular Culture and Philosophy; The binding and pages are clean, tight and square. There is no underlining, highlighting or margin notes. A used copy with normal reading wear. If you order multiple titles, I will combine them in order to reduce postage costs. If you have any questions, contact me before ordering for details. Contains the following: Introduction: Meditations on The Matrix; Computers, Caves, and Oracles: Neo and Socrates by William Irvin; Skepticism, Morality, and The Matrix by Gerald J. Erion and Barry Smith; The Matrix Possibility by David Mitsuo Nixon; Seeing, Believing, Touching, Truth by Carolyn Korsmeyer; The Metaphysics of The Matrix by Jorge J. E. Gracia and Jonathan J. Sanford; The Machine Made Ghost: Or, The Philosophy of Mind, Matrix Style by Jason Holt; Neo Materialism and the Death of the Subject by Daniel Barwick; Fate, Freedom, and Foreknowledge by Theodore Schick, Jr.; There is No Spoon: A Buddhist Mirror by Michael Brannigan; The Religion of The Matrix and the Problems of Pluralism by Gregory Bassham; Happiness and Cyphers Choice: Is Ignorance Bliss? by Charles L. Griswold, Jr.; We Are (the) One! Kant Explains How to Manipulate the Matrix by James Lawler; Notes from Underground Nihilism and The Matrix by Thomas S. Hibbs; Popping a Bitter Pill: Existential Authenticity in The Matrix and Nausea by Jennifer L. McMahon; The Paradox of Real Response to Neo Fiction by Sarah E. Worth; Real Genre and Virtual Philosophy by Deborah Knight and George McKnight; Penetrating Keanu: New Holes, but the Same Old Shit by Cynthia Freeland; The Matrix, Marx, and the Coppertops Life by Martin A. Danahay and David Rieder; The Matrix Simulation and the Postmodern Age by David Weberman; The Matrix: Or, The Two Sides of Perversion by Slavoj Zizek; The Potentials; The Oracles Index.

Paperback. Zustand: Very Good. Gregory Rogers (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. 1780499072. 6/3/2026 3:04:32 PM.

Glazed Boards. Zustand: About Fine. First Edition, First Printing. First Edition, First Printing. Hard cover 8vo - over 7¾ - 9¾" Tall in glazed illustrated boards. About Fine w/ light scuffing; square w/ firm binding, interior clean and unmarked. xiv, 412pp inc. Index; illustrated in charts and graphs. Does not look like stock image. Book.

Zustand: New.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Near Fine. 1st Edition. Tanning inside covers. TU2.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Pamphlet. Zustand: Very Good. Vol 61, No 1, pp. 23-44, Maps, Illus, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet else VG.

SingleIssueMagazine. Zustand: Reading Copy. Vol. 10, No. 1. Edited by Gardner Dozois. Cover art by Hisaki Yasuda for "Count Zero" (pt. 1 of 3) by William Gibson. Includes "Pretty Boy Crossover" by Pat Cadigan; "Reduction' by Gregory Frost & John Kessel; "Special Education" by Tim Sullivan; "Jeff Beck" by Lewis Shriner; "The Eye of the Beholder" by Isaac Asimov. Departments: "Editorial: Old Hundredth" by Isaac Asimov; "Letters"; "Blues in the Night" by Martin Gardner; "Gaming" by Dana Lombardy; "Viewpoint: Theodore Sturgeon 1918-1985" by Harlan Ellison; Damon Knight, Isaac Asimov, Brian W. Aldiss, Stephen King, and Somtow Sucharitkul; "On Books: Must There Be War?" by Norman Spinrad; "Index to 1985"; "Mooney's Module" by Gerry Mooney; "The SF Conventional Calendar" by Erwin S. Strauss. Illustrated by Terry Lee, Arthur George, Hank Jankus, and J. K. Potter. Label pulls and bits remaining on front; tape at lower spine/front hinge; tears; creasing; tears and losses to first few pages (editorial and letters, no losses to stories). Reading copy. Book.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 546 pp., Illus, Grn Hardback, Fine & Crisp in Fine DJ, 1st ed.

Paperback. Zustand: VG. Text free of underlining, writing and highlighting. Light cover wear. Foreword Sculpture in its many forms has dominated the terrain of international art in the late 1980s, just as figurative painting marked the earlier part of the decade. If the sculptural object has often taken center stage in the marketplace, the periphery has continued to embrace such modes of expression as the environmental/sculptural statement. As one measure of the times, the last several Biennials at the Whitney Museum of American Art have reflected a notable increase in site-specific installations as part of the American scene. As many contemporary sculptors have rejected high-tech materials and processes, they have returned to more sensuous materials and a handmade quality to art. Installations as an artform have often led to experimentation with a vast range of materials new to art galleries and museums. With two decades of installation works in Chicago as background, we can now begin to record a history of the genre and to assess its continuing creative and critical impulses as we approach the 1990s. Arriving at a definition of installation art and avoiding the usual jargon is still difficult at best. Installations occur when the safe and often esoteric confines of the traditional gallery or museum space are manipulated by the artist into a controlled viewing experience. They require the observer to disregard the predictable approach to the art object, and to engage in a response formulated by the situation presented. Generally speaking, installations are best defined through interaction, bringing the artist and the viewer "face to face" in an encounter of thought and feeling. Present at the Creation grew out of the desire to showcase Chicago-based artists whose works do not fit the traditional format of institutional or commercial exhibitions. The title is a double entendre suggesting both the presence of the artist in the creative act, and the role of the public in its subsequent encounter with the creative process. It is loosely derived from a quote by Alphonsos X, King of Castile and Leone, a notable 13th century poet and intellectual. The emphasis here is given to five artists as inventors of experience, not on a shared motive or a particular aesthetic theme. Their range of artistic concerns reveals the primary strengths of the artform of installations: its emphasis on content through form?inviting the viewer into an orchestrated environment in order to respond to ideas and sensations. 45 pages.