larsen peter norgaard (50 Ergebnisse)

Softcover. Zustand: Very Good Plus. [ART]. Mikkel Bogh, Birgitte Anderberg, Anne Duer, Jan Garff, et al. "SMK Highlights: Statens Museum for Kunst [English]." Copenhagen: Statens Museum for Kunst, 2014. English language. Softcover with pictorial wrappers and French flaps. Nonfiction descriptive art historical texts with full-color illustrations. 9 1/2 x 5 3/4 inches. 14 oz. 144 pp. Crease in front wrapper. Sticker on front wrappers. Museum pamphlet laid-in. Text clean. Very Good Plus. ISBN: 8792023185.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Zustand: Fine. No marks in text. Not a library book. Ships in a cardboard enclosure. Tim's Used Books, open shop in Provincetown, Massachusetts, buyers and sellers of good books at fair prices since 1991. Come visit! Please contact us if downsizing your library; we travel worldwide to buy good collections.

Softcover (Stiff Card). Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. Size: Octavo (standard book size). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Denmark; ISBN: 8790096479. ISBN/EAN: 9788790096472. All our pictures shown here are of the actual item, not stock photos. Inventory No: 25730. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A few small stains.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

hardcover. Zustand: Good. Book shows minor shelf & handling wear. Pages are clean but show minimal paper yellowing on their edges. Text and pictures remain intact and unmarred. Good reading copy.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

24 x 17cm 220pp softcover in French flaps very good+ Collection of essays examining the transformation and expansion of the field of painting in relation to the general development of contemporary visual culture.

Zustand: New.

Hardcover. Zustand: new. Hardcover. These essays examine the transformation and expansion of the field of painting over the last decades in relation to the more general lines of development in contemporary culture and visuality. They pose questions like: How do paintings present themselves to us today; how are they 'framed' experientially, institutionally and culturally? In which way can paintings of today be said to reflect and reflect on the historical transformations of culture, visuality and image production and consumption? Is it possible to explain some of the changes and extensions of the field of painting by placing it in the wider context of cultural history or visual culture studies? The book is divided into five parts, with each of them pursuing a distinct line of inquiry: 1. How to situate painting in a wider cultural context; 2. How to rethink the question of the ontology of painting; 3. How to define 'painting' today by taking into consideration that the discipline has assimilated a wealth of new means of expression and materials; 4. How to address the role of gender in painting; 5. How to address the complex relationship between painting, art institutions and the art market. The essays collected in Contemporary Painting in Context examine the transformation and expansion of the field of painting over the last decades in relation to the more general lines of development in contemporary culture and visuality. The contributors pose questions, such as: How do paintings present themselves to us today? How are they 'framed' experientially, institutionally, and culturally? In which way can paintings of today be said to reflect, and reflect upon, the historical transformations of culture, visuality, image production, and consumption? Is it possible to explain some of the changes and extensions of the field of painting by placing it in the wider context of cultural history or visual culture studies? The book is divided into five parts, with each pursuing a distinct line of inquiry: how to situate painting in a wider cultural context * how to rethink the question of the ontology of painting * how to define 'painting' today by taking into consideration that the disci Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: Very Good. Very Good condition. Very Good dust jacket. Statens Museum For Kunst edition. (Art, Art Exhibition, Exhibition Catalog, Pictorial works) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Paperback. Zustand: New. These essays examine the transformation and expansion of the field of painting over the last decades in relation to the more general lines of development in contemporary culture and visuality. They pose questions like: How do paintings present themselves to us today; how are they 'framed' experientially, institutionally and culturally? In which way can paintings of today be said to reflect and reflect on the historical transformations of culture, visuality and image production and consumption? Is it possible to explain some of the changes and extensions of the field of painting by placing it in the wider context of cultural history or visual culture studies? The book is divided into five parts, with each of them pursuing a distinct line of inquiry: 1. How to situate painting in a wider cultural context; 2. How to rethink the question of the ontology of painting; 3. How to define 'painting' today by taking into consideration that the discipline has assimilated a wealth of new means of expression and materials; 4. How to address the role of gender in painting; 5. How to address the complex relationship between painting, art institutions and the art market.

Zustand: New.

Zustand: New. In.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. illustrated edition. 230 pages. 9.25x6.50x0.75 inches. In Stock.

Zustand: New. 2010. Paperback. Editor(s): Bogh, Mikkel; Christensen, Hans Dam; Larsen, Peter Norgaard; Petersen, Anne Ring. Num Pages: 220 pages, 30 colour illus. BIC Classification: ACXJ; AFC. Category: (G) General (US: Trade). Dimension: 237 x 169 x 18. Weight in Grams: 638. . . . . . Books ship from the US and Ireland.

Zustand: New. 2010. Paperback. Editor(s): Bogh, Mikkel; Christensen, Hans Dam; Larsen, Peter Norgaard; Petersen, Anne Ring. Num Pages: 220 pages, 30 colour illus. BIC Classification: ACXJ; AFC. Category: (G) General (US: Trade). Dimension: 237 x 169 x 18. Weight in Grams: 638. . . . . .

Zustand: Good. 2nd Edition. Paperback, numerous illustrations in colour, 8vo.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. One-inch tear to jacket. Light bump to top of spine.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good- Dust Jacket. First Edition. Very good hardcover in good- dust jacket, from a private collection. Binding is sound and sturdy, text and artwork are clean. DJ has shelf- and edgewear and a handful of quarter-sized stains. No additional printings listed (1st edition/printing in English, with various translators). Ships from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges to apply for international shipping.

Hardcover. First American Edition. Quarto. (11" x 12") 312pp. Green cloth in dust jacket. Catalogue for the exhibition held in at Ateneum Art Museum, Helsinki (21 April - 27 August 2006), Nationalmuseum, Stockholm (30 September 2006 - 14 January 2007), The National Museum of Art, Architecture and Design, Oslo (15 February - 20 May 2007), Statens Museum for Kunst, Copenhagen ( 6 October 2007 - 20 January 2008), and The Minneapolis Institute of Arts (23 June - 2 September 2007). Small closed tear and a bit of wrinkling and discoloration to jacket. Smudge to bottom edge of. A stunning book. Very Good in Very Good dust jacket.

Zustand: NEW.

Hardcover. Zustand: new. Hardcover. These essays examine the transformation and expansion of the field of painting over the last decades in relation to the more general lines of development in contemporary culture and visuality. They pose questions like: How do paintings present themselves to us today; how are they 'framed' experientially, institutionally and culturally? In which way can paintings of today be said to reflect and reflect on the historical transformations of culture, visuality and image production and consumption? Is it possible to explain some of the changes and extensions of the field of painting by placing it in the wider context of cultural history or visual culture studies? The book is divided into five parts, with each of them pursuing a distinct line of inquiry: 1. How to situate painting in a wider cultural context; 2. How to rethink the question of the ontology of painting; 3. How to define 'painting' today by taking into consideration that the discipline has assimilated a wealth of new means of expression and materials; 4. How to address the role of gender in painting; 5. How to address the complex relationship between painting, art institutions and the art market. The essays collected in Contemporary Painting in Context examine the transformation and expansion of the field of painting over the last decades in relation to the more general lines of development in contemporary culture and visuality. The contributors pose questions, such as: How do paintings present themselves to us today? How are they 'framed' experientially, institutionally, and culturally? In which way can paintings of today be said to reflect, and reflect upon, the historical transformations of culture, visuality, image production, and consumption? Is it possible to explain some of the changes and extensions of the field of painting by placing it in the wider context of cultural history or visual culture studies? The book is divided into five parts, with each pursuing a distinct line of inquiry: how to situate painting in a wider cultural context * how to rethink the question of the ontology of painting * how to define 'painting' today by taking into consideration that the disci Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.