kutzenberger stefan (83 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Fine.

Hardback. Zustand: New. Admired by contemporaries as an artistic "jack - of - all - trades", Koloman Moser (1868 - 1918) is regarded today as one of the most important representatives of the Viennese Secession of around 1900. As a graphic artist and designer Moser was unparalleled in his artistic diversity, creating furniture, textiles, and objects - for the Wiener Werkstätte among others - that are icons of Modernism, as well as leaving behind an impressive oeuvre of paintings. A group of progressive artists, including Koloman M oser, founded "The Association of Visual Artists of Austria, Secession" under the leadership of Gustav Klimt in 1897. Moser in particular is considered the outstanding graphic artist of the Secession, thanks to his design of posters, exhibition concepts, a nd of the journal Ver Sacrum. He was the ideal master for the formation of the Gesamtkunstwerk "Vienna circa 1900", hardly surpassed in imagination and productivity. He applied his incredible virtuosity and inexhaustible fantasy to a variety of materials. In 1903 Moser founded, together with Josef Hoffmann and the industrialist Fritz Waerndorfer, the "Wiener Werkstätte" [Viennese Workshops]. The close cooperation between the designing artists and the master craftsmen allowed a completely new level of qualit y of to be attained in artisan craftwork. After 1907 Koloman Moser concentrated on painting once more. This publication presents exceptional examples of his art, drawn primarily from the Leopold Collection and situating them in a biographical and art histo rical context.

Softcover. Zustand: wie verlagsneu. Ohne Schutzumschlag. Erstausgabe. Wer in Wien Literatur studiert, besucht zu Beginn seine Vorlesung. Stefan Kutzenberger fragt seine Studenten dann gerne, warum sie sich für dieses Fach entschieden haben. Vor zwanzig Jahren erzählten sie von einem prägenden Besuch bei Friedrich Hölderlins Geburtshaus in Lauffen am Neckar. Vor zehn Jahren schwärmten sie von Harry Potter. Heute sagen sie: »Ich liebe Netflix und wollte etwas studieren, das mit Erzählen zu tun hat. Das Buch ist ganz interessant zu lesen, auch gemeinschaftlich zu raten. ABER: diese Antworten muss man nicht kennen, um über Literatur sprechen zu können.

hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Zustand: New.

hardcover. Zustand: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Zustand: New.

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Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Fair. Spuren von Feuchtigkeit / Nässe; Leichte Risse.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: new. Hardcover. The artistic gaze into the mirror - Egon Schiele personally and in close-up.Many artists share the desire for involvement with the self and their own appearance. In the oeuvre of Egon Schiele, self-portraits occupy a central role. Over a period of many years Schiele recorded himself in various poses and styles. This publication focuses in detail on this crucial and yet often only marginally mentioned aspect of his art.Egon Schiele's contorted and eccentric figures are among the world's iconic images. For many of these works he and his own body served as model. His interest often lay not in his own self, but more generally in the position of the individual in the changing modern world. As in experimental arrangements, Schiele poses in a variety of roles. In doing so he "uses" his face and wears it like a mask. The publication offers a comprehensive representation of this life theme of the artist genius. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Buch. Zustand: Neu. Neuware -Als »Tausendkünstler« von Zeitgenossen bewundert, gilt Koloman Moser (1868-1918) heute als einer der wichtigsten Protagonisten der Wiener Secession um 1900. Unvergleichlich in seiner künstlerischen Vielfalt schuf er als Grafiker und Designer von Möbeln, Textilien und Objekten, u.a. für die Wiener Werkstätte, Ikonen der Moderne und hinterließ zudem ein beeindruckendes malerisches Werk.Eine Gruppe fortschrittlicher Künstler, darunter Koloman Moser, gründete unter der Führung von Gustav Klimt 1897 »Die Vereinigung bildender Künstler Österreichs, Secession«. Vor allem Moser gilt mit seiner Gestaltung von Plakaten, Ausstellungskonzepten und der Zeitschrift Ver Sacrum als der herausragende Grafiker der Secession. Für das Zustandekommen des Gesamtkunstwerks »Wien um 1900« war er der ideale Meister - an Einfallsreichtum und Produktivität kaum zu überbieten. Mit einer nie enden wollenden Fantasie arbeitete er ungemein virtuos mit den unterschiedlichsten Materialien. 1903 gründete Moser gemeinsam mit Josef Hoffmann und dem Industriellen Fritz Waerndorfer die Wiener Werkstätte. Durch eine enge Zusammenarbeit zwischen dem entwerfenden Künstler und dem ausführenden Handwerker konnte hier ein vollkommen neues Qualitätsniveau im Kunsthandwerk erreicht werden. Ab 1907 wandte sich Koloman Moser wieder verstärkt der Malerei zu.Dieser Band zeigt herausragende Beispiele seiner Kunst, die überwiegend aus der umfangreichen Sammlung Leopold stammen, und setzt sie in einen biografischen und kunsthistorischen Kontext. 80 pp. Englisch.

Buch. Zustand: Neu. Neuware -Als »Tausendkünstler« von Zeitgenossen bewundert, gilt Koloman Moser (1868-1918) heute als einer der wichtigsten Protagonisten der Wiener Secession um 1900. Unvergleichlich in seiner künstlerischen Vielfalt schuf er als Grafiker und Designer von Möbeln, Textilien und Objekten, u.a. für die Wiener Werkstätte, Ikonen der Moderne und hinterließ zudem ein beeindruckendes malerisches Werk.Eine Gruppe fortschrittlicher Künstler, darunter Koloman Moser, gründete unter der Führung von Gustav Klimt 1897 »Die Vereinigung bildender Künstler Österreichs, Secession«. Vor allem Moser gilt mit seiner Gestaltung von Plakaten, Ausstellungskonzepten und der Zeitschrift Ver Sacrum als der herausragende Grafiker der Secession. Für das Zustandekommen des Gesamtkunstwerks »Wien um 1900« war er der ideale Meister - an Einfallsreichtum und Produktivität kaum zu überbieten. Mit einer nie enden wollenden Fantasie arbeitete er ungemein virtuos mit den unterschiedlichsten Materialien. 1903 gründete Moser gemeinsam mit Josef Hoffmann und dem Industriellen Fritz Waerndorfer die Wiener Werkstätte. Durch eine enge Zusammenarbeit zwischen dem entwerfenden Künstler und dem ausführenden Handwerker konnte hier ein vollkommen neues Qualitätsniveau im Kunsthandwerk erreicht werden. Ab 1907 wandte sich Koloman Moser wieder verstärkt der Malerei zu.Dieser Band zeigt herausragende Beispiele seiner Kunst, die überwiegend aus der umfangreichen Sammlung Leopold stammen, und setzt sie in einen biografischen und kunsthistorischen Kontext. 80 pp. Englisch.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. The artistic gaze into the mirror - Egon Schiele personally and in close-up. Many artists share the desire for involvement with the self and their own appearance. In the oeuvre of Egon Schiele, self-portraits occupy a central role. Over a period of many years Schiele recorded himself in various poses and styles. This publication focuses in detail on this crucial and yet often only marginally mentioned aspect of his art. Egon Schiele's contorted and eccentric figures are among the world's iconic images. For many of these works he and his own body served as model. His interest often lay not in his own self, but more generally in the position of the individual in the changing modern world. As in experimental arrangements, Schiele poses in a variety of roles. In doing so he "uses" his face and wears it like a mask. The publication offers a comprehensive representation of this life theme of the artist genius.

Hardcover. Zustand: New. A lavishly produced volume of Egon Schiele's self-portraits. Egon Schiele's contorted and eccentric figures are among the most familiar and iconic images in twentieth-century art. A good many of those figures are self-portraits. Schiele returned to himself as a subject again and again over a period of many years, recording himself in various poses and styles. When he used his own body as a model, his interest often lay not in his actual self, but more generally in the position of the individual in the changing modern world. Posing in a variety of roles, Schiele uses his face like a mask. This beautifully produced book offers a comprehensive account of this crucial, yet underappreciated, aspect of Schiele's art.

Zustand: New.

Zustand: As New. Hanna, Zeckau (illustrator). Unread book in perfect condition.

Hardcover. Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: New. In.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. 2024. 1st Edition. hardcover. . . . . .

Hardback. Zustand: New. The artistic gaze into the mirror - Egon Schiele personally and in close-up. Many artists share the desire for involvement with the self and their own appearance. In the oeuvre of Egon Schiele, self-portraits occupy a central role. Over a period of many years Schiele recorded himself in various poses and styles. This publication focuses in detail on this crucial and yet often only marginally mentioned aspect of his art. Egon Schiele's contorted and eccentric figures are among the world's iconic images. For many of these works he and his own body served as model. His interest often lay not in his own self, but more generally in the position of the individual in the changing modern world. As in experimental arrangements, Schiele poses in a variety of roles. In doing so he "uses" his face and wears it like a mask. The publication offers a comprehensive representation of this life theme of the artist genius.

Zustand: New. Hanna, Zeckau (illustrator).