Koons jeff michael archer (5 Ergebnisse)
- Softcover
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Softcover, 106 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
- Hardcover
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Allan, Hugh and Michael Archer. JEFF KOONS: Now. 90 pages, including 50 color plates. 4to, boards. London, Other Criteria, 2016. From an exhibition at Newport Street Gallery, London.
- Hardcover
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Hardcover. Zustand: Brand New. 90 pages. 12.50x9.25x0.75 inches. In Stock.
- Softcover
Anbieter: BWS BKS, Ferndale, NY, USABWS BKS
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Paperback. Zustand: New. Orderbook - wwb -----JEFF KOONS: ONE BALL TOTAL EQUILIBRIUM TANK. Michael Archer. Afterall Books, Central Saint Martins College of Art and Design, University of the Arts, London, 2011. One Work. Distributed in the U. S. A. By MIT Press, Cambridge. 116 pp. With 27 ills. (26 col. ). 21 x 15 cm. ISBN 978184…6380792 In English. Hardcover edition also available; see Worldwide 145306. Artist(s) : Koons, Jeff Indexing: Western â" United States â" Post-1970 â" Several Media Plans: 71 Worldwide Number: 145307Paperbound $16.00x (libraries receive a 10% discount on this title) 99 / CHANGE0722022; *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 116 pp. ; 27 illus. (26 in color. ) -- with a bonus offer--; In Jeff Koons's One Ball Total Equilibrium Tank (1985), a Spalding basketball floats in the center of a glass tank that stands on a four-legged black metal structure. It has been called one of the defining works of the 1980s--but also described (by such critics as Craig Owens, Rosalind Krauss, and Hal Foster) as "an endgame," "misleading," and "repulsive." The work presents what the artist called "the ultimate state of being"--neither death nor life but the absence of change. It captured a spirit of the time, characterized by commodification, seduction, and political inactivity. Its stillness embodied the opposite of social revolution. But the "total equilibrium" of the work is actually temporary. For purely physical reasons, the equilibrium is lost every six months and must be reset. In this extended essay on Koons's famous work, Michael Archer puts One Ball Total Equilibrium Tank in an art historical framework, describing its initial exhibition at International With Monument in New York and related issues of media, commercialism, and class. He discusses the wider context of the 1980s art world, in which a renewed attention to painting practices met the legacy of Pop and appropriation art--setting the stage for the negative critical reception Koons's artwork first received. Archer goes on to consider sport as celebrity-maker and industry; the physical science of equilibrium; and the implications of the fact that the equilibrium of One Ball Total Equilibrium Tank is indeed total--but temporary.
- Hardcover
Anbieter: BWS BKS, Ferndale, NY, USABWS BKS
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EUR 1.741,33
EUR 2,57 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: New. Orderbook - wwb -----JEFF KOONS: ONE BALL TOTAL EQUILIBRIUM TANK. Michael Archer. Afterall Books, Central Saint Martins College of Art and Design, University of the Arts, London, 2011. One Work. Distributed in the U. S. A. By MIT Press, Cambridge. 116 pp. With 27 ills. (26 col. ). 22 x 16 cm. ISBN 978184…6380785 In English. Paperbound edition also available; see Worldwide 145307. Artist(s) : Koons, Jeff Indexing: Western â" United States â" Post-1970 â" Several Media Plans: 71 Worldwide Number: 145306Hardcover $35.00x (libraries receive a 10% discount on this title) 99 / CHANGE0722022; *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 116 pp. ; 27 illus. (26 in color. ) -- with a bonus offer--; In Jeff Koons's One Ball Total Equilibrium Tank (1985), a Spalding basketball floats in the center of a glass tank that stands on a four-legged black metal structure. It has been called one of the defining works of the 1980s--but also described (by such critics as Craig Owens, Rosalind Krauss, and Hal Foster) as "an endgame," "misleading," and "repulsive." The work presents what the artist called "the ultimate state of being"--neither death nor life but the absence of change. It captured a spirit of the time, characterized by commodification, seduction, and political inactivity. Its stillness embodied the opposite of social revolution. But the "total equilibrium" of the work is actually temporary. For purely physical reasons, the equilibrium is lost every six months and must be reset. In this extended essay on Koons's famous work, Michael Archer puts One Ball Total Equilibrium Tank in an art historical framework, describing its initial exhibition at International With Monument in New York and related issues of media, commercialism, and class. He discusses the wider context of the 1980s art world, in which a renewed attention to painting practices met the legacy of Pop and appropriation art--setting the stage for the negative critical reception Koons's artwork first received. Archer goes on to consider sport as celebrity-maker and industry; the physical science of equilibrium; and the implications of the fact that the equilibrium of One Ball Total Equilibrium Tank is indeed total--but temporary.
